The Commission in Lunacy - Honoré de Balzac (top inspirational books TXT) 📗

use. A certain nobleness in the details, the exquisite cleanliness of the furniture, and a perfect concord of men and things, all brought the word "suavity" to the lips.

Few persons were admitted to the rooms used by the Marquis and his two sons, whose life might perhaps seem mysterious to their neighbors. In a wing towards the street, on the third floor, there are three large rooms which had been left in the state of dilapidation and grotesque bareness to which they had been reduced by the printing works. These three rooms, devoted to the evolution of the Picturesque History of China, were contrived to serve as a writing-room, a depository, and a private room, where M. d'Espard sat during part of the day; for after breakfast till four in the afternoon the Marquis remained in this room on the third floor to work at the publication he had undertaken. Visitors wanting to see him commonly found him there, and often the two boys on their return from school resorted thither. Thus the ground-floor rooms were a sort of sanctuary where the father and sons spent their time from the hour of dinner till the next day, and his domestic life was carefully closed against the public eye.

His only servants were a cook--an old woman who had long been attached to his family--and a man-servant forty years old, who was with him when he married Mademoiselle de Blamont. His children's nurse had also remained with them, and the minute care to which the apartment bore witness revealed the sense of order and the maternal affections expended by this woman in her master's interest, in the management of his house, and the charge of his children. These three good souls, grave, and uncommunicative folk, seemed to have entered into the idea which ruled the Marquis' domestic life. And the contrast between their habits and those of most servants was a peculiarity which cast an air of mystery over the house, and fomented the calumny to which M. d'Espard himself lent occasion. Very laudable motives had made him determine never to be on visiting terms with any of the other tenants in the house. In undertaking to educate his boys he wished to keep them from all contact with strangers. Perhaps, too, he wished to avoid the intrusion of neighbors.

In a man of his rank, at a time when the Quartier Latin was distracted by Liberalism, such conduct was sure to rouse in opposition a host of petty passions, of feelings whose folly is only to be measured by their meanness, the outcome of porters' gossip and malevolent tattle from door to door, all unknown to M. d'Espard and his retainers. His man-servant was stigmatized as a Jesuit, his cook as a sly fox; the nurse was in collusion with Madame Jeanrenaud to rob the madman. The madman was the Marquis. By degrees the other tenants came to regard as proofs of madness a number of things they had noticed in M. d'Espard, and passed through the sieve of their judgment without discerning any reasonable motive for them.

Having no belief in the success of the History of China, they had managed to convince the landlord of the house that M. d'Espard had no money just at a time when, with the forgetfulness which often befalls busy men, he had allowed the tax-collector to send him a summons for non-payment of arrears. The landlord forthwith claimed his quarter's rent from January 1st by sending in a receipt, which the porter's wife had amused herself by detaining. On the 15th a summons to pay was served on M. d'Espard, the portress had delivered it at her leisure, and he supposed it to be some misunderstanding, not conceiving of any incivility from a man in whose house he had been living for twelve years. The Marquis was actually seized by a bailiff at the time when his man-servant had gone to carry the money for the rent to the landlord.

This arrest, assiduously reported to the persons with whom he was in treaty for his undertaking, had alarmed some of them who were already doubtful of M. d'Espard's solvency in consequence of the enormous sums which Baron Jeanrenaud and his mother were said to be receiving from him. And, indeed, these suspicions on the part of the tenants, the creditors, and the landlord had some excuse in the Marquis' extreme economy in housekeeping. He conducted it as a ruined man might. His servants always paid in ready money for the most trifling necessaries of life, and acted as not choosing to take credit; if now they had asked for anything on credit, it would probably have been refused, calumnious gossip had been so widely believed in the neighborhood. There are tradesmen who like those of their customers who pay badly when they see them often, while they hate others, and very good ones, who hold themselves on too high a level to allow of any familiarity as CHUMS, a vulgar but expressive word. Men are made so; in almost every class they will allow to a gossip, or a vulgar soul that flatters them, facilities and favors they refuse to the superiority they resent, in whatever form it may show itself. The shopkeeper who rails at the Court has his courtiers.

In short, the manners of the Marquis and his children were certain to arouse ill-feeling in their neighbors, and to work them up by degrees to the pitch of malevolence when men do not hesitate at an act of meanness if only it may damage the adversary they have themselves created.

