Marzio's Crucifix, and Zoroaster by F. Marion Crawford (adult books to read TXT) 📗

looked down on the pale head he realised that he did not want Paolo to die. Standing on the sharp edge of the precipice where life ends and breaks off, close upon the unfathomable depths of eternity, himself firmly standing and fearing no fall, but seeing his brother slipping over the brink, he would put out his hand to save him, to draw him back. He would not have Paolo die.

He gazed upon the calm features, and he knew that he feared lest they should be still for ever. The breath came more softly, more and more faintly. Marzio thought. He bent down low and tried to feel the warm air as it issued from the lips. His fears grew to terror as the life seemed to ebb away from the white face. In the agony of his apprehension, Marzio inadvertently laid his hand upon the injured shoulder, unconsciously pressing his weight upon the place.

With a faint sigh the priest's eyes opened and seemed to gaze for a moment on the crucifix standing in the bright light of the lamp. An expression of wonderful gentleness and calm overspread the refined features.

"Qui propter nos homines et propter nostram salutem descendit de coelis."

The words came faintly from the dying man's lips, the last syllables scarcely audible in the intense stillness. A deathly pallor crept quickly over the smooth forehead and thin cheeks. Marzio looked for one instant more, and then with a loud cry fell upon his knees by the bedside, his long arms extended across his brother's body. The strong hot tears fell upon the bed coverings, and his breast heaved with passionate sobbing.

He did not see that Paolo opened his eyes at the sound. He did not notice the rush of feet in the passage without, as Maria Luisa and Lucia and Gianbattista ran to the door, followed by old Assunta holding up her apron to her eyes.

"Courage, Sor Marzio," said Gianbattista, drawing the artist back from the bed. "You will disturb him. Do you not see that he is conscious at last?"

Lucia was arranging the pillows under Paolo's head, and Maria Luisa was crying with joy. Marzio sprang to his feet and stared as though he could not believe what he saw. Paolo turned his head and looked kindly at his brother.

"Courage, Marzio," he said, "I have been asleep, I believe—what has happened to me? Why are you all crying?"

Marzio's tears broke out again, mingled with incoherent words of joy. In his sudden happiness he clasped the two persons nearest to him, and hugged them and kissed them. These two chanced to be Lucia and Gianbattista. Paolo smiled, but the effort of speaking had tired him.

"Well," said Marzio at last, with a kinder smile than had been on his face for many a day—"very well, children. For Paolo's sake you shall have your own way."

Half an hour later the surgeon made his visit and assured them all that there was no serious injury, nor any further danger to be feared. The patient had been very badly stunned, that was all. Marzio remained by his brother's side.

"You see, Tista," said Lucia when they were in the sitting-room, "I was quite right about the crucifix and the rest."

"Of course," assented the Signora Pandolfi, though she did not understand the allusion in the least. "Of course you are all of you right. But what a day this has been, cari miei! What a day! Dear, dear!" She spread out her fat hands upon her knees, looking the picture of solid contentment.

THE END ZOROASTER TO
My Beloved Wife
I DEDICATE THIS DRAMA ZOROASTER. CHAPTER I.

The hall of the banquets was made ready for the feast in the palace of Babylon. That night Belshazzar the king would drink wine with a thousand of his lords, and be merry before them; and everything was made ready.

From end to end of the mighty nave, the tables of wood, overlaid with gold and silver, stood spread with those things which the heart of man can desire; with cups of gold and of glass and of jade; with great dishes heaped high with rare fruits and rarer flowers; and over all, the last purple rays of the great southern sun came floating through the open colonnades of the porch, glancing on the polished marbles, tingeing with a softer hue the smooth red plaster of the walls, and lingering lovingly on the golden features and the red-gold draperies of the vast statue that sat on high and overlooked the scene.

On his head the head-dress of thrice royal supremacy, in his right hand and his left the sceptre of power and the winged wheel of immortality and life, beneath his feet the bowed necks of prostrate captives;—so sat the kingly presence of great Nebuchadnezzar, as waiting to see what should come to pass upon his son; and the perfume of the flowers and the fruits and the rich wine came up to his mighty nostrils, and he seemed to smile there in the evening sunlight, half in satisfaction, half in scorn.

On each side of the great building, in the aisles and wings, among the polished pillars of marble thronged the serving-men, bearing ever fresh spices and flowers and fruits, wherewith to deck the feast, whispering together in a dozen Indian, Persian and Egyptian dialects, or in the rich speech of those nobler captives whose pale faces and eagle eyes stood forth everywhere in strong contrast with the coarser features and duskier skins of their fellows in servitude,—the race not born to dominate, but born to endure even to the end. These all mingled together in the strange and broken reflections of the evening light, and here and there the purple dye of the sun tinged the white tunic of some poor slave to as fair a colour as a king's son might wear.

