Marius the Epicurean — Volume 2 by Walter Pater (top 10 non fiction books of all time TXT) 📗
- Author: Walter Pater
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NOTES
93. +Emanuel Swedenborg, Swedish mystic writer, 1688-1772. Return.
“THE MINOR PEACE OF THE CHURCH”
Faithful to the spirit of his early Epicurean philosophy and the impulse to surrender himself, in perfectly liberal inquiry about it, to anything that, as a matter of fact, attracted or impressed him strongly, Marius informed himself with much pains concerning the church in Cecilia’s house; inclining at first to explain the peculiarities of that place by the establishment there of the schola or common hall of one of those burial-guilds, which then covered so much of the unofficial, and, as it might be called, subterranean enterprise of Roman society.
And what he found, thus looking, literally, for the dead among the living, was the vision of a natural, a scrupulously natural, love, transforming, by some new gift of insight into the truth of human relationships, and under the urgency of some new motive by him so far unfathomable, all the conditions of life. He saw, in all its primitive freshness and amid the lively facts of its actual coming into the world, as a reality of experience, that regenerate type of humanity, which, centuries later, Giotto and his successors, down to the best and purest days of the young Raphael, working under conditions very friendly to the imagination, were to conceive as an artistic ideal. He felt there, felt amid the stirring of some wonderful new hope within himself, the genius, the unique power of Christianity; in exercise then, as it has been exercised ever since, in spite of many hindrances, and under the most inopportune circumstances. Chastity,—as he seemed to understand—the chastity of men and women, amid all the conditions, and with the results, proper to such chastity, is the most beautiful thing in the world and the truest conservation of that creative energy by which men and women were first brought into it. The nature of the family, for which the better genius of old Rome itself had sincerely cared, of the family and its appropriate affections—all that love of one’s kindred by which obviously one does triumph in some degree over death—had never been so felt before. Here, surely! in its genial warmth, its jealous exclusion of all that was opposed to it, to its own immaculate naturalness, in the hedge set around the sacred thing on every side, this development of the family did but carry forward, and give effect to, the purposes, the kindness, of nature itself, friendly to man. As if by way of a due recognition of some immeasurable divine condescension manifest in a certain historic fact, its influence was felt more especially at those points which demanded some sacrifice of one’s self, for the weak, for the aged, for little children, and even for the dead. And then, for its constant outward token, its significant manner or index, it issued in a certain debonair grace, and a certain mystic attractiveness, a courtesy, which made Marius doubt whether that famed Greek “blitheness,” or gaiety, or grace, in the handling of life, had been, after all, an unrivalled success. Contrasting with the incurable insipidity even of what was most exquisite in the higher Roman life, of what was still truest to the primitive soul of goodness amid its evil, the new creation he now looked on—as it were a picture beyond the craft of any master of old pagan beauty—had indeed all the appropriate freshness of a “bride adorned for her husband.” Things new and old seemed to be coming as if out of some goodly treasure-house, the brain full of science, the heart rich with various sentiment, possessing withal this surprising healthfulness, this reality of heart.
“You would hardly believe,” writes Pliny,—to his own wife!—“what a longing for you possesses me. Habit—that we have not been used to be apart—adds herein to the primary force of affection. It is this keeps me awake at night fancying I see you beside me. That is why my feet take me unconsciously to your sitting-room at those hours when I was wont to visit you there. That is why I turn from the door of the empty chamber, sad and ill-at-ease, like an excluded lover.”—
There, is a real idyll from that family life, the protection of which had been the motive of so large a part of the religion of the Romans, still surviving among them; as it survived also in Aurelius, his disposition and aims, and, spite of slanderous tongues, in the attained sweetness of his interior life. What Marius had been permitted to see was a realisation of such life higher still: and with—Yes! with a more effective sanction and motive than it had ever possessed before, in that fact, or series of facts, to be ascertained by those who would.
