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into the still, blank face. "It's too soon to give up," she said tensely. "You're just backing down, and there's no need for that yet—"

"You think not?" The face was still.

"There are lots of rumors, that's true," Norma said. "But—even if the worst comes to the worst—we have time. They aren't here yet. We can prepare—"

"Of course," the voice said. "We can prepare—as I am doing. There is nothing else for us, not any more. Idealism has taken over, and what we are and what we've done can go right on down the drain. Norma, you're a bright girl—"

"Too bright to sit around and do nothing!"

"But you don't understand this. Maybe you will, some day. Maybe I'll have a chance—but that's for later. Not now."

Norma almost reached forward to shake some sense into the old woman. But she was Dr. Haenlingen, after all—

Norma's hand drew back again. "You can't just sit back and wait for them to come!"

"There is nothing else to do." The words were flat, echoless.

"Besides," Norma said desperately, "they're only rumors—"

She never finished her sentence. The blast rocked the room, and the window thrummed, steadied and then suddenly tinkled into pieces on the carpeted floor.

Norma was standing erect. "What's that?"

Dr. Haenlingen had barely moved. The eyes, in dimness, were open now. "That, my dear," the old woman said, "was your rumor."

"My—"

The blast was repeated. Ornaments on the desk rattled, a picture came off the far wall and thudded to the carpet. The air was filled with a fine dust and, far below, Norma could hear noise, a babel of voices....

"They're here!" she screamed.

Dr. Haenlingen sat very still, saying nothing. The eyes watched, but the voice made no comment. The hands were still, flat on the desk. Below, the voices continued: and then Dr. Haenlingen spoke.

"You'd better go," the calm voice said. "There will be others needing help—and you will be safer underground, in any case."

"But you—" Norma began.

"I may be lucky," Dr. Haenlingen said. "One of their bombs may actually kill me."

Her mouth open in an unreasoning accession of horror, Norma turned and fled. The third blast rattled the corridor as she ran crazily along it.

18

Dodd stayed on his post because he had to: as a matter of fact, he hardly thought of leaving, or of doing anything at all. Minutes passed, and he stood in the hallway, quite alone. The other guard had spoken to him when Cadnan had been picked up and tossed back into solitary, but Dodd hadn't answered, and the guard had gone back to his own post. Dodd stood, hardly thinking, and waiting—though he could not have said what for.

This is the end. He had hit Cadnan: in those few seconds he had acted just as a good slaver was supposed to act. And that discovery shocked him: even more than his response during the attempted escape, it showed him what he had become.

He had thought the words he used had some meaning. Now he knew they had next to none: they were only catch-phrases, meant to make him feel a little better. He was a slaver, he had been trained as a slaver, and he would remain a slaver. What was it Norma had said?

"You'd rather live...."

It was true, it was all true. But there was (he told himself dimly) still, somewhere, hope: the Confederation would come. When they did, he would die. He would die at last. And death was good, death was what he wanted....

No matter what Norma had told him, death was what he wanted.

He was still standing, those few thoughts expanding and filling his mind like water in a sponge, when the building, quite without warning, shook itself.

He heard the guard at the end of the corridor shouting. The building shook again, underneath and around him, dancing for a second like a man having a fit. Then he caught the first sounds of the bombardment.

"Norma!" He heard himself scream that one word over the sounds of blast and shout, and then he was out of the corridor, somehow, insanely, running across open ground. Behind him the alarms attached to the front doors of Building Three went off, but he hardly heard that slight addition to the uproar. God alone knew whether the elevators would be working ... but they had to be, they had to stand up. After he found Building One (he could hardly trust the basement levels, choked by panic-stricken personnel from everywhere) he had to get an elevator and find Norma.... He had to find Norma.

Overhead there was a flash and a dull roar. Dodd stared before him at a tangled, smoking mass of blackness. A second before, it had been a fringe of forest. Smoke coiled round toward him and he turned and ran for the side of Building Three. There were other sounds behind him, screams, shouts....

As he passed the Building the ground shook again and there was a sudden rise in the chorus of screams. He smelled acrid smoke, but never thought of stopping: the Building still stood gleaming in the bombardment flashes, and he went round the corner, behind it, and found himself facing the dark masses of One and Two, five hundred feet away over open ground.

As he watched there was a flash too bright for his eyes: he blinked and turned away, gasping. When he could look again a piece of Building Two was gone—looking, from five hundred feet distance, as if it had been bitten cleanly from the top, taking about four floors from the right side, taking the topmast, girders, and all ... simply gone.

But that was Building Two, not Building One. Norma was still safe.

She had to be safe. He heaved in a breath of smoky air, and ran.

Behind him, around him, the bombardment continued.

PUBLIC OPINION FIVE

Being an excerpt from Chapter Seven of A Fourth Grade Reader in Confederation History, by Dr. A. Lindell Jones, with the assistance of Mary Beth Wilkinson, published in New York, U. S. A., Earth in September of the year one hundred and ninety-nine of the Confederation and approved for use in the public schools by the Board of Education (United) of the U. S. A., Earth, in January of the year two hundred of the Confederation.

