The Thread of Gold - Arthur Christopher Benson (great novels of all time txt) 📗

began to talk of books and politics. Gradually I realised that I was in the company of a thoroughly cheerful man. It was not the cheerfulness that comes of effort, of a determined attempt to be interested in old pursuits, but the abundant and overflowing cheerfulness of a man who has still a firm grasp on life. He argued, he discussed with the same eager liveliness; and his laugh had the careless and good-humoured ring of a man whose mind was entirely content.

His wife soon entered; and we sat for a long time talking. I was keenly moved by the relations between them; she displayed none of that minute attention to his needs, none of that watchful anxiety which I have often thought, tenderly lavished as it is upon invalids, must bring home to them a painful sense of their dependence and helplessness; and he too showed no trace of that fretful exigence which is too often the characteristic of those who cannot assist themselves, and which almost invariably arises in the case of eager and active temperaments thus afflicted, those whose minds range quickly from subject to subject, and who feel their disabilities at every turn. At one moment he wanted his glasses to read something from a book that lay beside him. He asked his wife with a gentle courtesy to find them. They were discovered in his own breast-pocket, into which he could not even put his feeble hand, and he apologised for his stupidity with an affectionate humility which made me feel inclined to tears, especially when I saw the pleasure which the performance of this trifling service obviously caused her. It was just the same, I afterwards noticed, with a young attendant who waited on him at luncheon, an occasion which revealed to me the full extent of his helplessness.

I gathered from his wife in the course of the afternoon that though his life was not threatened, yet that there was no doubt that his helplessness was increasing. He could still hold a book and turn the pages; but it was improbable that he could do so for long, and he was amusing himself by inventing a mechanical device for doing this. But she too talked of the prospect with a quiet tranquillity. She said that he was making arrangements to direct his business from his house, as it was becoming difficult for him to enter the office.

He himself showed the same unabated cheerfulness during the whole of my visit, and spoke of the enjoyment it had brought him. There was not the slightest touch of self-pity about his talk.

I should have admired and wondered at the fortitude of this gallant pair, if I had seen signs of repression and self-conquest about them; if they had relapsed even momentarily into repining, if they had shown signs of a faithful determination to make the best of a bad business. But I could discern no trace of such a mood about either of them. Whether this kindly and sweet patience has been acquired, after hard and miserable wrestlings with despair and wretchedness, I cannot say, but I am inclined to think that it is not so. It seems to me rather to be the display of perfect manliness and womanliness in the presence of an irreparable calamity, a wonderful and amazing compensation, sent quietly from the deepest fortress of Love to these simple and generous natures, who live in each other's lives. I tried to picture to myself what my own thoughts would be if condemned to this sad condition; I could only foresee a fretful irritability, a wild anguish, alternating with a torpid stupefaction. "I seem to love the old books better than ever," my friend had said, smiling softly, in the course of the afternoon; "I used to read them hurriedly and greedily in the old days, but now I have time to think over them--to reflect--I never knew what a pleasure reflection was." I could not help feeling as he said the words that with me such a stroke as he had suffered would have dashed the life, the colour, out of books, and left them faded and withered husks. Half the charm of books, I have always thought, is the inter-play of the commentary of life and experience. I ventured to ask him if this was not the case. "No," he said, "I don't think it is--I seem more interested in people, in events, in thoughts than ever; and one gets them from a purer spring--I don't know if I can explain," he added, "but I think that one sees it all from a different perspective, in a truer light, when one's own desires and possibilities are so much more limited." When I said good-bye to him, he smiled at me and hoped that I should repeat my visit. "Don't think of me as unhappy," he added, and his wife, who was standing by him, said, "Indeed you need not;" and the two smiled at each other in a way which made me feel that they were speaking the simple truth, and that they had found an interpretation of life, a serene region to abide in, which I, with all my activities, hopes, fears, businesses, had somehow missed. The pity of it! and yet the beauty of it! as I went away I felt that I had indeed trodden on holy ground, and seen the transfiguration of humanity and pain into something august, tranquil, and divine.


XVII


Oxford

There are certain things in the world that are so praiseworthy that it seems a needless, indeed an almost laughable thing to praise them; such things are love and friendship, food and sleep, spring and summer; such things, too, are the wisest books, the greatest pictures, the noblest cities. But for all that I mean to try and make a little hymn in prose in honour of Oxford, a city I have seen but seldom, and which yet appears to me one of the most beautiful things in the world.