The central glory of the reign of the Antonines was that society had attained in it, though very imperfectly, and for the most part by cumbrous effort of law, many of those ends to which Christianity went straight, with the sufficiency, the success, of a direct and appropriate instinct. Pagan Rome, too, had its touching charity-sermons on occasions of great public distress; its charity-children in long file, in memory of the elder empress Faustina; its prototype, under patronage of Aesculapius, of the modern hospital for the sick on the island of Saint Bartholomew. But what pagan charity was doing tardily, and as if with the painful calculation of old age, the church was doing, almost without thinking about it, with all the liberal enterprise of youth, because it was her very being thus to do. “You fail to realise your own good intentions,” she seems to say, to pagan virtue, pagan kindness. She identified herself with those intentions and advanced them with an unparalleled freedom and largeness. The gentle Seneca would have reverent burial provided even for the dead body of a criminal. Yet when a certain woman collected for interment the insulted remains of Nero, the pagan world surmised that she must be a Christian: only a Christian would have been likely to conceive so chivalrous a devotion towards mere wretchedness. “We refuse to be witnesses even of a homicide commanded by the law,” boasts the dainty conscience of a Christian apologist, “we take no part in your cruel sports nor in the spectacles of the amphitheatre, and we hold that to witness a murder is the same thing as to commit one.” And there was another duty almost forgotten, the sense of which Rousseau brought back to the degenerate society of a later age. In an impassioned discourse the sophist Favorinus counsels mothers to suckle their own infants; and there are Roman epitaphs erected to mothers, which gratefully record this proof of natural affection as a thing then unusual. In this matter too, what a sanction, what a provocative to natural duty, lay in that image discovered to Augustus by the Tiburtine Sibyl, amid the aurora of a new age, the image of the Divine Mother and the Child, just then rising upon the world like the dawn!
Christian belief, again, had presented itself as a great inspirer of chastity. Chastity, in turn, realised in the whole scope of its conditions, fortified that rehabilitation of peaceful labour, after the mind, the pattern, of the workman of Galilee, which was another of the natural instincts of the catholic church, as being indeed the long-desired initiator of a religion of cheerfulness, as a true lover of the industry—so to term it—the labour, the creation, of God.
And this severe yet genial assertion of the ideal of woman, of the family, of industry, of man’s work in life, so close to the truth of nature, was also, in that charmed hour of the minor “Peace of the church,” realised as an influence tending to beauty, to the adornment of life and the world. The sword in the world, the right eye plucked out, the right hand cut off, the spirit of reproach which those images express, and of which monasticism is the fulfilment, reflect one side only of the nature of the divine missionary of the New Testament. Opposed to, yet blent with, this ascetic or militant character, is the function of the Good Shepherd, serene, blithe and debonair, beyond the gentlest shepherd of Greek mythology; of a king under whom the beatific vision is realised of a reign of peace—peace of heart—among men. Such aspect of the divine character of Christ, rightly understood, is indeed the final consummation of that bold and brilliant hopefulness in man’s nature, which had sustained him so far through his immense labours, his immense sorrows, and of which pagan gaiety in the handling of life, is but a minor achievement. Sometimes one, sometimes the other, of those two contrasted aspects of its Founder, have, in different ages and under the urgency of different human needs, been at work also in the Christian Church. Certainly, in that brief “Peace of the church” under the Antonines, the spirit of a pastoral security and happiness seems to have been largely expanded. There, in the early church of Rome, was to be seen, and on sufficiently reasonable grounds, that satisfaction and serenity on a dispassionate survey of the facts of life, which all hearts had desired, though for the most part in vain, contrasting itself for Marius, in particular, very forcibly, with the imperial philosopher’s so heavy burden of unrelieved melancholy. It was Christianity in its humanity, or even its humanism, in its generous hopes for man, its common sense and alacrity of cheerful service, its sympathy with all creatures, its appreciation of beauty and daylight.
“The angel of righteousness,” says the Shepherd of Hermas, the most characteristic religious book of that age, its Pilgrim’s Progress—“the angel of righteousness is modest and delicate and meek and quiet. Take from thyself grief, for (as Hamlet will one day discover) ’tis the sister of doubt and ill-temper. Grief is more evil than any other spirit of evil, and is most dreadful to the servants of God, and beyond all spirits destroyeth man. For, as when good news is come to one in grief, straightway he forgetteth his former grief, and no longer attendeth to anything except the good news which he hath heard, so do ye, also! having received a renewal of your soul through the beholding of these good things. Put on therefore gladness that hath always favour before God, and is acceptable unto Him, and delight thyself in it; for every man that is glad doeth the things that are good, and thinketh good thoughts, despising grief.”—Such were the commonplaces of this new people, among whom so much of what Marius had valued most in the old world seemed to be under renewal and further promotion. Some transforming spirit was at work to harmonise contrasts, to deepen expression—a spirit which, in its dealing with the elements of ancient life, was guided by a wonderful tact of selection, exclusion, juxtaposition, begetting thereby a unique effect of freshness, a grave yet wholesome beauty, because the world of sense, the whole outward world was understood to set forth the veritable unction and royalty of a certain priesthood and kingship of the soul within, among the prerogatives of which was a delightful sense of freedom.
The reader may think perhaps, that Marius, who, Epicurean as he was, had his visionary aptitudes, by an inversion of one of Plato’s peculiarities with which he was of course familiar, must have descended, by foresight, upon a later age than his own, and anticipated Christian poetry
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