Vittoria — Volume 3 by George Meredith (best manga ereader TXT) 📗

easiest.'

'Ah! easiest, is it?' Captain Weisspriess 'frowned meditative' over this remarkable statement of a system. 'Well, it certainly saves trouble. Besides, my good Pericles, none but an ass would quarrel with you. I was observing that General Pierson wants his nephew to marry the Countess Lena immediately; and if, as you tell me, this girl Belloni, who is called la Vittoria—the precious little woman!—has such power over him, it's quite as well, from the General's point of view, that she should be out of the way at Sonnenberg. I have my footing at the Duchess of Graath's. I believe she hopes that I shall some day challenge and kill her husband; and as I am supposed to have saved Major de Pyrmont's life, I am also an object of present gratitude. Do you imagine that your little brown-eyed Belloni scented one of her enemies in me?'

'I know nothing of imagination,' the Signor Antonio observed frigidly.

'Till we meet!' Captain Weisspriess kissed his fingers, half as up toward the windows, and half to the Greek. 'Save me from having to teach love to your Irma!'

He ran to join his servant.

Luigi had heard much of the conversation, as well as the last sentence.

'It shall be to la Irma if it is to anybody,' Luigi muttered.

'Let Weisspriess—he will not awake love in her—let him kindle hate, it will do,' said the Signor Antonio. 'She has seen him, and if he meets her on the route to Meran, she will think it her fascination.'

Looking at his watch and at the lighted windows, he repeated his special injunctions to Luigi. 'It is near the time. I go to sleep. I am getting old: I grow nervous. Ten-twenty in addition, you shall have, if all is done right. Your weekly pay runs on. Twenty—you shall have thirty! Thirty napoleons additional!'

Ten fingers were flashed thrice.

Luigi gave a jump. 'Padrone, they are mine.'

'Animal, that shake your belly-bag and brain-box, stand!' cried the Greek, who desired to see Luigi standing firm that he might inspire himself with confidence in his integrity. When Luigi's posture had satisfied him, he turned and went off at great strides.

'He does pay,' Luigi reflected, seeing that immense virtue in his patron. 'Yes, he pays; but what is he about? It is this question for me—"Do I serve my hand? or, Do I serve my heart?" My hand takes the money, and it is not German money. My heart gives the affection, and the signorina has my heart. She reached me that cigarette on the Motterone like the Madonna: it is never to be forgotten! I serve my heart! Now, Beppo, you may come; come quick for her. I see the carriage, and there are three stout fellows in it who could trip and muzzle you at a signal from me before you could count the letters of your father's baptismal name. Oh! but if the signorina disobeys me and comes out last!—the Signor Antonio will ask the maestro, who will say, "Yes, la Vittoria was here with me last of the two"; and I lose my ten, my twenty, my thirty napoleons.'

Luigi's chest expanded largely with a melancholy draught of air.

The carriage meantime had become visible at the head of the street, where it remained within hearing of a whistle. One of the Milanese hired vehicles drove up to the maestro's door shortly after, and Luigi cursed it. His worst fears for the future of the thirty napoleons were confirmed; the door opened and the Maestro Rocco Ricci, bareheaded and in his black silk dressing-gown, led out Irma di Karski, by some called rival to la Vittoria; a tall Slavic damsel, whose laughter was not soft and smooth, whose cheeks were bright, and whose eyes were deep in the head and dull. But she had vivacity both of lips and shoulders. The shoulders were bony; the lips were sharp and red, like winter-berries in the morning-time. Freshness was not absent from her aspect. The critical objection was that it seemed a plastered freshness and not true bloom; or rather it was a savage and a hard, not a sweet freshness. Hence perhaps the name which distinguished her la Lazzeruola (crab apple). It was a freshness that did not invite the bite; sour to Italian taste.

She was apparently in vast delight. 'There will be a perfect inundation to-morrow night from Prague and Vienna to see me even in so miserable a part as Michiella,' she said. 'Here I am supposed to be a beginner; I am no debutante there.'

'I can believe it, I can believe it,' responded Rocco, bowing for her speedy departure.

'You are not satisfied with my singing of Michiella's score! Now, tell me, kind, good, harsh old master! you think that Miss Vittoria would sing it better. So do I. And I can sing another part better. You do not know my capacities.'

'I am sure there is nothing you would not attempt,' said Rocco, bowing resignedly.

'There never was question of my courage.'

'Yes, but courage, courage! away with your courage!' Rocco was spurred by his personal grievances against her in a manner to make him forget his desire to be rid of her. 'Your courage sets you flying at once at every fioritura and bravura passage, to subdue, not to learn: not to accomplish, but to conquer it. And the ability, let me say, is not in proportion to the courage, which is probably too great to be easily equalled; but you have the opportunity to make your part celebrated to-morrow night, if, as you tell me, the house is to be packed with Viennese, and, signorina, you let your hair down.'

The hair of Irma di Karski was of singular beauty, and so dear to her that the allusion to the triumphant feature of her person passed off Rocco's irony in sugar.

'Addio! I shall astonish you before many hours have gone by,' she said; and this time they bowed together, and the maestro tripped back hurriedly, and shut his door.