I do not wish to single out particular buildings, but to praise the whole effect of the place, such as it seemed to me on a day of bright sun and cool air, when I wandered hour after hour among the streets, bewildered and almost intoxicated with beauty, feeling as a poor man might who has pinched all his life, and made the most of single coins, and who is brought into the presence of a heap of piled-up gold, and told that it is all his own.

I have seen it said in foolish books that it is a misfortune to Oxford that so many of the buildings have been built out of so perishable a vein of stone. It is indeed a misfortune in one respect, that it tempts men of dull and precise minds to restore and replace buildings of incomparable grace, because their outline is so exquisitely blurred by time and decay. I remember myself, as a child, visiting Oxford, and thinking that some of the buildings were almost shamefully ruinous of aspect; now that I am wiser I know that we have in these battered and fretted palace-fronts a kind of beauty that fills the mind with an almost despairing sense of loveliness, till the heart aches with gratitude, and thrills with the desire to proclaim the glory of the sight aloud.

These black-fronted blistered facades, so threatening, so sombre, yet screening so bright and clear a current of life; with the tender green of budding spring trees, chestnuts full of silvery spires, glossy-leaved creepers clinging, with tiny hands, to cornice and parapet, give surely the sharpest and most delicate sense that it is possible to conceive of the contrast on which the essence of so much beauty depends. To pass through one of these dark and smoke-stained courts, with every line mellowed and harmonised, as if it had grown up so out of the earth; to find oneself in a sunny pleasaunce, carpeted with velvet turf, and set thick with flowers, makes the spirit sigh with delight. Nowhere in the world can one see such a thing as those great gate-piers, with a cognisance a-top, with a grille of iron-work between them, all sweetly entwined with some slim vagrant creeper, that give a glimpse and a hint--no more--of a fairy-land of shelter and fountains within. I have seen such palaces stand in quiet and stately parks, as old, as majestic, as finely proportioned as the buildings of Oxford; but the very blackness of the city air, and the drifting smoke of the town, gives that added touch of grimness and mystery that the country airs cannot communicate. And even fairer sights are contained within; those panelled, dark-roofed halls, with their array of portraits gravely and intently regarding the stranger; the chapels, with their splendid classical screens and stalls, rich and dim with ancient glass. The towers, domes, and steeples; and all set not in a mere paradise of lawns and glades, but in the very heart of a city, itself full of quaint and ancient houses, but busy with all the activity of a brisk and prosperous town; thereby again giving the strong and satisfying sense of contrast, the sense of eager and every-day cares and pleasures, side by side with these secluded havens of peace, the courts and cloister, where men may yet live a life of gentle thought and quiet contemplation, untroubled, nay, even stimulated, by the presence of a bustling life so near at hand, which yet may not intrude upon the older dream.

I do not know whether my taste is entirely trustworthy, but I confess that I find the Italianate and classical buildings of Oxford finer than the Gothic buildings. The Gothic buildings are quainter, perhaps, more picturesque, but there is an air of solemn pomp and sober dignity about the classical buildings that harmonises better with the sense of wealth and grave security that is so characteristic of the place. The Gothic buildings seem a survival, and have thus a more romantic interest, a more poetical kind of association. But the classical porticos and facades seem to possess a nobler dignity, and to provide a more appropriate setting for modern Oxford; because the spirit of Oxford is more the spirit of the Renaissance than the spirit of the Schoolmen; and personally I prefer that ecclesiasticism should be more of a flavour than a temper; I mean that though I rejoice to think that sober ecclesiastical influences contribute a serious grace to the life of Oxford, yet I am glad to feel that the spirit of the place is liberal rather than ecclesiastical. Such traces as one sees in the chapels of the Oxford Movement, in the shape of paltry stained glass, starved reredoses, modern Gothic woodwork, would be purely deplorable from the artistic point of view, if they did not possess a historical interest. They speak of interrupted development, an attempt to put back the shadow on the dial, to return to a narrower and more rigid tone, to put old wine into new bottles, which betrays a want of confidence in the expansive power of God. I hate with a deep-seated hatred all such attempts to bind and confine the rising tide of thought. I want to see religion vital and not formal, elastic and not cramped by precedent and tradition. And thus I love to see worship enshrined in noble classical buildings, which seem to me to speak of a desire to infuse the intellectual spirit of Greece, the dignified imperialism of Rome into the more timid and secluded ecclesiastical life, making it fuller, larger, more free,