Hypatia — or New Foes with an Old Face by Charles Kingsley (e book reader TXT) 📗

every object which met her in the great universe around; and slowly, from among the shells and seaweeds, she rose to her full height, the mystic cestus glittering round her waist, in deep festoons of emeralds and pearls, and stepped forward upon the marble sea-floor, wringing the dripping perfume from her locks, as Aphrodite rose of old.

For the first minute the crowd was too breathless with pleasure to think of applause. But the goddess seemed to require due homage; and when she folded her arms across her bosom, and stood motionless for an instant, as if to demand the worship of the universe, every tongue was loosed, and a thunder-clap of ‘Aphrodite!’ rang out across the roofs of Alexandria, and startled Cyril in his chamber at the Serapeium, and weary muleteers on distant sand-hills, and dozing mariners far out at sea.

And then began a miracle of art, such as was only possible among a people of the free and exquisite physical training, and the delicate aesthetic perception of those old Greeks, even in their most fallen days. A dance, in which every motion was a word, and rest as eloquent as motion; in which every attitude was a fresh motive for a sculptor of the purest school, and the highest physical activity was manifested, not as in the coarser comic pantomimes, in fantastic bounds and unnatural distortions, but in perpetual delicate modulations of a stately and self-restraining grace. The artist was for the moment transformed into the goddess. The theatre, and Alexandria, and the gorgeous pageant beyond, had vanished from her imagination, and therefore from the imagination of the spectators, under the constraining inspiration of her art, and they and she alike saw nothing but the lonely sea around Cytherea, and the goddess hovering above its emerald mirror, saying forth on sea, and air, and shore, beauty, and joy, and love....

Philammon’s eyes were bursting from his head with shame and horror: and yet he could not hate her; not even despise her. He would have done so, had there been the faintest trace of human feeling in her countenance to prove that some germ of moral sense lingered within: but even the faint blush and the downcast eye with which she had entered the theatre were gone; and the only expression on her face was that of intense enjoyment of her own activity and skill, and satisfied vanity, as of a petted child.... Was she accountable? A reasonable soul, capable of right or wrong at all? He hoped not .... He would trust not.... And still Pelagia danced on; and for a whole age of agony, he could see nothing in heaven or earth but the bewildering maze of those white feet, as they twinkled over their white image in the marble mirror.... At last it was over. Every limb suddenly collapsed, and she stood drooping in soft self-satisfied fatigue, awaiting the burst of applause which rang through Philammon’s ears, proclaiming to heaven and earth, as with a mighty trumpet-blast, his sister’s shame.

The elephant rose, and moved forward to the side of the slabs. His back was covered with crimson cushions, on which it seemed Aphrodite was to return without her shell. She folded her arms across her bosom, and stood smiling, as the elephant gently wreathed his trunk around her waist, and lifted her slowly from the slab, in act to place her on his back....

The little feet, clinging half fearfully together, had Just risen from the marble-The elephant started, dropped his delicate burden heavily on the slab, looked down, raised his forefoot, and throwing his trunk into the air, gave a shrill scream of terror and disgust....

The foot was red with blood—the young boy’s blood—which was soaking and bubbling up through the fresh sand where the elephant had trodden, in a round, dark, purple spot....

Philammon could bear no more. Another moment and he had hurled down through the dense mass of spectators, clearing rank after rank of seats by the sheer strength of madness, leaped the balustrade into the orchestra below, and rushed across the space to the foot of the platform.

‘Pelagia! Sister! My sister! Have mercy on me! on yourself! I will hide you! save you! and we will flee together out of this infernal place! this world of devils! I am your brother! Come!’

She looked at him one moment with wide, wild eyes—The truth flashed on her—

‘Brother!’

And she sprang from the platform into his arms.... A vision of a lofty window in Athens, looking out over far olive-yards and gardens, and the bright roofs and basins of the Piraeus, and the broad blue sea, with the purple peaks of Aegina beyond all.... And a dark-eyed boy, with his arm around her neck, pointed laughing to the twinkling masts in the far harbour, and called her sister.... The dead soul woke within her; and with a wild cry she recoiled from him in an agony of shame, and covering her face with both her hands, sank down among the blood-stained sand.

A yell, as of all hell broke loose, rang along that vast circle—

‘Down with him!’ ‘Away with him!’ ‘Crucify the slave!’ ‘Give the barbarian to the beasts!’ ‘To the beasts with him, noble Prefect!’ A crowd of attendants rushed upon him, and many of the spectators sprang from their seats, and were on the point of leaping down into the orchestra.

Philammon turned upon them like a lion at bay; and clear and loud his voice rose through the roar of the multitude.

‘Ay! murder me as the Romans murdered Saint Telemachus! Slaves as besotted and accursed as your besotted and accursed tyrants! Lower than the beasts whom you employ as your butchers! Murder and lust go fitly hand in hand, and the throne of my sister’s shame is well built on the blood of innocents! Let my death end the devil’s sacrifice, and fill up the cup of your iniquity!’

‘To the beasts!’ ‘Make the elephant trample him to powder!’

And the huge brute, goaded on by the attendants, rushed on the youth, while Eros leaped from his neck, and fled weeping up the slope.

He caught Philammon in his trunk and raised him high in air. For an instant the great bellowing ocean of heads spun round and round. He tried to breathe one prayer, and shut his eyes—Pelagia’s voice rang sweet and clear, even in the shrillness of intense agony—

‘Spare him! He is my brother! Forgive him, men of Macedonia! For Pelagia’s sake— Your Pelagia! One boon—only this one!’

And she stretched her arms imploringly toward the spectators, and then clasping the huge knees of the elephant, called madly to it in terms of passionate entreaty and endearment.

The men wavered. The brute did not. Quietly he lowered his trunk, and set down Philammon on his feet. The monk was saved. Breathless and dizzy, he found himself hurried away by the attendants, dragged through dark passages, and hurled out into the street, with curses, warnings, and congratulations, which fell on an unheeding ear.

But Pelagia kept her face still hidden in her hands, and rising, walked slowly back, crushed by the weight of some tremendous awe, across the orchestra, and up the slope; and vanished among the palms and oleanders, regardless of the applause and entreaties, and jeers, and threats, and curses, of that great multitude of sinful slaves.

For a moment all Orestes’s spells seemed broken by this unexpected catastrophe. A cloud, whether of disgust or of disappointment, hung upon every brow. More than one