Leonora - Arnold Bennett (most life changing books .TXT) 📗

the flowers to Ethel, crossed the lawn and sat down on the rustic seat, facing the house. The dog followed her, and with his great paw demanded her attention, but she abruptly dismissed him. She thought it curiously characteristic of Uncle Meshach that he should write her a letter on her fortieth birthday; she could imagine the uncouth mixture of wit, rude candour, and wisdom with which he would greet her; his was a strange and sinister personality, but she knew that he admired her. The note was written in Meshach's scraggy and irregular hand, in three lines starting close to the top of half a sheet of note paper. It ran: 'Dear Nora, I hear young Twemlow is come back from America. You had better see as your John looks out for himself.' There was nothing else, no signature.

As she read it, she experienced precisely the physical discomfort which those feel who travel for the first time in a descending lift. Fifteen quiet years had elapsed since the death of her husband's partner William Twemlow, and a quarter of a century since William's wild son, Arthur, had run away to America. Yet Uncle Meshach's letter seemed to invest these far-off things with a mysterious and disconcerting actuality. The misgivings about her husband which long practice and continual effort had taught her how to keep at bay, suddenly overleapt their artificial barriers and swarmed upon her.

The long garden front of the dignified eighteenth-century house, nearly the last villa in Hillport on the road to Oldcastle, was extended before her. She had played in that house as a child, and as a woman had watched, from its windows, the years go by like a procession. That house was her domain. Hers was the supreme intelligence brooding creatively over it. Out of walls and floors and ceilings, out of stairs and passages, out of furniture and woven stuffs, out of metal and earthenware, she had made a home. From the lawn, in the beautiful sadness of the autumn evening, any one might have seen and enjoyed the sight of its high French windows, its glowing sun-blinds, its faintly-tinted and beribboned curtains, its creepers, its glimpses of occasional tables, tall vases, and dressing-mirrors. But Leonora, as she sat holding the letter in her long white hand, could call up and see the interior of every room to the most minute details. She, the housemistress, knew her home by heart. She had thought it into existence; and there was not a cabinet against a wall, not a rug on a floor, not a cushion on a chair, not a knicknack on a mantelpiece, not a plate in a rack, but had come there by the design of her brain. Without possessing much artistic taste, Leonora had an extraordinary talent for domestic equipment, organisation, and management. She was so interested in her home, so exacting in her ideals, that she could never reach finality; the place went through a constant succession of improvements; its comfort and its attractiveness were always on the increase. And the result was so striking that her supremacy in the woman's craft could not be challenged. All Hillport, including her husband, bowed to it. Mrs. Stanway's principles, schemes, methods, even her trifling dodges, were mentioned with deep respect by the ladies of Hillport, who often expressed their astonishment that, although the wheels of Mrs. Stanway's household revolved with perfect smoothness, Mrs. Stanway herself appeared never to be doing anything. That astonishment was Leonora's pride. As her brain marshalled with ease the thousand diverse details of the wonderful domestic machine, she could appreciate, better than any other woman in Hillport, without vanity and without humility, the singular excellence of her gifts and of the organism they had perfected. And now this creation of hers, this complex structure of mellow brick-and-mortar, and fine chattels, and nice and luxurious habit, seemed to Leonora to tremble at the whisper of an enigmatic message from Uncle Meshach. The foreboding caused by the letter mingled with the menace of approaching age and with the sadness of the early autumn, and confirmed her mood.

Millicent, her youngest, ran impulsively to her in the garden. Millicent was eighteen, and the days when she went to school and wore her hair in a long plait were still quite fresh in the girl's mind. For this reason she was often inordinately and aggressively adult.

'Mamma! I'm going to have my tea first thing. The Burgesses have asked me to play tennis. I needn't wait, need I? It gets dark so soon.' As Millicent stood there, ardently persuasive, she forgot that adult persons do not stand on one leg or put their fingers in their mouths.

Leonora looked fondly at the sprightly girl, vain, self-conscious, and blonde and pretty as a doll in her white dress. She recognised all Millicent's faults and shortcomings, and yet was overcome by the charm of her presence.

'No, Milly, you must wait.' Throned on the rustic seat, inscrutable and tyrannous Leonora, a wistful, wayward atom in the universe, laid her command upon the other wayward atom; and she thought how strange it was that this should be.

'But, Ma----'

'Father specially said you must be in for tea. You know you have far too much freedom. What have you been doing all the afternoon?'

'I haven't been doing anything, Ma.'

Leonora feared for the strict veracity of her youngest, but she said nothing, and Milly retired full of annoyance against the inconceivable caprices of parents.

At twenty minutes to seven John Stanway entered his large and handsome dining-room, having been driven home by David Dain, whose residence was close by. Three languorous women and the erect and motionless parlourmaid behind the door were waiting for him. He went straight to his carver's chair, and instantly the women were alert, galvanised into vigilant life. Leonora, opposite to her husband, began to pour out the tea; the impassive parlourmaid stood consummately ready to hand the cups; Ethel and Millicent took their seats along one side of the table, with an air of nonchalance which was far from sincere; a chair on the other side remained empty.

