In the Palace of the King: A Love Story of Old Madrid by F. Marion Crawford (e books free to read txt) 📗

But his hands were on her shoulders in an instant, and she was in a vise, forced back to her seat.

"How dare you touch me!" she cried, in the furious anger of a woman beside herself with grief. "How dare you lay hands on me!" she repeated in a rising key, but struggling in vain against his greater strength.

"You would have died, if I had left you there," answered the jester. "And besides, the people will come soon, and they would have found you there, lying on his body, and your good name would have gone forever."

"My name! What does a name matter? Or anything? Oh, let me go! No one must touch him--no hands that do not love him must come near him--let me get up--let me go in again!"

She tried to force the dwarf from her--she would have struck him, crushed him, thrown him from the terrace, if she could. She was strong, too, in her grief; but his vast arms were like iron bars, growing from his misshapen body. His face was very grave and kind, and his eyes more tender than they had ever been in his life.

"No," he said gently. "You must not go. By and by you shall see him again, but not now. Do not try, for I am much stronger than you, and I will not let you go back into the room."

Then her strength relaxed, and she turned to the stone parapet, burying her face in her crossed arms, and her tears came again. For this the jester was glad, knowing that tears quench the first white heat of such sorrows as can burn out the soul and drive the brain raving mad, when life can bear the torture. He stood still before her, watching her and guarding her, but he felt that the worst was past, and that before very long he could lead her away to a place of greater safety. He had indeed taken her as far as he could from Don John's door, and out of sight of it, where the long terrace turned to the westward, and where it was not likely that any one should pass at that hour. It had been the impulse of the moment, and he himself had not recovered from the shock of finding Don John's body lifeless on the floor. He had known nothing of what had happened, but lurking in a corner to see the King pass on his way back from his brother's quarters, he had made sure that Don John was alone, and had gone to his apartment to find out, if he could, how matters had fared, and whether he himself were in further danger or not. He meant to escape from the palace, or to take his own life, rather than be put to the torture, if the King suspected him of being involved in a conspiracy. He was not a common coward, but he feared bodily pain as only such sensitive organizations can, and the vision of the rack and the boot had been before him since he had seen Philip's face at supper. Don John was kind, and would have warned him if he were in danger, and so all might have been well, and by flight or death he might have escaped being torn limb from limb. So he had gone boldly in, and had found the door ajar and had entered the bedchamber, and when he had seen what was there, he would have fled at once, for his own safety, not only because Don John's murder was sure to produce terrible trouble, and many enquiries and trials, in the course of which he was almost sure to be lost, but also for the more immediate reason that if he were seen near the body when it was discovered, he should certainly be put to the question ordinary and extraordinary for his evidence.

But he was not a common coward, and in spite of his own pardonable terror, he thought first of the innocent girl whose name and fame would be gone if she were found lying upon her murdered lover's body, and so far as he could, he saved her before he thought of saving himself, though with infinite difficulty and against her will.

Half paralyzed by her immeasurable grief, she lay against the parapet, and the great sobs came evenly, as if they were counted, shaking her from her head to her waist, and just leaving her a breathing space between each one and the next. The jester felt that he could do nothing. So long as she had seemed unconscious, he had tried to help her a little by supporting her head with his hand and arm, as tenderly as if she had been his own child. So long as she did not know what he was doing, she was only a human being in distress, and a woman, and deep down in the jester's nature there was a marvellous depth of pity for all things that suffered--the deeper and truer because his own sufferings in the world were great. But it was quite different now that she knew where she was and recognized him. She was no longer a woman now, but a high-born lady, one of the Queen's maids of honour, a being infinitely far removed above his sphere, and whose hand he was not worthy to touch. He would have dared to be much more familiar with the King himself than with this young girl whom fate had placed in his keeping for a moment. In the moonlight he watched her, and as he gazed upon her graceful figure and small head and slender, bending arms, it seemed to him that she had come down from an altar to suffer in life, and that it had been almost sacrilege to lay his hands upon her shoulders and keep her from doing her own will. He almost wondered how he had found courage to be so rough and commanding. He was gentle of heart, though it was his trade to make sharp speeches, and there were wonderful delicacies of thought and feeling far down in his suffering cripple's nature.

"Come," he said softly, when he had waited a long time, and when he thought she was growing more quiet. "You must let me take you away, Doña Maria Dolores, for we cannot stay here."

"Take me back to him," she answered. "Let me go back to him!"

"No--to your father--I cannot take you to him. You will be safe there."

Dolores sprang to her feet before the dwarf could prevent her.