Luigi's astonishment eclipsed his chagrin when he beheld the lady step from her place, bidding the driver move away as if he carried a freight, and indicating a position for him at the end of the street, with an imperative sway and deflection of her hand. Luigi heard the clear thin sound of a key dropped to her from one of the upper windows. She was quick to seize it; the door opened stealthily to her, and she passed out of sight without casting a look behind. 'That's a woman going to discover a secret, if she can,' remarked the observer; meaning that he considered the sex bad Generals, save when they have occasion to preserve themselves secret; then they look behind them carefully enough. The situation was one of stringent torment to a professional and natural spy. Luigi lost count of minutes in his irritation at the mystery, which he took as a personal offence. Some suspicion or wariness existed in the lighted room, for the maestro threw up a window, and inspected the street to right and left. Apparently satisfied he withdrew his head, and the window was closed.

In a little while Vittoria's voice rose audible out of the stillness, though she restrained its volume.

Its effect upon Luigi was to make him protest to her, whimpering with pathos as if she heard and must be melted: 'Signorina! signorina, most dear! for charity's sake! I am one of you; I am a patriot. Every man to his trade, but my heart is all with you.' And so on, louder by fits, in a running murmur, like one having his conscience ransacked, from which he was diverted by a side-thought of Irma di Karski, la Lazzeruola, listening, taking poison in at her ears; for Luigi had no hesitation in ascribing her behaviour to jealousy. 'Does not that note drive through your bosom, excellent lady? I can fancy the tremble going all down your legs. You are poisoned with honey. How you hate it! If you only had a dagger!'

Vittoria sang but for a short space. Simultaneously with the cessation of her song Ammiani reached the door, but had scarcely taken his stand there when, catching sight of Luigi, he crossed the street, and recognizing him, questioned him sternly as to his business opposite the maestro's house. Luigi pointed to a female figure emerging. 'See! take her home,' he said. Ammiani released him and crossed back hurriedly, when, smiting his forehead, Luigi cried in despair, 'Thirty napoleons and my professional reputation lost!' He blew a whistle; the carriage dashed down from the head of the street. While Ammiani was following the swiftly-stepping figure in wonderment (knowing it could not be Vittoria, yet supposing it must be, without any clear aim of his wits), the carriage drew up a little in advance of her; three men—men of bulk and sinew jumped from it; one threw himself upon Ammiani, the others grasped the affrighted lady, tightening a veil over her face, and the carriage- door shut sharp upon her. Ammiani's assailant then fell away: Luigi flung himself on the box and shouted, 'The signorina is behind you!' And Ammiani beheld Vittoria standing in alarm, too joyful to know that it was she. In the spasm of joy he kissed her hands. Before they could intercommunicate intelligibly the carriage was out of their sight, going at a gallop along the eastern strada of the circumvallation of the city.

CHAPTER XV AMMIANI THROUGH THE MIDNIGHT

Ammiani hurried Vittoria out of the street to make safety sure. 'Home,' she said, ashamed of her excitement, and not daring to speak more words, lest the heart in her throat should betray itself. He saw what the fright had done for her. Perhaps also he guessed that she was trying to conceal her fancied cowardice from him. 'I have kissed her hands,' he thought, and the memory of it was a song of tenderness in his blood by the way.

Vittoria's dwelling-place was near the Duomo, in a narrow thoroughfare leading from the Duomo to the Piazza of La Scala, where a confectioner of local fame conferred upon the happier members of the population most piquant bocconi and tartlets, and offered by placard to give an emotion to the nobility, the literati, and the epicures of Milan, and to all foreigners, if the aforesaid would adventure upon a trial of his art. Meanwhile he let lodgings. It was in the house of this famous confectioner Zotti that Vittoria and her mother had lived after leaving England for Italy. As Vittoria came under the fretted shadow of the cathedral, she perceived her mother standing with Zotti at the house- door, though the night was far advanced. She laughed, and walked less hurriedly. Ammiani now asked her if she had been alarmed. 'Not alarmed,' she said, 'but a little more nervous than I thought I should be.'

He was spared from putting any further question by her telling him that Luigi, the Motterone spy, had in all probability done her a service in turning one or other f the machinations of the Signor Antonio. 'My madman,' she called this latter. 'He has got his Irma instead of me. We shall have to supply her place tomorrow; she is travelling rapidly, and on my behalf! I think, Signor Carlo, you would do well by going to the maestro when you leave me, and telling him that Irma has been caught into the skies. Say, "Jealous that earth should possess such overpowering loveliness," or "Attracted in spite of themselves by that combination of genius and beauty which is found united nowhere but in Irma, the spirits of heaven determined to rob earth of her Lazzeruola." Only tell it to him seriously, for my dear Rocco will have to work with one of the singers all day, and I ought to be at hand by them to help her, if I dared stir out. What do you think?'

Ammiani pronounced his opinion that it would be perilous for her to go abroad.

'I shall in truth, I fear, have a difficulty in getting to La Scala unseen,' she said; 'except that we are cunning people in our house. We not only practise singing and invent wonderful confectionery, but