Quo Vadis: A Narrative of the Time of Nero by Henryk Sienkiewicz (good novels to read .TXT) 📗
- Author: Henryk Sienkiewicz
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The guests, while drinking wine, spilled from their goblets a few drops to the immortal gods, to gain their protection, and their favor for the host. It mattered not that many of them had no belief in the gods. Custom and superstition prescribed it. Petronius, inclining near Eunice, talked of Rome, of the latest divorces, of love affairs, of the races, of Spiculus, who had become famous recently in the arena, and of the latest books in the shops of Atractus and the Sozii. When he spilled wine, he said that he spilled it only in honor of the Lady of Cyprus, the most ancient divinity and the greatest, the only immortal, enduring, and ruling one.
His conversation was like sunlight which lights up some new object every instant, or like the summer breeze which stirs flowers in a garden. At last he gave a signal to the leader of the music, and at that signal the citharæ began to sound lightly, and youthful voices accompanied. Then maidens from Kos, the birthplace of Eunice, danced, and showed their rosy forms through robes of gauze. Finally, an Egyptian soothsayer told the guests their future from the movement of rainbow colors in a vessel of crystal.
When they had enough of these amusements, Petronius rose somewhat on his Syrian cushion, and said with hesitation,—
“Pardon me, friends, for asking a favor at a feast. Will each man accept as a gift that goblet from which he first shook wine in honor of the gods and to my prosperity?”
The goblets of Petronius were gleaming in gold, precious stones, and the carving of artists; hence, though gift giving was common in Rome, delight filled every heart. Some thanked him loudly: others said that Jove had never honored gods with such gifts in Olympus; finally, there were some who refused to accept, since the gifts surpassed common estimate.
But he raised aloft the Myrrhene vase, which resembled a rainbow in brilliancy, and was simply beyond price.
“This,” said he, “is the one out of which I poured in honor of the Lady of Cyprus. The lips of no man may touch it henceforth, and no hand may ever pour from it in honor of another divinity.”
He cast the precious vessel to the pavement, which was covered with lily-colored saffron flowers; and when it was broken into small pieces, he said, seeing around him astonished faces,—
“My dear friends, be glad and not astonished. Old age and weakness are sad attendants in the last years of life. But I will give you a good example and good advice: Ye have the power, as ye see, not to wait for old age; ye can depart before it comes, as I do.”
“What dost thou wish?” asked a number of voices, with alarm.
“I wish to rejoice, to drink wine, to hear music, to look on those divine forms which ye see around me, and fall asleep with a garlanded head. I have taken farewell of Cæsar, and do ye wish to hear what I wrote him at parting?”
He took from beneath the purple cushion a paper, and read as follows:—
“I know, O Cæsar, that thou art awaiting my arrival with impatience, that thy true heart of a friend is yearning day and night for me. I know that thou art ready to cover me with gifts, make me prefect of the pretorian guards, and command Tigellinus to be that which the gods made him, a mule-driver in those lands which thou didst inherit after poisoning Domitius. Pardon me, however, for I swear to thee by Hades, and by the shades of thy mother, thy wife, thy brother, and Seneca, that I cannot go to thee. Life is a great treasure. I have taken the most precious jewels from that treasure, but in life there are many things which I cannot endure any longer. Do not suppose, I pray, that I am offended because thou didst kill thy mother, thy wife, and thy brother; that thou didst burn Rome and send to Erebus all the honest men in thy dominions. No, grandson of Chronos. Death is the inheritance of man; from thee other deeds could not have been expected. But to destroy one’s ear for whole years with thy poetry, to see thy belly of a Domitius on slim legs whirled about in Pyrrhic dance; to hear thy music, thy declamation, thy doggerel verses, wretched poet of the suburbs,—is a thing surpassing my power, and it has roused in me the wish to die. Rome stuffs its ears when it hears thee; the world reviles thee. I can blush for thee no longer, and I have no wish to do so. The howls of Cerberus, though resembling thy music, will be less offensive to me, for I have never been the friend of Cerberus, and I need not be ashamed of his howling. Farewell, but make no music; commit murder, but write no verses; poison people, but dance not; be an incendiary, but play not on a cithara. This is the wish and the last friendly counsel sent thee by the—Arbiter Elegantiæ.”
The guests were terrified, for they knew that the loss of dominion would have been less cruel to Nero than this blow. They understood, too, that the man who had written that paper must die; and at the same time pale fear flew over them because they had heard such a paper.
But Petronius laughed with sincere and gladsome joy, as if it were a question of the most innocent joke; then he cast his eyes on all present, and said,—
“Be joyous, and drive away fear. No one need boast that he heard this letter. I will boast of it only to Charon when I am crossing in the boat with him.”
He beckoned then to the Greek physician, and stretched out his arm. The skilled Greek in the twinkle of an eye opened the vein at the bend of the arm. Blood spurted on the cushion, and covered Eunice, who, supporting the head of Petronius, bent over him and said,—
“Didst thou think that I would leave thee? If the gods gave me immortality, and Cæsar gave me power over the earth, I would follow thee still.”
Petronius smiled, raised himself a little, touched her lips with his, and said,—
“Come with me.”
She stretched her rosy arm to the physician, and after a while her blood began to mingle and be lost in his blood.
Then he gave a signal to the leader of the music, and again the voices and cithariæ were heard. They sang “Harmodius”; next the song of Anacreon resounded,—that song in which he complained that on a time he had found Aphrodite’s boy chilled and weeping under trees; that he brought him in, warmed him, dried his wings, and the ungrateful child
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