Clayhanger - Arnold Bennett (best business books of all time .TXT) 📗

missing. Marian, aged thirty, and married in London, with two little babies; Marian was adored by all her brothers and sisters, and most by Janet, who, during visits of the married sister, fell back with worshipping joy into her original situation of second daughter.

Edwin, Charles, and Janet sat down on a sofa. It was not until after a moment that Edwin noticed an ugly young woman who sat behind the players and turned over the pages of music for them. "Surely that can't be his wonderful Hilda!" Edwin thought. In the excitement of arrival he had forgotten the advertised Hilda. Was that she? The girl could be no other. Edwin made the reflection that all men make: "Well, it's astonishing what other fellows like!" And, having put down Charlie several points in his esteem, he forgot Hilda.

Evidently loud and sustained conversation was not expected nor desired while the music lasted. And Edwin was glad of this. It enabled him to get his breath and his bearings in what was to him really a tremendous ordeal. And in fact he was much more agitated than even he imagined. The room itself abashed him.

Everybody, including Mr Orgreave, had said that the Clayhanger drawing-room with its bay-window was a fine apartment. But the Orgreave drawing-room had a bay-window and another large window; it was twice as big as the Clayhangers' and of an interesting irregular shape. Although there were in it two unoccupied expanses of carpet, it nevertheless contained what seemed to Edwin immense quantities of furniture of all sorts. Easy-chairs were common, and everywhere. Several bookcases rose to the low ceiling; dozens and dozens of pictures hid the walls; each corner had its little society of objects; cushions and candlesticks abounded; the piano was a grand, and Edwin was astounded to see another piano, a small upright, in the farther distance; there were even two fireplaces, with two mirrors, two clocks, two sets of ornaments, and two embroidered screens. The general effect was of extraordinary lavish profusion--of wilful, splendid, careless extravagance.

Yet the arm of the sofa on which Edwin leaned was threadbare in two different places. The room was faded and worn, like its mistress. Like its mistress it seemed to exhale a silent and calm authority, based on historic tradition.

And the room was historic; it had been the theatre of history. For twenty-five years--ever since Tom was seven--it had witnessed the adventurous domestic career of the Orgreaves, so quiet superficially, so exciting in reality. It was the drawing-room of a man who had consistently used immense powers of industry for the satisfaction of his prodigal instincts; it was the drawing-room of a woman whose placidity no danger could disturb, and who cared for nothing if only her husband was amused. Spend and gain! And, for a change, gain and spend! That was the method. Work till sheer exhaustion beat you. Plan, scheme, devise! Satisfy your curiosity and your other instincts! Experiment! Accept risks! Buy first, order first, pledge yourself first; and then split your head in order to pay and to redeem! When chance aids you to accumulate, let the pile grow, out of mere perversity, and then scatter it royally! Play heartily! Play with the same intentness as you work! Live to the uttermost instant and to the last flicker of energy! Such was the spirit of Osmond Orgreave, and the spirit which reigned in the house generally, if not in every room of the house.

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THREE.

For each child had its room--except Jimmie and Johnnie, who shared one. And each room was the fortress of an egoism, the theatre of a separate drama, mysterious, and sacred from the others. Jimmie could not remember having been in Janet's room--it was forbidden by Alicia, who was jealous of her sole right of entree--and nobody would have dreamed of violating the chamber of Jimmie and Johnnie to discover the origin of peculiar noises that puzzled the household at seven o'clock in the morning. As for Tom's castle--it was a legend to the younger children; it was supposed to be wondrous.

All the children had always cost money, and a great deal of money, until Marian had left the family in deep gloom for her absence, and Tom, with a final wrench of a vast sum from the willing but wincing father, had settled into a remunerative profession. Tom was now keeping himself and repaying the weakened parent. The rest cost more and more every year as their minds and bodies budded and flowered. It was endless, it was staggering, it would not bear thinking about. The long and varied chronicle of it was somehow written on the drawing-room as well as on the faces of the father and mother--on the drawing-room which had the same dignified, childlike, indefatigable, invincible, jolly expression as its owners. Threadbare in places? And why not? The very identical Turkey carpet at which Edwin gazed in his self-consciousness--on that carpet Janet the queenly and mature had sprawled as an infant while her mother, a fresh previous Janet of less than thirty, had cooed and said incomprehensible foolishness to her. Tom was patriarchal because he had vague memories of an earlier drawing-room, misted in far antiquity. Threadbare? By heaven, its mere survival was magnificent! I say that it was a miraculous drawing-room. Its chairs were humanised. Its little cottage piano that nobody ever opened now unless Tom had gone mad on something for two pianos, because it was so impossibly tinny--the cottage piano could humanly recall the touch of a perfect baby when Marian the wife sat down to it. Marian was one of your silly sentimental nice things; on account of its associations, she really preferred the cottage piano to the grand. The two carpets were both resigned, grim old humanities, used to dirty heels, and not caring, or pretending not to care. What did the curtains know of history? Naught. They were always new; they could not last. But even the newest curtains would at once submit to the influence of the room, and take on something of its physiognomy, and help to express its comfortableness. You could not hang a week in front of one of those windows without being subtly informed by the tradition of adventurous happiness that presided over the room. It was that: a drawing-room in which a man and a woman, and boys and girls, had been on the whole happy, if often apprehensive.

