Adventures in Contentment - David Grayson (best books to read for beginners .txt) 📗

humanity! I confess that my first impulse, and a strong one, was to kick him for the good of the human race. No man has a right to be like that.

And then, quite suddenly, I had a great revulsion of feeling. What was I that I should judge without knowledge? Perhaps, after all, here was one bearing treasure. So I said:

"You are the man I have been expecting."

He did not reply, only flashed his eyes up at me, wherein fear deepened.

"I have been saving up a coat for you," I said, "and a pair of shoes. They are not much worn," I said, "but a little too small for me. I think they will fit you."

He looked at me again, not sharply, but with a sort of weak cunning. So far he had not said a word.

"I think our supper is nearly ready," I said: "let us go in."

"No, mister," he mumbled, "a bite out here—no, mister"—and then, as though the sound of his own voice inspired him, he grew declamatory.

"I'm a respectable man, mister, plumber by trade, but----"

"But," I interrupted, "you can't get any work, you're cold and you haven't had anything to eat for two days, so you are walking out here in the country where we farmers have no plumbing to do. At home you have a starving wife and three small children----"

"Six, mister----"

"Well, six—And now we will go in to supper."

I led him into the entry way and poured for him a big basin of hot water. As I stepped out again with a comb he was slinking toward the doorway.

"Here," I said, "is a comb; we are having supper now in a few minutes."

I wish I could picture Harriet's face when I brought him into her immaculate kitchen. But I gave her a look, one of the commanding sort that I can put on in times of great emergency, and she silently laid another place at the table.

When I came to look at our Ruin by the full lamplight I was surprised to see what a change a little warm water and a comb had wrought in him. He came to the table uncertain, blinking, apologetic. His forehead, I saw, was really impressive—high, narrow and thin-skinned. His face gave one somehow the impression of a carving once full of significant lines, now blurred and worn as though Time, having first marked it with the lines of character, had grown discouraged and brushed the hand of forgetfulness over her work. He had peculiar thin, silky hair of no particular colour, with a certain almost childish pathetic waviness around the ears and at the back of the neck. Something, after all, about the man aroused one's compassion.

I don't know that he looked dissipated, and surely he was not as dirty as I had at first supposed. Something remained that suggested a care for himself in the past. It was not dissipation, I decided; it was rather an indefinable looseness and weakness, that gave one alternately the feeling I had first experienced, that of anger, succeeded by the compassion that one feels for a child. To Harriet, when she had once seen him, he was all child, and she all compassion.

We disturbed him with no questions. Harriet's fundamental quality is homeliness, comfortableness. Her tea-kettle seems always singing; an indefinable tabbiness, as of feather cushions, lurks in her dining-room, a right warmth of table and chairs, indescribably comfortable at the end of a chilly day. A busy good-smelling steam arises from all her dishes at once, and the light in the middle of the table is of a redness that enthralls the human soul. As for Harriet herself, she is the personification of comfort, airy, clean, warm, inexpressibly wholesome. And never in the world is she so engaging as when she ministers to a man's hunger. Truthfully, sometimes, when she comes to me out of the dimmer light of the kitchen to the radiance of the table with a plate of muffins, it is as though she and the muffins were a part of each other, and that she is really offering some of herself. And down in my heart I know she is doing just that!

Well, it was wonderful to see our Ruin expand in the warmth of Harriet's presence. He had been doubtful of me; of Harriet, I could see, he was absolutely sure. And how he did eat, saying nothing at all, while Harriet plied him with food and talked to me of the most disarming commonplaces. I think it did her heart good to see the way he ate: as though he had had nothing before in days. As he buttered his muffin, not without some refinement, I could see that his hand was long, a curious, lean, ineffectual hand, with a curving little finger. With the drinking of the hot coffee colour began to steal up into his face, and when Harriet brought out a quarter of pie saved over from our dinner and placed it before him—a fine brown pie with small hieroglyphics in the top from whence rose sugary bubbles—he seemed almost to escape himself. And Harriet fairly purred with hospitality.

The more he ate the more of a man he became. His manners improved, his back straightened up, he acquired a not unimpressive poise of the head. Such is the miraculous power of hot muffins and pie!

"As you came down," I asked finally, "did you happen to see old man Masterson's threshing machine?"

"A big red one, with a yellow blow-off?"

"That's the one," I said.

"Well, it was just turning into a field about two miles above here," he replied.

"Big gray, banked barn?" I asked.

"Yes, and a little unpainted house," said our friend.