M. d'Espard was a gentleman, as his wife was a lady, by birth and breeding; noble types, already so rare in France that the observer can easily count the persons who perfectly realize them. These two characters are based on primitive ideas, on beliefs that may be called innate, on habits formed in infancy, and which have ceased to exist. To believe in pure blood, in a privileged race, to stand in thought above other men, must we not from birth have measured the distance which divides patricians from the mob? To command, must we not have never met our equal? And finally, must not education inculcate the ideas with which Nature inspires those great men on whose brow she has placed a crown before their mother has ever set a kiss there? These ideas, this education, are no longer possible in France, where for forty years past chance has arrogated the right of making noblemen by dipping them in the blood of battles, by gilding them with glory, by crowning them with the halo of genius; where the abolition of entail and of eldest sonship, by frittering away estates, compels the nobleman to attend to his own business instead of attending to affairs of state, and where personal greatness can only be such greatness as is acquired by long and patient toil: quite a new era.

Regarded as a relic of that great institution know as feudalism, M. d'Espard deserved respectful admiration. If he believed himself to be by blood the superior of other men, he also believed in all the obligations of nobility; he had the virtues and the strength it demands. He had brought up his children in his own principles, and taught them from the cradle the religion of their caste. A deep sense of their own dignity, pride of name, the conviction that they were by birth great, gave rise in them to a kingly pride, the courage of knights, and the protecting kindness of a baronial lord; their manners, harmonizing with their notions, would have become princes, and offended all the world of the Rue de la Montagne-Sainte-Genevieve--a world, above all others, of equality, where every one believed that M. d'Espard was ruined, and where all, from the lowest to the highest, refused the privileges of nobility to a nobleman without money, because they were all ready to allow an enriched bourgeois to usurp them. Thus the lack of communion between this family and other persons was as much moral as it was physical.

In the father and the children alike, their personality harmonized with the spirit within. M. d'Espard, at this time about fifty, might have sat as a model to represent the aristocracy of birth in the nineteenth century. He was slight and fair; there was in the outline and general expression of his face a native distinction which spoke of lofty sentiments, but it bore the impress of a deliberate coldness which commanded respect a little too decidedly. His aquiline nose bent at the tip from left to right, a slight crookedness which was not devoid of grace; his blue eyes, his high forehead, prominent enough at the brows to form a thick ridge that checked the light and shaded his eyes, all indicated a spirit of rectitude, capable of perseverance and perfect loyalty, while it gave a singular look to his countenance. This penthouse forehead might, in fact, hint at a touch of madness, and his thick-knitted eyebrows added to the apparent eccentricity. He had the white well-kept hands of a gentleman; his foot was high and narrow. His hesitating speech--not merely as to his pronunciation, which was that of a stammerer, but also in the expression of his ideas, his thought and language--produced on the mind of the hearer the impression of a man who, in familiar phraseology, comes and goes, feels his way, tries everything, breaks off his gestures, and finishes nothing. This defect was purely superficial, and in contrast with the decisiveness of a firmly-set mouth, and the strongly-marked character of his physiognomy. His rather jerky gait matched his mode of speech. These peculiarities helped to affirm his supposed insanity. In spite of his elegant appearance, he was systematically parsimonious in his personal expenses, and wore the same black frock-coat for three or four years, brushed with extreme care by his old man-servant.

As to the children, they both were handsome, and endowed with a grace which did not exclude an expression of aristocratic disdain. They had the bright coloring, the clear eye, the transparent flesh which reveal habits of purity, regularity of life, and a due proportion of work and play. They both had black hair and blue eyes, and a twist in their nose, like their father; but their mother, perhaps, had transmitted to them the dignity of speech, of look and mien, which are hereditary in the Blamont-Chauvrys. Their voices, as clear as crystal, had an emotional quality, the softness which proves so seductive; they had, in short, the voice a woman would willingly listen to after feeling the flame of their looks. But, above all, they had the modesty of pride, a chaste reserve, a _touch-me-not_ which at a maturer age might have seemed intentional coyness, so much did their demeanor inspire a wish to know them. The elder, Comte Clement de Negrepelisse, was close upon his sixteenth year. For the last two years he had ceased to wear the pretty English round jacket which his brother, Vicomte Camille d'Espard, still wore. The Count, who for the last six months went no more to the College Henri IV., was dressed in the style of a young man enjoying the first pleasures of fashion. His father had not wished to condemn him to a year's useless study of philosophy; he was trying to give his knowledge some consistency by the study of transcendental mathematics. At the same time, the Marquis was having him taught Eastern languages, the international law of Europe, heraldry, and history from the original sources, charters, early documents, and collections of edicts. Camille had lately begun to study rhetoric.

The day when Popinot arranged to go to question M. d'Espard was a Thursday, a holiday. At about nine in the morning, before their father was awake, the brothers were