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FOUR.

The music began to engage Edwin's attention. It was music of a kind quite novel to him. Most of it had no meaning for him, but at intervals some fragment detached itself from the mass, and stood out beautiful. It was as if he were gazing at a stage in gloom, but lighted momentarily by fleeting rays that revealed a lovely detail and were bafflingly cut off. Occasionally he thought he noticed a recurrence of the same fragment. Murmurs came from behind the piano. He looked cautiously. Alicia was making faces of alarm and annoyance. She whispered: "Oh dear! ... It's no use! ... We're all wrong, I'm sure!" Tom kept his eyes on the page in front of him, doggedly playing. Then Edwin was conscious of dissonances. And then the music stopped.

"Now, Alicia," her father protested mildly, "you mustn't be nervous."

"Nervous!" exclaimed Alicia. "Tom's just as nervous as I am! So he needn't talk." She was as red as a cock's crest.

Tom was not talking. He pointed several times violently to a place on Alicia's half of the open book--she was playing the bass part. "There! There!" The music recommenced.

"She's always nervous like that," Janet whispered kindly, "when any one's here. But she doesn't like to be told."

"She plays splendidly," Edwin responded. "Do you play?"

Janet shook her head.

"Yes, she does," Charlie whispered.

"Keep on, darling. You're at the end now." Edwin heard a low, stern voice. That must be the voice of Hilda. A second later, he looked across, and surprised her glance, which was intensely fixed on himself. She dropped her eyes quickly; he also.

Then he felt by the nature of the chords that the piece was closing. The music ceased. Mr Orgreave clapped his hands. "Bravo! Bravo!"

"Why," cried Charlie to the performers, "you weren't within ten bars of each other!" And Edwin wondered how Charlie could tell that. As for him, he did not know enough of music to be able to turn over the pages for others. He felt himself to be an ignoramus among a company of brilliant experts.

"Well," said Mr Orgreave, "I suppose we may talk a bit now. It's more than our place is worth to breathe aloud while these Rubinsteins are doing Beethoven!" He looked at Edwin, who grinned.

"Oh! My word!" smiled Mrs Orgreave, supporting her hand.

"Beethoven, is it?" Edwin muttered. He was acquainted only with the name, and had never heard it pronounced as Mr Orgreave pronounced it.

"One symphony a night!" Mr Orgreave said, with irony. "And we're only at the second, it seems. Seven more to come; What do you think of that, Edwin?"

"Very fine!"

"Let's have the `Lost Chord,' Janet," Mr Orgreave suggested.

There was a protesting chorus of "Oh, dad!"

"Very well! Very well!" the father murmured, acting humility. "I'm snubbed!"

Tom had now strolled across the room, smiling to himself, and looking at the carpet, in an effort to behave as one who had done nothing in particular.

"How d'ye do, Clayhanger?" He greeted Edwin, and grasped his hand in a feverish clutch. "You must excuse us. We aren't used to audiences. That's the worst of being rotten amateurs."

Edwin rose. "Oh!" he deprecated. He had never spoken to Tom Orgreave before, but Tom seemed ready to treat him at once as an established acquaintance.

Then Alicia had to come forward and shake hands. She could not get a word out.

"Now, baby!" Charlie teased her.

She tossed her mane, and found refuge by her mother's side. Mrs Orgreave caressed the mane into order.

"This is Miss Lessways. Hilda--Mr Edwin Clayhanger." Janet drew the dark girl towards her as the latter hovered uncertainly in the middle of the room, her face forced into the look of elaborate negligence conventionally assumed by every self-respecting person who waits to be introduced. She took Edwin's hand limply, and failed to meet his glance. Her features did not soften. Edwin was confirmed in the impression of her obdurate ugliness. He just noticed her olive skin and black eyes and hair. She was absolutely different in type from any of the Clayhangers. The next instant she and Charlie were talking together.

Edwin felt the surprised relief of one who has plunged into the sea and discovers himself fairly buoyant on the threatening waves.

"Janet," asked Mrs Orgreave, "will supper be ready?"

In the obscurer corners of the room grey shadows gathered furtively, waiting their time.

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FIVE.

"Seen my latest, Charlie?" asked Tom, in his thin voice.

"No, what is it?" Charlie