On this side and on that of the tables that were spread for the feast, stood great candlesticks, as tall as the height of two men, tapering from the thickness and heavy carving below to the fineness and delicate tracery above, and bearing upon them cups of bronze, each having its wick steeped in fine oil mixed with wax. Moreover, in the midst of the hall, where the seat of the king was put upon a raised floor, the pillars stood apart for a space, so that there was a chamber, as it were, from the wall on the right to the wall on the left, roofed with great carved rafters; and the colour of the walls was red,—a deep and glorious red that seemed to make of the smooth plaster a sheet of precious marble. Beyond, beneath the pillars, the panels of the aisles were pictured and made many-coloured with the story of Nebuchadnezzar the king, his conquests and his feasts, his captives and his courtiers, in endless train upon the splendid wall. But where the king should sit in the midst of the hall there were neither pillars nor paintings; only the broad blaze of the royal colour, rich and even. Beside the table also stood a great lamp, taller and more cunningly wrought than the rest,—the foot of rare marble and chiselled bronze and the lamp above of pure gold from southern Ophir. But it was not yet kindled, for the sun was not set and the hour for the feast was not fully come.

At the upper end of the hall, before the gigantic statue of wrought gold, there was an open space, unencumbered by tables, where the smooth, polished marble floor came to view in all its rich design and colour. Two persons, entering the hall with slow steps, came to this place and stood together, looking up at the face of the golden king.

Between the two there was the gulf of a lifetime. The one was already beyond the common limit of age, while he who stood beside him was but a fair boy of fourteen summers.

The old man was erect still, and his snowy hair and beard grew like a lion's mane about his massive brow and masterful face. The deep lines of thought, graven deeper by age, followed the noble shaping of his brows in even course, and his dark eyes still shot fire, as piercing the bleared thickness of time to gaze boldly on the eternity beyond. His left hand gathered the folds of a snow-white robe around him, while in his right he grasped a straight staff of ebony and ivory, of fine workmanship, marvellously polished, whereon were wrought strange sayings in the Israelitish manner of writing. The old man stood up to his noble height, and looked from the burnished face of the king's image to the eyes of the boy beside him, in silence, as though urging his young companion to speak for him the thoughts that filled the hearts of both.

The youth spoke not, nor gave any sign, but stood with folded hands and gazed up to the great features of Nebuchadnezzar.

He was but fourteen years of age, tall and delicately made, full of the promise of a graceful and elastic power, fine of skin, and instinct with the nervous strength of a noble and untainted race. His face was fair and white, tinged with faint colour, and his heavy golden hair fell in long curls upon his shoulders, thick and soft with the silken fineness of early youth. His delicate features were straight and noble, northern rather than Oriental in their type—supremely calm and thoughtful, almost godlike in their young restfulness. The deep blue eyes were turned upward with a touch of sadness, but the broad forehead was as marble, and the straight marking of the brows bounded it and divided it from the face. He wore the straight white tunic, edged about with fine embroideries of gold and gathered at the waist with a rich belt, while his legs were covered with wide Persian trousers wrought in many colours of silk upon fine linen. He wore also a small cap of linen, stiffened to a point and worked with a cunning design in gold and silver. But the old man's head was covered only by the thick masses of his snowy hair, and his wide white mantle hid the details of his dress from view.

Again he glanced from the statue to his companion's eyes, and at last he spoke, in a deep smooth voice, in the Hebrew tongue.

"Nebuchadnezzar the king is gathered to his fathers, and his son also, and Nabonnedon Belshazzar reigns in his stead, yet have I endured to this day, in Babylon, these threescore and seven years, since Nebuchadnezzar the king destroyed our place upon the earth and led us away captive. Unto this day, Zoroaster, have I endured, and yet a little longer shall I stand and bear witness for Israel."

The old man's eyes flashed, and his strong aquiline features assumed an expression of intense vitality and life. Zoroaster turned to him and spoke softly, almost sadly:

"Say, O Daniel, prophet and priest of the Lord, why does the golden image seem to smile to-day? Are the times accomplished of thy vision which thou sawest in Shushan, in the palace, and is the dead king glad? I think his face was never so gentle before to look upon,—surely he rejoices at the feast, and the countenance of his image is gladdened."

"Nay, rather then should his face be sorrowful for the destruction of his seed and of his kingdom," answered the prophet somewhat scornfully. "Verily the end is at hand, and the stones of Babylon shall no longer cry out for the burden of the sins of Belshazzar, and the people call upon Bel to restore unto life the King Nebuchadnezzar; nay, or to send hither a Persian or a Mede to be a just ruler in the land."

"Hast thou read it in the stars, or have thine eyes seen these things in the visions of the night, my master?" The boy came nearer to the aged prophet and spoke in low earnest tones. But Daniel only bent his head, till his brow touched his ebony staff, and so he remained, deep in thought.

"For I also have dreamed,"—continued Zoroaster, after a short pause,—"and my dream took hold of me, and I am sorry and full of great weariness. Now this is the manner of my dreaming." He stopped and glanced down the great nave of the hall through the open porch at the other end. The full glory of the red sun, just touching the western plain, streamed upon his face and made the tables, the preparations and the crowd of busy serving-men look like black shadows between him and the light. But Daniel leaned upon his staff and spoke no word, nor moved from his