'Turn the gas on, Bessie,' said John. Daylight had scarcely begun to fail; but nevertheless the man's tone announced a grievance, that, with half-a-dozen women in the house, he the exhausted breadwinner should have been obliged to attend to such a trifle. Bessie sprang to pull the chain of the Welsbach tap, and the white and silver of the tea-table glittered under the yellow light. Every woman looked furtively at John's morose countenance.

Neither dark nor fair, he was a tall man, verging towards obesity, and the fulness of his figure did not suit his thin, rather handsome face. His age was forty-eight. There was a small bald spot on the crown of his head. The clipped brown beard seemed thick and plenteous, but this effect was given by the coarseness of the hairs, not by their number; the moustache was long and exiguous. His blue eyes were never still, and they always avoided any prolonged encounter with other eyes. He was a personable specimen of the clever and successful manufacturer. His clothes were well cut, the necktie of a discreet smartness. His grandfather had begun life as a working potter; nevertheless John Stanway spoke easily and correctly in a refined variety of the broad Five Towns accent; he could open a door for a lady, and was noted for his neatness in compliment.

It was his ambition always to be calm, oracular, weighty; always to be sure of himself; but his temperament was incurably nervous, restless, and impulsive. He could not be still, he could not wait. Instinct drove him to action for the sake of action, instinct made him seek continually for notice, prominence, comment. These fundamental appetites had urged him into public life--to the Borough Council and the Committee of the Wedgwood Institution. He often affected to be buried in cogitation upon municipal and private business affairs, when in fact his attention was disengaged and watchful. Leonora knew that this was so to-night. The idea of his duplicity took possession of her mind. Deeps yawned before her, deeps that swallowed up the solid and charming house and the comfortable family existence, as she glanced at that face at once strange and familiar to her. 'Is it all right?' she kept thinking. 'Is John all that he seems? I wonder whether he has ever committed murder.' Yes, even this absurd thought, which she knew to be absurd, crossed her mind.

'Where's Rose?' he demanded suddenly in the depressing silence of the tea-table, as if he had just discovered the absence of his second daughter.

'She's been working in her room all day,' said Leonora.

'That's no reason why she should be late for tea.'

At that moment Rose entered. She was very tall and pale, her dress was a little dowdy. Like her father and Millicent, she carried her head forward and had a tendency to look downwards, and her spine seemed flaccid. Ethel was beautiful, or about to be beautiful; Millicent was pretty; Rose plain. Rose was deficient in style. She despised style, and regarded her sisters as frivolous ninnies and gadabouts. She was the serious member of the family, and for two years had been studying for the Matriculation of London University.

'Late again!' said her father. 'I shall stop all this exam work.'

Rose said nothing, but looked resentful.

When the hot dishes had been partaken of, Bessie was dismissed, and Leonora waited for the bursting of the storm. It was Millicent who drew it down.

'I think I shall go down to Burgesses, after all, mamma. It's quite light,' she said with audacious pertness.

Her father looked at her.

'What were you doing this afternoon, Milly?'

'I went out for a walk, pa.'

'Who with?'

'No one.'

'Didn't I see you on the canal-side with young Ryley?'

'Yes, father. He was going back to the works after dinner, and he just happened to overtake me.'

Milly and Ethel exchanged a swift glance.

'Happened to overtake you! I saw you as I was driving past, over the canal bridge. You little thought that I saw you.'

'Well, father, I couldn't help him overtaking me. Besides----'

'Besides!' he took her up. 'You had your hand on his shoulder. How do you explain that?'

Millicent was silent.

'I'm ashamed of you, regularly ashamed ... You with your hand on his shoulder in full sight of the works! And on your mother's birthday too!'

Leonora involuntarily stirred. For more than twenty years it had been his custom to give her a kiss and a ten-pound note before breakfast on her birthday, but this year he had so far made no mention whatever of the anniversary.

'I'm going to put my foot down,' he continued with grieved majesty. 'I don't want to, but you force me to it. I'll have no goings-on with Fred Ryley. Understand that. And I'll have no more idling about. You girls--at least you two--are bone-idle. Ethel shall begin to go to the works next Monday. I want a clerk. And you, Milly, must take up the housekeeping. Mother, you'll see to that.'

Leonora reflected that whereas Ethel showed a marked gift for housekeeping, Milly was instinctively averse to everything merely domestic. But with her acquired fatalism she accepted the ukase.

'You understand,' said John to his pert youngest.

'Yes, papa.'

'No more carrying-on with Fred Ryley--or any one else.'

'No, papa.'

'I've got quite enough to worry me without being bothered by you girls.'

Rose left the table, consciously innocent both of sloth and of light behaviour.

'What are