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more she sacrificed more, and to his propositions she would exclaim, "Silence, sir!" with the air of a queen, and at times she would put on an angry look, to reply to the reproachs of Cappara: "If you are not as I wish you to be, I will no longer love you."

The poor Italian saw, when it was too late, that this was not a noble love, one of those which does not mete out joy as a miser his crowns; and that this lady took delight in letting him jump about outside the hedge and be master of everything, provided he touched not the garden of love. At this business Cappara became a savage enough to kill anyone, and took with him trusty companions, his friends, to whom he gave the task of attacking the husband while walking home to bed after his game of tennis with the king. He came to his lady at the accustomed hour when the sweet sports of love were in full swing, which sports were long, lasting kisses, hair twisted and untwisted, hand bitten with passion, ears as well; indeed, the whole business, with the exception of that especial thing which good authors rightly find abominable. The Florentine exclaims between two hearty kisses--

"Sweet one, do you love me more than anything?"

"Yes," said she, because words never cost anything.

"Well then," replied the lover, "be mine in deed as in word."

"But," said she, "my husband will be here directly."

"Is that the only reason?" said he.

"Yes."

"I have friends who will cross him, and will not let him go unless I show a torch at this window. If he complain to the king, my friends will say, they thought they were playing a joke on one of their own set."

"Ah, my dear," said she, "let me see if everyone in the house is gone to bed."

She rose, and held the light to the window. Seeing which Cappara blew out the candle, seized his sword, and placing himself in front of the woman, whose scorn and evil mind he recognised.

"I will not kill you, madame," said he, "but I will mark your face in such a manner you will never again coquette with young lovers whose lives you waste. You have deceived me shamefully, and are not a respectable woman. You must know that a kiss will never sustain life in a true lover, and that a kissed mouth needs the rest. Your have made my life forever dull and wretched; now I will make you remember forever my death, which you have caused. You shall never again behold yourself in a glass without seeing there my face also." Then he raised his arm, and held the sword ready to cut off a good slice of the fresh fair cheek, where still all the traces of his kiss remained. And the lady exclaimed, "You wretch!"

"Hold your tongue," said he; "you told me that you loved me better than anything. Now you say otherwise; each evening have you raised me a little nearer to heaven; with one blow you cast me into hell, and you think that your petticoat can save you from a lover's wrath--No!"

"Ah, my Angelo! I am thine," said she, marvelling at this man glaring with rage.

But he, stepping three paces back, replied, "Ah, woman of the court and wicked heart, thou lovest, then, thy face better than thy lover."

She turned pale, and humbly held up her face, for she understood that at this moment her past perfidy wronged her present love. With a single blow Angelo slashed her face, then left her house, and quitted the country. The husband not having been stopped by reason of that light which was seen by the Florentines, found his wife minus her left cheek. But she spoke not a word in spite of her agony; she loved her Cappara more than life itself. Nevertheless, the husband wished to know whence preceded this wound. No one having been there except the Florentine, he complained to the king, who had his workman hastily pursued, and ordered him to be hanged at Blois. On the day of execution a noble lady was seized with a desire to save this courageous man, whom she believed to be a lover of the right sort. She begged the king to give him to her, which he did willingly. But Cappara declaring that he belonged entirely to his lady, the memory of whom he could not banish entirely, entered the Church, became a cardinal and a great savant, and used to say in his old age that he had existed upon the remembrance of the joys tasted in those poor hours of anguish; in which he was, at the same time, both very well and very badly treated by his lady. There are authors saying afterwards he succeeded better with his old sweetheart, whose cheek healed; but I cannot believe this, because he was a man of heart, who had a high opinion of the holy joys of love.

This teaches us nothing worth knowing, unless it be that there are unlucky meetings in life, since this tale is in every way true. If in other places the author has overshot the truth, this one will gain for him the indulgence of the conclave or lovers.


EPILOGUE

This second series comes in the merry month of June, when all is green and gay, because the poor muse, whose slave the author is, has been more capricious then the love of a queen, and has mysteriously wished to bring forth her fruit in the time of flowers. No one can boast himself master of this fay. At times, when grave thoughts occupy the mind and grieve the brain, comes the jade whispering her merry tales in the author's ear, tickling her lips with her feathers, dancing sarabands, and making the house echo with her laughter. If by chance the writer, abandoning science for pleasure, says to her, "Wait a moment, little one, till I come," and runs in great haste to play with the madcap, she has disappeared. She has gone into her hole, hides herself there, rolls herself up, and retires. Take the poker, take a staff, a cudgel, a cane, raise them, strike the wench, and rave at her, she moans; strap her, she moans; caress her, fondle her, she moans; kiss her, say to her, "Here, little one," she moans. Now she's cold, now she is going to die; adieu to love, adieu to laughter, adieu to merriment, adieu to good stories. Wear mourning for her, weep and fancy her dead, groan. Then she raises her head, her merry laugh rings out again; she spreads her white wings, flies one knows not wither, turns in the air, capers, shows her impish tail, her woman's breasts, her strong loins, and her angelic face, shakes her perfumed tresses, gambols in the rays of the sun, shines forth in all her beauty, changes her colours like the breast of a dove, laughs until she cries, cast the tears of her eyes into the sea, where the fishermen find them transmuted into pretty pearls, which are gathered to adorn the foreheads of queens. She twists about like a colt broken loose, exposing her virgin charms, and a thousand things so fair that a pope would peril his salvation for her at the mere sight of them. During these wild pranks of the ungovernable beast you meet fools and friends, who say to the poor poet, "Where are your tales? Where are your new volumes? You are a pagan prognosticator. Oh yes, you are known. You go to fetes and feasts, and do nothing between your meals. Where's your work?"

Although I am by nature partial to kindness, I should like to see one of these people impaled in the Turkish fashion, and thus equipped, sent on the Love Chase. Here endeth the second series; make the devil give it a lift with his horns, and it will be well received by a smiling Christendom.
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Publication Date: 07-19-2010

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