Jean-Christophe, vol 1 - Romain Rolland (best books to read in your 20s .TXT) 📗
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He reckoned without the malevolence of small towns. They are tenacious
in their spite—all the more tenacious because their spite is aimless. A
healthy hatred which knows what it wants is appeased when it has achieved
its end. But men who are mischievous from boredom never lay down their
arms, for they are always bored. Christophe was a natural prey for their
want of occupation. He was beaten without a doubt; but he was bold enough
not to seem crushed. He did not bother anybody, but then he did not bother
about anybody. He asked nothing. They were impotent against him. He was
happy with his new friends and indifferent to anything that was said or
thought of him. That was intolerable.—Frau Reinhart roused even more
irritation. Her open friendship with Christophe in the face of the whole
town seemed, like his attitude, to be a defiance of public opinion. But the
good Lili Reinhart defied nothing and nobody. She had no thought to provoke
others; she did what she thought fit without asking anybody else’s advice.
That was the worst provocation.
All their doings were watched. They had no idea of it. He was extravagant,
she scatterbrained, and both even wanting in prudence when they went out
together, or even at home in the evening, when they leaned over the balcony
talking and laughing. They drifted innocently into a familiarity of speech
and manner which could easily supply food for calumny.
One morning Christophe received an anonymous letter. He was accused in
basely insulting terms of being Frau Reinhart’s lover. His arms fell by his
sides. He had never had the least thought of love or even of flirtation
with her. He was too honest. He had a Puritanical horror of adultery. The
very idea of such a dirty sharing gave him a physical and moral feeling of
nausea. To take the wife of a friend would have been a crime in his eyes,
and Lili Reinhart would have been the last person in the world with whom he
could have been tempted to commit such an offense. The poor woman was not
beautiful, and he would not have had even the excuse of passion.
He went to his friends ashamed and embarrassed. They also were embarrassed.
Each of them had received a similar letter, but they had not dared to tell
each other, and all three of them were on their guard and watched each
other and dared not move or speak, and they just talked nonsense. If Lili
Reinhart’s natural carelessness took the ascendant for a moment, or if
she began to laugh and talk wildly, suddenly a look from her husband or
Christophe would stop her dead; the letter would cross her mind; she would
stop in the middle of a familiar gesture and grow uneasy. Christophe and
Reinhart were in the same plight. And each of them was thinking: “Do the
others know?”
However, they said nothing to each other and tried to go on as though
nothing had happened.
But the anonymous letters went on, growing more and mores insulting and
dirty. They were plunged into a condition of depression and intolerable
shame. They hid themselves when they received the letters, and had not the
strength to burn them unopened. They opened them with trembling hands, and
as they unfolded the letters their hearts would sink; and when they read
what they feared to read, with some new variation on the same theme—the
injurious and ignoble inventions of a mind bent on causing a hurt—they
wept in silence. They racked their brains to discover who the wretch might
be who so persistently persecuted them..
One day Frau Reinhart, at the end of her letter, confessed the persecution
of which she was the victim to her husband, and with tears in his eyes he
confessed that he was suffering in the same way. Should they mention it
to Christophe? They dared not. But they had to warn him to make him be
cautious.—At the first words that Frau Reinhart said to him, with a blush,
she saw to her horror that Christophe had also received letters. Such utter
malignance appalled them. Frau Reinhart had no doubt that the whole town
was in the secret. Instead of helping each other, they only undermined
each other’s fortitude. They did not know what to do. Christophe talked of
breaking somebody’s head. But whose? And besides, that would be to justify
the calumny!… Inform the police of the letters?—That would make their
insinuations public…—Pretend to ignore them? It was no longer possible.
Their friendly relations were now disturbed. It was useless for Reinhart to
have absolute faith in the honesty of his wife and Christophe. He suspected
them in spite of himself. He felt that his suspicions were shameful and
absurd, and tried hard not to pay any heed to them, and to leave Christophe
and his wife alone together. But he suffered, and his wife saw that he was
suffering.
It was even worse for her. She had never thought of flirting with
Christophe, any more than he had thought of it with her. The calumnious
letters brought her imperceptibly to the ridiculous idea that after
all Christophe was perhaps in love with her; and although he was never
anywhere near showing any such feeling for her, she thought she must defend
herself, not by referring directly to it, but by clumsy precautions, which
Christophe did not understand at first, though, when he did understand, he
was beside himself. It was so stupid that it made him laugh and cry at the
same time! He in love with the honest little woman, kind enough as she was,
but plain and common!… And to think that she should believe it!… And
that he could not deny it, and tell her and her husband:
“Come! There is no danger! Be calm!…” But no; he could not offend these
good people. And besides, he was beginning to think that if she held out
against being loved by him it was because she was secretly on the point of
loving him. The anonymous letters had had the fine result of having given
him so foolish and fantastic an idea.
