Vittoria — Volume 3 by George Meredith (best manga ereader TXT) 📗

we do conjuring tricks. We profess to be able to deceive anybody whom we please.'

'Do the dupes enlist in a regiment?' said Ammiani, with an intonation that professed his readiness to serve as a recruit. His humour striking with hers, they smiled together in the bright fashion of young people who can lose themselves in a ray of fancy at any season.

Vittoria heard her mother's wailful voice. 'Twenty gnats in one,' she said.

Ammiani whispered quickly to know whether she had decided for the morrow.
She nodded, and ran up to her mother, who cried:

'At this hour! And Beppo has been here after you, and he told me I wrote for him, in Italian, when not a word can I put to paper: I wouldn't!—and you are threatened by dreadful dangers, he declares. His behaviour was mad; they are all mad over in this country, I believe. I have put the last stitch to your dress. There is a letter or two upstairs for you. Always letters!'

'My dear good Zotti,' Vittoria turned to the artist in condiments, 'you must insist upon my mother going to bed at her proper time when I am out.'

'Signorina,' rejoined Zotti, a fat little round-headed man, with vivacious starting brown eyes, 'I have only to tell her to do a thing— I pull a dog by the collar; be it said with reverence.'

'However, I am very glad to see you both such good friends.'

'Yes, signorina, we are good friends till we quarrel again. I regret to observe to you that the respectable lady is incurably suspicious. Of me —Zotti! Mother of heaven!'

'It is you that are suspicious of me, sir,' retorted madame. 'Of me, of all persons! It's "tell me this, tell me that," all day with you; and because I can't answer, you are angry.'

'Behold! the signora speaks English; we have quarrelled again,' said
Zotti.

'My mother thinks him a perfect web of plots,' Vittoria explained the case between them, laughing, to Ammiani; 'and Zotti is persuaded that she is an inveterate schemer. They are both entirely innocent, only they are both excessively timid. Out of that it grows.'

The pair dramatized her outline on the instant:

'"Did I not see him speak to an English lady, and he will not tell me a word about it, though she's my own countrywoman?"'

'"Is it not true that she received two letters this afternoon, and still does she pretend to be ignorant of what is going on?"'

'Happily,' said Vittoria, 'my mother is not a widow, or these quarrels might some day end in a fearful reconciliation.'

'My child,' her mother whimpered, 'you know what these autumn nights are in this country; as sure as you live, Emilia, you will catch cold, and then you're like a shop with shutters up for the dead.'

At the same time Zotti whispered: 'Signorina, I have kept the minestra hot for your supper; come in, come in. And, little things, little dainty bits!—do you live in Zotti's house for nothing? Sweetest delicacies that make the tongue run a stream!—just notions of a taste—the palate smacks and forgets; the soul seizes and remembers!'

'Oh, such seductions!' Vittoria exclaimed.

'It is,' Zotti pursued his idea, with fingers picturesquely twirling in a spider-like distension; 'it is like the damned, and they have but a crumb of a chance of Paradise, and down swoops St. Peter and has them in the gates fast! You are worthy of all that a man can do for you, signorina. Let him study, let him work, let him invent,—you are worthy of all.'

'I hope I am not too hungry to discriminate! Zotti I see Monte Rosa.'

'Signorina, you are pleased to say so when you are famishing. It is because—' the enthusiastic confectioner looked deep and oblique, as one who combined a remarkable subtlety of insight with profound reflection; 'it is because the lighter you get the higher you mount; up like an eagle of the peaks! But we'll give that hungry fellow a fall. A dish of hot minestra shoots him dead. Then, a tart of pistachios and chocolate and cream—and my head to him who shall reveal to me the flavouring!'

'When I wake in the morning, I shall have lived a month or two in Arabia,
Zotti. Tell me no more; I will come in,' said Vittoria.

'Then, signorina, a little crisp filbert—biscuit—a composition! You crack it, and a surprise! And then, and then my dish; Zotti's dish, that is not yet christened. Signorina, let Italy rise first; the great inventor of the dish winked and nodded temperately. 'Let her rise. A battle or a treaty will do. I have two or three original conceptions, compositions, that only wait for some brilliant feat of arms, or a diplomatic triumph, and I send them forth baptized.'

Vittoria threw large eyes upon Ammiani, and set the underlids humorously quivering. She kissed her fingers: 'Addio; a rivederla.' He bowed formally: he was startled to find the golden thread of their companionship cut with such cruel abruptness. But it was cut; the door had closed on her. The moment it had closed she passed into his imagination. By what charm had she allayed the fever of his anxiety? Her naturalness had perforce given him assurance that peace must surround one in whom it shone so steadily, and smiling at the thought of Zotti's repast and her twinkle of subdued humour, he walked away comforted; which, for a lover in the season of peril means exalted, as in a sudden conflagration of the dry stock of his intelligence. 'She must have some great faith in her heart,' he thought, no longer attributing his exclusion from it to a lover's rivalry, which will show that more than imagination was on fire within him. For when the soul of a youth can be heated above common heat, the vices of passion shrivel up and aid the purer flame. It was well for Ammiani that he did perceive (dimly though it was perceived) the force of idealistic inspiration by which Vittoria was supported. He saw it at this one moment, and it struck a light to light him in many subsequent perplexities; it was something he had never seen before. He had read Tuscan poetry to her in old Agostino's rooms; he had spoken of secret preparations for the revolt; he had declaimed upon Italy,—the poetry was good though the declamation may have been bad,—but she had always been singularly irresponsive, with a practical turn for ciphers. A quick reckoning, a sharp display of figures in Italy's cause, kindled her cheeks and took her breath. Ammiani now understood that there lay an unspoken depth in her, distinct from her visible nature.

