In the Palace of the King: A Love Story of Old Madrid by F. Marion Crawford (e books free to read txt) 📗

throne. For several seconds not a sound broke the stillness, and he came slowly forward followed by half a dozen nobles in immediate attendance upon him. But though he must have heard his brother's name in the general chorus of voices as soon as the door had been thrown open, he seemed by no means disconcerted; on the contrary, he smiled almost affably, and his eyes were less fixed than usual, as he looked about him with something like an air of satisfaction. As soon as it was clear that he meant to descend the steps to the floor of the hall, the chief courtiers came forward, Ruy Gomez de Silva, Prince of Eboli, Alvarez de Toledo, the terrible Duke of Alva, the Dukes of Medina Sidonia and of Infantado, Don Antonio Perez the chief Secretary, the Ambassadors of Queen Elizabeth of England and of France, and a dozen others, bowing so low that the plumes of their hats literally touched the floor beside them.

"Why is there no dancing?" asked Philip, addressing Ruy Gomez, with a smile.

The Minister explained that one of the dances was but just over.

"Let there be more at once," answered the King. "Let there be dancing and music without end to-night. We have good reason to keep the day with rejoicing, since the war is over, and Don John of Austria has come back in triumph."

The command was obeyed instantly, as Ruy Gomez made a sign to the leader of the musicians, who was watching him intently in expectation of the order. The King smiled again as the long strain broke the silence and the conversation began again all through the hall, though in a far more subdued tone than before, and with much more caution. Philip turned to the English Ambassador.

"It is a pity," he said, "that my sister of England cannot be here with us on such a night as this. We saw no such sights in London in my day, my lord."

"There have been changes since then, Sire," answered the Ambassador. "The Queen is very much inclined to magnificence and to great entertainments, and does not hesitate to dance herself, being of a very vital and pleasant temper. Nevertheless, your Majesty's court is by far the most splendid in the world."

"There you are right, my lord!" exclaimed the King. "And for that matter, we have beauty also, such as is found nowhere else."

The Princess of Eboli was close by, waiting for him to speak to her, and his eyes fixed themselves upon her face with a sort of cold and snakelike admiration, to which she was well accustomed, but which even now made her nervous. The Ambassador was not slow to take up the cue of flattery, for Englishmen still knew how to flatter in Elizabeth's day.

"The inheritance of universal conquest," he said, bowing and smiling to the Princess. "Even the victories of Don John of Austria must yield to that."

The Princess laughed carelessly. Had Perez spoken the words, she would have frowned, but the King's eyes were watching her.

"His Highness has fled from the field without striking a blow," she said. "We have not seen him this evening." As she spoke she met the King's gaze with a look of enquiry.

"Don John will be here presently, no doubt," he said, as if answering a question. "Has he not been here at all since supper?"

"No, Sire; though every one expected him to come at once."

"That is strange," said Philip, with perfect self-possession. "He is fond of dancing, too--no one can dance better than he. Have you ever known a man so roundly gifted as my brother, my lord?"

"A most admirable prince," answered the Ambassador, gravely and without enthusiasm, for he feared that the King was about to speak of his brother's possible marriage with Queen Mary of Scots.

"And a most affectionate and gentle nature," said Philip, musing. "I remember from the time when he was a boy that every one loved him and praised him, and yet he is not spoiled. He is always the same. He is my brother--how often have I wished for such a son! Well, he may yet be King. Who should, if not he, when I am gone?"

"Your Majesty need not anticipate such a frightful calamity!" cried the Princess fervently, though she was at that moment weighing the comparative advantage of several mortal diseases by which, in appearance at least, his exit from the world might be accelerated.

"Life is very uncertain, Princess," observed the King. "My lord," he turned to the English Ambassador again, "do you consider melons indigestible in England? I have lately heard much against them."

"A melon is a poor thing, of a watery constitution, your Majesty," replied the Ambassador glibly. "There can be but little sustenance in a hollow piece of water that is sucked from a marsh and enclosed in a green rind. To tell the truth, I hear it ill spoken of by our physicians, but I cannot well speak of the matter, for I never ate one in my life, and please God I never will!"

"Why not!" enquired the King, who took an extraordinary interest in the subject. "You fear them, then! Yet you seem to be exceedingly strong and healthy."

"Sire, I have sometimes drunk a little water for my stomach's sake, but I will not eat it."

The King smiled pleasantly.

"How wise the English are!" he said. "We may yet learn much of them."

Philip turned away from the Ambassador and watched the dance in silence. The courtiers now stood in a wide half circle to the right and left of him as he faced the hall, and the dancers passed backwards and forwards across the open space. His slow eyes followed one figure without seeing the rest. In the set nearest to him a beautiful girl was dancing with one of Don John's officers. She was of the rarest type of Andalusian beauty, tall, pliant, and slenderly strong, with raven's-wing hair and splendidly languorous eyes, her creamy cheek as smooth as velvet, and a mouth like a small ripe fruit. As she moved she bent from the waist as easily and naturally as a child, and every movement followed a new curve of beauty from her white throat to the small arched foot that darted into sight as she stepped forward now and then, to disappear instantly under the shadow of the gold-embroidered skirt. As she glanced towards the King, her shadowy lids half hid her eyes and the long black lashes almost brushed her cheek. Philip could not look away from her.