"To my father? oh, no, no, no! Never, as long as I live! I will go anywhere, but not to him! Take your hands from me--do not touch me! I am not strong, but I shall kill you if you try to take me to my father!"

Her small hands grasped the dwarfs wrists and wrung them with desperate energy, and she tried to push him away, so that she might pass him. But he resisted her quietly, planting himself in a position of resistance on his short bowed legs, and opposing the whole strength of his great arms to her girlish violence. Her hands relaxed suddenly in despair.

"Not to my father!" she pleaded, in a broken voice. "Oh, please, please--not to my father!"

The jester did not fully understand, but he yielded, for he could not carry her to Mendoza's apartments by force.

"But what can I do to put you in a place of safety?" he asked, in growing distress. "You cannot stay here."

While he was speaking a light figure glided out from the shadows, with outstretched hands, and a low voice called Dolores' name, trembling with terror and emotion. Dolores broke from the dwarf and clasped her sister in her arms.

"Is it true?" moaned Inez. "Is it true? Is he dead?" And her voice broke.

The courtiers had assembled again in the great throne room after supper, and the stately dancing, for which the court of Spain was even then famous throughout Europe, had begun. The orchestra was placed under the great arch of the central window on a small raised platform draped with velvets and brocades that hung from a railing, high enough to conceal the musicians as they sat, though some of the instruments and the moving bows of the violins could be seen above it.

The masked dancing, if it were dancing at all, which had been general in the days of the Emperor Maximilian, and which had not yet gone out of fashion altogether at the imperial court of Vienna, had long been relegated to the past in Spain, and the beautiful "pavane" dances, of which awkward travesties survive in our day, had been introduced instead. As now, the older ladies of the court withdrew to the sides of the hall, leaving the polished floor free for those who danced, and sets formed themselves in the order of their rank from the foot of the throne dais to the lower end. As now, too, the older and graver men congregated together in outer rooms; and there gaming-tables were set out, and the nobles lost vast sums at games now long forgotten, by the express authorization of the pious Philip, who saw that everything which could injure the fortunes of the grandees must consolidate his own, by depriving them of some of that immense wealth which was an ever-ready element of revolution. He did everything in his power to promote the ruin of the most powerful grandees in the kingdom by encouraging gaming and all imaginable forms of extravagance, and he looked with suspicion and displeasure upon those more prudent men who guarded their riches carefully, as their fathers had done before them. But these were few, for it was a part of a noble's dignity to lose enormous sums of money without the slightest outward sign of emotion or annoyance.

It had been announced that the King and Queen would not return after supper, and the magnificent gravity of the most formal court in the world was a little relaxed when this was known. Between the strains of music, the voices of the courtiers rose in unbroken conversation, and now and then there was a ripple of fresh young laughter that echoed sweetly under the high Moorish vault, and died away just as it rose again from below.

Yet the dancing was a matter of state, and solemn enough, though it was very graceful. Magnificent young nobles in scarlet, in pale green, in straw colour, in tender shades of blue, all satin and silk and velvet and embroidery, led lovely women slowly forward with long and gliding steps that kept perfect time to the music, and turned and went back, and wound mazy figures with the rest, under the waxen light of the waxen torches, and returned to their places with deep curtsies on the one side, and sweeping obeisance on the other. The dresses of the women were richer by far with gold and silver, and pearls and other jewels, than those of the men, but were generally darker in tone, for that was the fashion then. Their skirts were straight and barely touched the floor, being made for a time when dancing was a part of court life, and when every one within certain limits of age was expected to dance well. There was no exaggeration of the ruffle then, nor had the awkward hoop skirt been introduced in Spain. Those were the earlier days of Queen Elizabeth's reign, before Queen Mary was imprisoned; it was the time, indeed, when the rough Bothwell had lately carried her off and married her, after a fashion, with so little ceremony that Philip paid no attention to the marriage at all, and deliberately proposed to make her Don John's wife. The matter was freely talked of on that night by the noble ladies of elder years who gossiped while they watched the dancing.

That was indeed such a court as had not been seen before, nor was ever seen again, whether one count beauty first, or riches and magnificence, or the marvel of splendid ceremony and the faultless grace of studied manners, or even the cool recklessness of great lords and ladies who could lose a fortune at play, as if they were throwing a handful of coin to a beggar in the street.

The Princess of Eboli stood a little apart from the rest, having just returned to the ball-room, and her eyes searched for Dolores in the crowd, though she scarcely expected to see her there. It would have been almost impossible for the girl to put on a court dress in so short a time, though since her father had allowed her to leave her room, she could have gone back to dress if