"That's Parsons'," put in Harriet, with a mellow laugh. "I wonder if he ever will paint that house. He builds bigger barns every year and doesn't touch the house. Poor Mrs. Parsons----"

And so we talked of barns and threshing machines in the way we farmers love to do and I lured our friend slowly into talking about himself. At first he was non-committal enough and what he said seemed curiously made to order; he used certain set phrases with which to explain simply what was not easy to explain—a device not uncommon to all of us. I was fearful of not getting within this outward armouring, but gradually as we talked and Harriet poured him a third cup of hot coffee he dropped into a more familiar tone. He told with some sprightliness of having seen threshings in Mexico, how the grain was beaten out with flails in the patios, and afterwards thrown up in the wind to winnow out.

"You must have seen a good deal of life," remarked Harriet sympathetically.

At this remark I saw one of our Ruin's long hands draw up and clinch. He turned his head toward Harriet. His face was partly in the shadow, but there was something striking and strange in the way he looked at her, and a deepness in his voice when he spoke:

"Too much! I've seen too much of life." He threw out one arm and brought it back with a shudder.

"You see what it has left me," he said, "I am an example of too much life."

In response to Harriet's melting compassion he had spoken with unfathomable bitterness. Suddenly he leaned forward toward me with a piercing gaze as though he would look into my soul. His face had changed completely; from the loose and vacant mask of the early evening it had taken on the utmost tensity of emotion.

"You do not know," he said, "what it is to live too much—and to be afraid."

"Live too much?" I asked.

"Yes, live too much, that is what I do—and I am afraid."

He paused a moment and then broke out in a higher key:

"You think I am a tramp. Yes—you do. I know—a worthless fellow, lying, begging, stealing when he can't beg. You have taken me in and fed me. You have said the first kind words I have heard, it seems to me, in years. I don't know who you are. I shall never see you again."

I cannot well describe the intensity of the passion with which he spoke, his face shaking with emotion, his hands trembling.

"Oh, yes," I said easily, "we are comfortable people here—and it is a good place to live."

"No no," he returned. "I know, I've got my call—" Then leaning forward he said in a lower, even more intense voice—"I live everything beforehand."

I was startled by the look of his eyes: the abject terror of it: and I thought to myself, "The man is not right in his mind." And yet I longed to know of the life within this strange husk of manhood.

"I know," he said, as if reading my thought, "you think"—and he tapped his forehead with one finger—"but I'm not. I'm as sane as you are."

It was a strange story he told. It seems almost unbelievable to me as I set it down here, until I reflect how little any one of us knows of the deep life within his nearest neighbour—what stories there are, what tragedies enacted under a calm exterior! What a drama there may be in this commonplace man buying ten pounds of sugar at the grocery store, or this other one driving his two old horses in the town road! We do not know. And how rarely are the men of inner adventure articulate! Therefore I treasure the curious story the tramp told me. I do not question its truth. It came as all truth does, through a clouded and unclean medium: and any judgment of the story itself must be based upon a knowledge of the personal equation of the Ruin who told it.

"I am no tramp," he said, "in reality, I am no tramp. I began as well as anyone—It doesn't matter now, only I won't have any of the sympathy that people give to the man who has seen better days. I hate sentiment. I hate it----"

I cannot attempt to set down the story in his own words. It was broken with exclamations and involved with wandering sophistries and diatribes of self-blame. His mind had trampled upon itself in throes of introspection until it was often difficult to say which way the paths of the narrative really led. He had thought so much and acted so little that he travelled in a veritable bog of indecision. And yet, withal, some ideas, by constant attrition, had acquired a really striking form. "I am afraid before life," he said. "It makes me dizzy with thought."

At another time he said, "If I am a tramp at all, I am a mental tramp. I have an unanchored mind."

It seems that he came to a realisation that there was something peculiar about him at a very early age. He said they would look at him and whisper to one another and that his sayings were much repeated, often in his hearing. He knew that he was considered an extraordinary child: they baited him with questions that they might laugh at his quaint replies. He said that as early as he could remember he used to plan situations so that he might say things that were strange and even shocking in a child. His father was a small professor in a small college—a "worm" he called him bitterly—"one of those worms that bores in books and finally dries up and blows off." But his mother—he said she was an angel. I recall his exact expression about her eyes that "when she looked at one it made him better." He spoke of her with a softening of the voice, looking often at Harriet. He talked a good deal about his mother, trying to account for himself through her. She was not strong, he said, and very sensitive to the contact of either friends or enemies—evidently a nervous, high-strung woman.

"You have known such people," he said, "everything hurt her."

He said she "starved to death." She starved for affection and