... The first explorers on Fruyling's World named the new planet after the heroic captain of their ship, and prepared long reports on the planet for the scientists back home in the Confederation. The reports mentioned large metallic deposits, and this rapidly became important news.

The metallic deposits were badly needed by the Confederation for making many of the things which still are found in your homes: such useful objects as cleaners, whirlostats and such all require metal from Fruyling's World.

Of course, there were not many explorers on the new planet, and it was a hard job for them to dig out the metal the Confederation needed.

But the planet had natives on it already. The natives were called Alberts, and here is a picture of them. Aren't they funny-looking?

The Alberts were happy to help with the digging in exchange for some of the good things the explorers talked about, because they didn't have many good things. But the explorers built houses for them and gave them food and taught them English, and the Alberts dug in the ground and helped get the metal ready to ship back to the Confederation.

... The following list of Review Questions may be helpful to the instructor:

1. Why is Fruyling's World called by that name? After whom was it named?

2. What is so valuable about Fruyling's World?

3. Who helps the explorers dig up the metal?

4. Why do they help?

19

For Cadnan, the time passed slowly.

Consciousness came back, along with a thudding ache in the head and a growing hunger: but there were no leaves on the smooth metal of the floor, and the demands of his body had to be ignored. His mind began to drift: once he heard a voice, but when he told himself that the voice was not real, it went away. He found his hands moving as if he were pushing the buttons of his job. He stopped them and in a second they were moving again.

Then the room itself began to shake.

Cadnan had no doubts of his sanity: this was different from the imaginary voice. The room shook again and he wondered whether this were some new sort of punishment. But it did not hurt him.

The rumbling sound of the bombardment came to him only dimly, and for brief seconds. To Cadnan, it sounded like a great machine, and he wondered about that, too, but he could find no answers.

The rumbling came again, and sounded nearer. Cadnan thought of machines shaking his small room, perhaps making it hot as the machines made metal hot. If that happened, he knew, he would die.

He called: "Dara." It was hard to hear his own voice. There was no answer, and he had expected none: but he had had to call.

The rumbling came again. Surely, he told himself, this was a new punishment, and it was death.

There was only one thing for him to do. He sat crosslegged on the smooth floor as the rumble and the other sounds continued, and in opposition to them he made his song, chanting in a loud and even voice. He had learned that a song was to be made when facing death: he had learned that in the birth huts, and he did not question it.

The song was necessary, and his voice, carrying over the sounds that filtered through to him, was clear and strong.

"I am Cadnan,
I am Cadnan of Bent Line Tree,
I work for the masters,
I push buttons and the machine obeys me,
I push buttons when the masters say to do it.
My song is short. I am near the dead.
I have broken the chain, the chain of obedience.
I do not want to break this chain.
I must break it. Dara says I go.
If I do not go then Dara does not go.
Dara must go. I break the chain.
For this I am near the dead and the room shakes.
It is my death and my song.
I am Cadnan and Bent Line Tree and I work."

After the song was over, he remained sitting, waiting for what had to come. The rumbling continued, and the room shook more strongly. For some seconds he waited, and then he was standing erect, because he could see.

The door, sprung from its lock by the shaking of the building, had fallen a little open. As Cadnan watched, it opened a bit more, and he went and pushed at it. Under a very light shove, it swung fully open, and the corridor, lights flickering down its length, stood visible. As Cadnan peered out, the lights blinked off, and then came on again.

The rumbling was very loud now, but he saw no machines. He went into the corridor in a kind of curious daze: there were no masters anywhere, none to watch or hurt him. He called once more for Dara, but now he could not hear himself at all: the rumbling was only one of the sounds that battered at him dizzily. There were bells and buzzes, shrieks and cascades of brutal, grinding sounds more powerful than could be made by any machine Cadnan could imagine.

He started down the corridor: the masters had taken Dara in that direction, opposite to his own. Suddenly, one of his own kind stood before him, and he recognized a female, Hortat, through the dusty air. Hortat was staring at him with a frozen expression in her eye.

"What is it?" she asked. "What happens?"

Cadnan, without brutality, brushed her aside. "I do not know. The masters know. Wait and they tell you." He did not consider whether the statement were true, or false, or perhaps (under these new circumstances) entirely meaningless: it was a noise he had to make in order to get Hortat out of his way. She stood against the corridor wall as he passed, watching him.

He went on past her, moving faster now, into the central room from which corridors radiated. The lights went off again and then came on: he peered round but there were no masters. Besides, he thought, if the masters found him the worst they could do would be to kill him, and that was unimportant now: he already had his song.

In a corridor at the opposite side of the central room he saw a knot of Alberts, among whom he recognized only Puna. The elder was speaking with some others, apparently trying to calm them. Cadnan pushed his way to Puna's side and heard the talk

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