Marius the Epicurean — Volume 2 by Walter Pater (top 10 non fiction books of all time TXT) 📗

“Your old men shall dream dreams, and your young men shall see visions.”

Cornelius had certain friends in or near Rome, whose household, to Marius, as he pondered now and again what might be the determining influences of that peculiar character, presented itself as possibly its main secret—the hidden source from which the beauty and strength of a nature, so persistently fresh in the midst of a somewhat jaded world, might be derived. But Marius had never yet seen these friends; and it was almost by accident that the veil of reserve was at last lifted, and, with strange contrast to his visit to the poet’s villa at Tusculum, he entered another curious house.

“The house in which she lives,” says that mystical German writer quoted once before, “is for the orderly soul, which does not live on blindly before her, but is ever, out of her passing experiences, building and adorning the parts of a many-roomed abode for herself, only an expansion of the body; as the body, according to the philosophy of Swedenborg,+ is but a process, an expansion, of the soul. For such an orderly soul, as life proceeds, all sorts of delicate affinities establish themselves, between herself and the doors and passage-ways, the lights and shadows, of her outward dwelling-place, until she may seem incorporate with it—until at last, in the entire expressiveness of what is outward, there is for her, to speak properly, between outward and inward, no longer any distinction at all; and the light which creeps at a particular hour on a particular picture or space upon the wall, the scent of flowers in the air at a particular window, become to her, not so much apprehended objects, as themselves powers of apprehension and door-ways to things beyond—the germ or rudiment of certain new faculties, by which she, dimly yet surely, apprehends a matter lying beyond her actually attained capacities of spirit and sense.”

So it must needs be in a world which is itself, we may think, together with that bodily “tent” or “tabernacle,” only one of many vestures for the clothing of the pilgrim soul, to be left by her, surely, as if on the wayside, worn-out one by one, as it was from her, indeed, they borrowed what momentary value or significance they had.

The two friends were returning to Rome from a visit to a country-house, where again a mixed company of guests had been assembled; Marius, for his part, a little weary of gossip, and those sparks of ill-tempered rivalry, which would seem sometimes to be the only sort of fire the intercourse of people in general society can strike out of them. A mere reaction upon this, as they started in the clear morning, made their companionship, at least for one of them, hardly less tranquillising than the solitude he so much valued. Something in the south-west wind, combining with their own intention, favoured increasingly, as the hours wore on, a serenity like that Marius had felt once before in journeying over the great plain towards Tibur—a serenity that was to-day brotherly amity also, and seemed to draw into its own charmed circle whatever was then present to eye or ear, while they talked or were silent together, and all petty irritations, and the like, shrank out of existence, or kept certainly beyond its limits. The natural fatigue of the long journey overcame them quite suddenly at last, when they were still about two miles distant from Rome. The seemingly endless line of tombs and cypresses had been visible for hours against the sky towards the west; and it was just where a cross-road from the Latin Way fell into the Appian, that Cornelius halted at a doorway in a long, low wall—the outer wall of some villa courtyard, it might be supposed— as if at liberty to enter, and rest there awhile. He held the door open for his companion to enter also, if he would; with an expression, as he lifted the latch, which seemed to ask Marius, apparently shrinking from a possible intrusion: “Would you like to see it?” Was he willing to look upon that, the seeing of which might define—yes! define the critical turning-point in his days?

The little doorway in this long, low wall admitted them, in fact, into the court or garden of a villa, disposed in one of those abrupt natural hollows, which give its character to the country in this place; the house itself, with all its dependent buildings, the spaciousness of which surprised Marius as he entered, being thus wholly concealed from passengers along the road. All around, in those well-ordered precincts, were the quiet signs of wealth, and of a noble taste—a taste, indeed, chiefly evidenced in the selection and juxtaposition of the material it had to deal with, consisting almost exclusively of the remains of older art, here arranged and harmonised, with effects, both as regards colour and form, so delicate as to seem really derivative from some finer intelligence in these matters than lay within the resources of the ancient world. It was the old way of true Renaissance—being indeed the way of nature with her roses, the divine way with the body of man, perhaps with his soul—conceiving the new organism by no sudden and abrupt creation, but rather by the action of a new principle upon elements, all of which had in truth already lived and died many times. The fragments of older architecture, the mosaics, the spiral columns, the precious corner-stones of immemorial building, had put on, by such juxtaposition, a new and singular expressiveness, an air of grave thought, of an intellectual purpose, in itself, æsthetically, very seductive. Lastly, herb and tree had taken possession, spreading their seed-bells and light branches, just astir in the trembling air, above the ancient garden-wall, against the wide realms of sunset. And from the first they could hear singing, the singing of children mainly, it would seem, and of a new kind; so novel indeed in its effect, as to bring suddenly to the recollection of Marius, Flavian’s early essays towards a new world of poetic sound. It was the expression not altogether of mirth, yet of some wonderful sort of happiness—the blithe self-expansion of a joyful soul in people upon whom some all-subduing experience had wrought heroically, and who still remembered, on this bland afternoon, the hour of a great deliverance.

His old native susceptibility to the spirit, the special sympathies, of places,—above all, to any hieratic or religious significance they might have,—was at its liveliest, as Marius, still encompassed by that peculiar singing, and still amid the evidences of a grave discretion all around him, passed into the house. That intelligent seriousness about life, the absence of which had ever seemed to remove those who lacked it into some strange species wholly alien from himself, accumulating all the lessons of his experience since those first days at White-nights, was as it were translated here, as if in designed congruity with his favourite precepts of the power of physical vision, into an actual picture. If the true value of souls is in proportion to what they can admire, Marius was just then an acceptable soul. As he passed through the various chambers, great and small, one dominant thought increased upon him, the thought of chaste women and their children—of all the various affections of family life under its most natural conditions, yet developed, as if in devout imitation of some sublime new type of it, into large controlling passions. There reigned throughout, an order and purity, an orderly disposition, as if by way of making ready for some gracious spousals. The place itself was like a bride adorned for her husband; and its singular cheerfulness, the abundant light everywhere, the sense of peaceful industry, of which he received a deep impression though without precisely reckoning wherein it resided, as he moved on rapidly, were in forcible contrast just at first to the place to which he was next conducted by Cornelius still with a sort of eager, hurried, half-troubled reluctance, and as