Quo Vadis: A Narrative of the Time of Nero by Henryk Sienkiewicz (good novels to read .TXT) 📗

I would have given all the divorced women of this city, not excluding Poppæa. But these are old stories. Tell me now, rather, what is to be heard from the Parthian boundary. It is true that they weary me every Vologeses of them, and Tiridates and Tigranes,—those barbarians who, as young Arulenus insists, walk on all fours at home, and pretend to be human only when in our presence. But now people in Rome speak much of them, if only for the reason that it is dangerous to speak of aught else.”

“The war is going badly, and but for Corbulo might be turned to defeat.”

“Corbulo! by Bacchus! a real god of war, a genuine Mars, a great leader, at the same time quick-tempered, honest, and dull. I love him, even for this,—that Nero is afraid of him.”

“Corbulo is not a dull man.”

“Perhaps thou art right, but for that matter it is all one. Dulness, as Pyrrho says, is in no way worse than wisdom, and differs from it in nothing.”

Vinicius began to talk of the war; but when Petronius closed his eyes again, the young man, seeing his uncle’s tired and somewhat emaciated face, changed the conversation, and inquired with a certain interest about his health.

Petronius opened his eyes again.

Health!—No. He did not feel well. He had not gone so far yet, it is true, as young Sissena, who had lost sensation to such a degree that when he was brought to the bath in the morning he inquired, “Am I sitting?” But he was not well. Vinicius had just committed him to the care of Asklepios and Kypris. But he, Petronius, did not believe in Asklepios. It was not known even whose son that Asklepios was, the son of Arsinoe or Koronis; and if the mother was doubtful, what was to be said of the father? Who, in that time, could be sure who his own father was?

Hereupon Petronius began to laugh; then he continued,—“Two years ago, it is true, I sent to Epidaurus three dozen live blackbirds and a goblet of gold; but dost thou know why? I said to myself, ‘Whether this helps or not, it will do me no harm.’ Though people make offerings to the gods yet, I believe that all think as I do,—all, with the exception, perhaps, of mule-drivers hired at the Porta Capena by travellers. Besides Asklepios, I have had dealings with sons of Asklepios. When I was troubled a little last year in the bladder, they performed an incubation for me. I saw that they were tricksters, but I said to myself: ‘What harm! The world stands on deceit, and life is an illusion. The soul is an illusion too. But one must have reason enough to distinguish pleasant from painful illusions.’ I shall give command to burn in my hypocaustum, cedar-wood sprinkled with ambergris, for during life I prefer perfumes to stenches. As to Kypris, to whom thou hast also confided me, I have known her guardianship to the extent that I have twinges in my right foot. But as to the rest she is a good goddess! I suppose that thou wilt bear sooner or later white doves to her altar.”

“True,” answered Vinicius. “The arrows of the Parthians have not reached my body, but a dart of Amor has struck me—unexpectedly, a few stadia from a gate of this city.”

“By the white knees of the Graces! thou wilt tell me of this at a leisure hour.”

“I have come purposely to get thy advice,” answered Marcus.

But at that moment the epilatores came, and occupied themselves with Petronius. Marcus, throwing aside his tunic, entered a bath of tepid water, for Petronius invited him to a plunge bath.

“Ah, I have not even asked whether thy feeling is reciprocated,” said Petronius, looking at the youthful body of Marcus, which was as if cut out of marble. “Had Lysippos seen thee, thou wouldst be ornamenting now the gate leading to the Palatine, as a statue of Hercules in youth.”

The young man smiled with satisfaction, and began to sink in the bath, splashing warm water abundantly on the mosaic which represented Hera at the moment when she was imploring Sleep to lull Zeus to rest. Petronius looked at him with the satisfied eye of an artist.

When Vinicius had finished and yielded himself in turn to the epilatores, a lector came in with a bronze tube at his breast and rolls of paper in the tube.

“Dost wish to listen?” asked Petronius.

“If it is thy creation, gladly!” answered the young tribune; “if not, I prefer conversation. Poets seize people at present on every street corner.”

“Of course they do. Thou wilt not pass any basilica, bath, library, or book-shop without seeing a poet gesticulating like a monkey. Agrippa, on coming here from the East, mistook them for madmen. And it is just such a time now. Cæsar writes verses; hence all follow in his steps. Only it is not permitted to write better verses than Cæsar, and for that reason I fear a little for Lucan. But I write prose, with which, however, I do not honor myself or others. What the lector has to read are codicilli of that poor Fabricius Veiento.”

“Why ‘poor’?”

“Because it has been communicated to him that he must dwell in Odyssa and not return to his domestic hearth till he receives a new command. That Odyssey will be easier for him than for Ulysses, since his wife is no Penelope. I need not tell thee, for that matter, that he acted stupidly. But here no one takes things otherwise than superficially. His is rather a wretched and dull little book, which people have begun to read passionately only when the author is banished. Now one hears on every side, ‘Scandala! scandala!’ and it may be that Veiento invented some things; but I, who know the city, know our patres and our women, assure thee that it is all paler than reality. Meanwhile every man is searching in the book,—for himself with alarm, for his acquaintances with delight. At the book-shop of Avirnus a hundred copyists are writing at dictation, and its success is assured.”

“Are not thy affairs in it?”

“They are; but the author is mistaken, for I am at once worse and less flat than he represents me. Seest thou we have lost long since the feeling of what is worthy or unworthy,—and to me even it seems that in real truth there is no difference between them, though Seneca, Musonius, and Trasca pretend that they see it. To me it is all one! By Hercules, I say what I think! I have preserved loftiness, however, because I know what is deformed and what is beautiful; but our poet, Bronzebeard, for example, the charioteer, the singer, the actor, does not understand this.”

“I am sorry, however, for Fabricius! He is a good companion.”

“Vanity ruined the man. Every one suspected him, no one knew certainly; but he could not contain himself, and told the secret on all sides in confidence. Hast heard the history of Rufinus?”

“No.”

“Then come to the frigidarium to cool; there I will tell thee.”

They passed to the frigidarium, in the middle of which played a fountain of bright rose-color, emitting