The situation had become at once so painful and so silly that it was
impossible for this to go on. Besides, Lili Reinhart, who, in spite of her
brave words, had no strength of character, lost her head in the face of the
dumb hostility of the little town. They made shamefaced excuses for not
meeting:
“Frau Reinhart was unwell…. Reinhart was busy…. They were going away
for a few days….”
Clumsy lies which were always unmasked by chance, which seemed to take a
malicious pleasure in doing so.
Christophe was more frank, and said:
“Let us part, my friends. We are not strong enough.”
The Reinharts wept.—But they were happier when the breach was made.
The town had its triumph. This time Christophe was quite alone. It had
robbed him of his last breath of air:—the affection, however humble,
without which no heart can live.
III DELIVERANCEHe had no one. All his friends had disappeared. His dear Gottfried, who had
come to his aid in times of difficulty, and whom now he so sorely needed,
had gone some months before. This time forever. One evening in the summer
of the last year a letter in large handwriting, bearing the address of a
distant village, had informed Louisa that her brother had died upon one of
his vagabond journeys which the little peddler had insisted on making, in
spite of his ill health. He was buried there in the cemetery of the place.
The last manly and serene friendship which could have supported Christophe
had been swallowed up. He was left alone with his old mother, who cared
nothing for his ideas—could only love him and not understand him. About
him was the immense plain of Germany, the green ocean. At every attempt to
climb out of it he only slipped back deeper than ever. The hostile town
watched him drown….
And as he was struggling a light flashed upon him in the middle of the
night, the image of Hassler, the great musician whom he had loved so much
when he was a child. His fame shone over all Germany now. He remembered
the promises that Hassler had made him then. And he clung to this piece of
wreckage in desperation. Hassler could save him! Hassler must save him!
What was he asking? Not help, nor money, nor material assistance of any
kind. Nothing but understanding. Hassler had been persecuted like him.
Hassler was a free man. He would understand a free man, whom German
mediocrity was pursuing with its spite and trying to crush. They were
fighting the same battle.
He carried the idea into execution as soon as it occurred to him. He told
his mother that he would be away for a week, and that very evening he took
the train for the great town in the north of Germany where Hassler was
Kapellmeister, He could not wait. It was a last effort to breathe.
*
Hassler was famous. His enemies had not disarmed, but his friends cried
that he was the greatest musician, present, past and future. He was
surrounded by partisans and detractors who were equally absurd. As he was
not of a very firm character, he had been embittered by the last, and
mollified by the first. He devoted his energy to writing things to annoy
his critics and make them cry out. He was like an urchin playing pranks.
These pranks were often in the most detestable taste. Not only did he
devote his prodigious talent to musical eccentricities which made the
hair of the pontiffs stand on end, but he showed a perverse predilection
for queer themes, bizarre subjects, and often for equivocal and scabrous
situations; in a word, for everything which could offend ordinary good
sense and decency. He was quite happy when the people howled, and the
people did not fail him. Even the Emperor, who dabbled in art, as every
one knows, with the insolent presumption of upstarts and princes, regarded
Hassler’s fame as a public scandal, and let no opportunity slip of showing
his contemptuous indifference to his impudent works. Hassler was enraged
and delighted by such august opposition, which had almost become a
consecration for the advanced paths in German art, and went on smashing
windows. At every new folly his friends went into ecstasies and cried that
he was a genius.
Hassler’s coterie was chiefly composed of writers, painters, and decadent
critics who certainly had the merit of representing the party of revolt
against the reaction—always a menace in North Germany—of the pietistic
spirit and State morality; but in the struggle the independence had been
carried to a pitch of absurdity of which they were unconscious. For, if
many of them were not lacking in a rude sort of talent, they had little
intelligence and less taste. They could not rise above the fastidious
atmosphere which they had created, and like all cliques, they had ended by
losing all sense of real life. They legislated for themselves and hundreds
of fools who read their reviews and gulped down everything they were
pleased to promulgate. Their adulation had been fatal to Hassler, for it
had made him too pleased with himself. He accepted without examination
every musical idea that came into his head, and he had a private
conviction, however he might fall below his own level, he was still
superior to that of all other musicians. And though that idea was only too
true in the majority of cases, it did not follow that it was a very fit
state of mind for the creation of great
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