He had first an interview with Rocco Ricci, whom he prepared to replace
Irma.

His way was then to the office of his Journal, where he expected to be greeted by two members of the Polizia, who would desire him to march before the central bureau, and exhibit proofs of articles and the items of news for inspection, for correction haply, and possibly for approval. There is a partial delight in the contemplated submission to an act of servitude for the last time. Ammiani stepped in with combative gaiety, but his stiff glance encountered no enemy. This astonished him. He turned back into the street and meditated. The Pope's Mouth might, he thought, hold the key to the riddle. It is not always most comfortable for a conspirator to find himself unsuspected: he reads the blank significantly. It looked ill that the authorities should allow anything whatsoever to be printed on such a morrow: especially ill, if they were on the alert. The neighbourhood by the Pope's Mouth was desolate under dark starlight. Ammiani got his fingers into the opening behind the rubbish of brick, and tore them on six teeth of a saw that had been fixed therein. Those teeth were as voluble to him as loud tongues. The Mouth was empty of any shred of paper. They meant that the enemy was ready to bite, and that the conspiracy had ceased to be active. He perceived that a stripped ivy-twig, with the leaves scattered around it, stretched at his feet. That was another and corroborative sign, clearer to him than printed capitals. The reading of it declared that the Revolt had collapsed. He wound and unwound his handkerchief about his fingers mechanically: great curses were in his throat. 'I would start for South America at dawn, but for her!' he said. The country of Bolivar still had its attractions for Italian youth. For a certain space Ammiani's soul was black with passion. He was the son of that fiery Paolo Ammiani who had cast his glove at Eugene's feet, and bade the viceroy deliver it to his French master. (The General was preparing to break his sword on his knee when Eugene rushed up to him and kissed him.) Carlo was of this blood. Englishmen will hardly forgive him for having tears in his eyes, but Italians follow the Greek classical prescription for the emotions, while we take example by the Roman. There is no sneer due from us. He sobbed. It seemed that a country was lost.

Ammiani had moved away slowly: he was accidentally the witness of a curious scene. There came into the irregular triangle, and walking up to where the fruitstalls stood by day, a woman and a man. The man was an Austrian soldier. It was an Italian woman by his side. The sight of the couple was just then like an incestuous horror to Ammiani. She led the soldier straight up to the Mouth, directing his hand to it, and, what was far more wonderful, directing it so that he drew forth a packet of papers from where Ammiani had found none. Ammiani could see the light of them in his hand. The Austrian snatched an embrace and ran. Ammiani was moving over to her to seize and denounce the traitress, when he beheld another figure like an apparition by her side; but this one was not a whitecoat. Had it risen from the earth? It was earthy, for a cloud of dust was about it, and the woman gave a stifled scream. 'Barto! Barto!' she cried, pressing upon her eyelids. A strong husky laugh came from him. He tapped her shoulder heartily, and his 'Ha! ha!' rang in the night air.

'You never trust me,' she whimpered from shaken nerves.

He called her, 'Brave little woman! rare girl!'

'But you never trust me!'

'Do I not lay traps to praise you?'

'You make a woman try to deceive you.' If she could! If only she could!'

Ammiani was up with them.

'You are Barto Rizzo,' he spoke, half leaning over the man in his impetuosity.

Barto stole a defensive rearward step. The thin light of dawn had in a moment divided the extreme starry darkness, and Ammiani, who knew his face, had not to ask a second time. It was scored by a recent sword-cut. He glanced at the woman: saw that she was handsome. It was enough; he knew she must be Barto's wife, and, if not more cunning than Barto, his accomplice, his instrument, his slave.

'Five minutes ago I would have sworn you were a traitress he said to her.

She was expressionless, as if she had heard nothing; which fact, considering that she was very handsome, seemed remarkable to the young man. Youth will not believe that stupidity and beauty can go together.

'She is the favourite pupil of Bartolommeo Rizzo, Signor Carlo Ammiani,' quoth Barto, having quite regained his composure. 'She is my pretty puppet-patriot. I am not in the habit of exhibiting her; but since you see her, there she is.'

Barto had fallen into the Southern habit of assuming ease in quasi- rhetorical sentences, but with wary eyes over them. The peculiar, contracting, owl-like twinkle defied Ammiani's efforts to penetrate his look; so he took counsel of his anger, and spoke bluntly.

'She does your work?'

'Much of it, Signor Carlo: as the bullet does the work of the rifle.'

'Beast! was it your wife who pinned the butterfly to the Signorina
Vittoria's dress?'

'Signor Carlo