But suddenly there was a stir among the courtiers, and a shadow came between the King and the vision he was watching. He started a little, annoyed by the interruption and at being rudely reminded of what had happened half an hour earlier, for the shadow was cast by Mendoza, tall and grim in his armour, his face as grey as his grey beard, and his eyes hard and fixed. Without bending, like a soldier on parade, he stood there, waiting by force of habit until Philip should speak to him. The King's brows bent together, and he almost unconsciously raised one hand to signify that the music should cease. It stopped in the midst of a bar, leaving the dancers at a standstill in their measure, and all the moving sea of light and colour and gleaming jewels was arrested instantly in its motion, while every look was turned towards the King. The change from sound to silence, from motion to immobility, was so sudden that every one was startled, as if some frightful accident had happened, or as if an earthquake had shaken the Alcazar to its deep foundation.

Mendoza's harsh voice spoke out alone in accents that were heard to the end of the hall.

"Don John of Austria is dead! I, Mendoza, have killed him unarmed."

It was long before a sound was heard, before any man or woman in the hall had breath to utter a word. Philip's voice was heard first.

"The man is mad," he said, with undisturbed coolness. "See to him, Perez."

"No, no!" cried Mendoza. "I am not mad. I have killed Don John. You shall find him in his room as he fell, with the wound in his breast."

One moment more the silence lasted, while Philip's stony face never moved. A single woman's shriek rang out first, long, ear-piercing, agonized, and then, without warning, a cry went up such as the old hall had never heard before. It was a bad cry to hear, for it clamoured for blood to be shed for blood, and though it was not for him, Philip turned livid and shrank back a step. But Mendoza stood like a rock, waiting to be taken.

In another moment furious confusion filled the hall. From every side at once rose women's cries, and the deep shouts of angry men, and high, clear yells of rage and hate. The men pushed past the ladies of the court to the front, and some came singly, but a serried rank moved up from behind, pushing the others before them.

"Kill him! Kill him at the King's feet! Kill him where he stands!"

And suddenly something made blue flashes of light high over the heads of all; a rapier was out and wheeled in quick circles from a pliant wrist. An officer of Mendoza's guard had drawn it, and a dozen more were in the air in an instant, and then daggers by scores, keen, short, and strong, held high at arm's length, each shaking with the fury of the hand that held it.

"Sangre! Sangre!"

Some one had screamed out the wild cry of the Spanish soldiers--'Blood! Blood!'--and the young men took it up in a mad yell, as they pushed forwards furiously, while the few who stood in front tried to keep a space open round the King and Mendoza.

The old man never winced, and disdained to turn his head, though he heard the cry of death behind him, and the quick, soft sound of daggers drawn from leathern sheaths, and the pressing of men who would be upon him in another moment to tear him limb from limb with their knives.

Tall old Ruy Gomez had stepped forwards to stem the tide of death, and beside him the English Ambassador, quietly determined to see fair play or to be hurt himself in preventing murder.

"Back!" thundered Ruy Gomez, in a voice that was heard. "Back, I say! Are you gentlemen of Spain, or are you executioners yourselves that you would take this man's blood? Stand back!"

"Sangre! Sangre!" echoed the hall.

"Then take mine first!" shouted the brave old Prince, spreading his short cloak out behind him with his hands to cover Mendoza more completely.

But still the crowd of splendid young nobles surged up to him, and back a little, out of sheer respect for his station and his old age, and forwards again, dagger in hand, with blazing eyes.

"Sangre! Sangre! Sangre!" they cried, blind with fury.

But meanwhile, the guards filed in, for the prudent Perez had hastened to throw wide the doors and summon them. Weapons in hand and ready, they formed a square round the King and Mendoza and Ruy Gomez, and at the sight of their steel caps and breastplates and long-tasselled halberds, the yells of the courtiers subsided a little and turned to deep curses and execrations and oaths of vengeance. A high voice pierced the low roar, keen and cutting as a knife, but no one knew whose it was, and Philip almost reeled as he heard the words.

"Remember Don Carlos! Don John of Austria is gone to join Don Carlos and Queen Isabel!"

Again a deadly silence fell upon the multitude, and the King leaned on Perez' arm. Some woman's hate had bared the truth in a flash, and there were hundreds of hands in the hall that were ready to take his life instead of Mendoza's; and he knew it, and was afraid.

CHAPTER XV

The agonized cry that had been first heard in the hall had come from Inez's lips. When she had fled from her father, she had regained her hiding-place in the gallery above the throne room. She would not go to her own room, for she felt that rest was out of the question while Dolores was in such danger; and yet there would have been no object in going to Don John's door again, to risk being caught by her father or met by the King himself. She had therefore determined to let an hour pass before attempting another move. So she slipped into the gallery again, and sat upon the little wooden bench that had been made for the Moorish women in old times; and she listened to the music and the sound of the dancers' feet far below, and to the hum of voices, in which she often distinguished the name