Sons of the Soil - Honoré de Balzac (uplifting book club books TXT) 📗

than Mantes.

At the foot of the hill, the Thune broadens over a clay bottom to a space of some seventy acres, at the end of which the Soulanges mills, placed on numerous little islets, present as graceful a group of buildings as any landscape architect could devise. After watering the park of Soulanges, where it feeds various other streams and artificial lakes, the Thune falls into the Avonne through a fine broad channel.

The chateau of Soulanges, rebuilt under Louis XIV. from designs of Jules Mansart, and one of the finest in Burgundy, stands facing the town; so that Soulanges and its chateau mutually present to each other a charming and even elegant vista. The main road winds between the town and the pond, called by the country people, rather pompously, the lake of Soulanges.

The little town is one of those natural compositions which are extremely rare in France, where _prettiness_ of its own kind is absolutely wanting. Here you would indeed find, as Blondet said in his letter, the charm of Switzerland, the prettiness of the environs of Neuf-chatel; while the bright vineyards which encircle Soulanges complete the resemblance,--leaving out, be it said, the Alps and the Jura. The streets, placed one above another on the slope of the hill, have but few houses; for each house stands in its own garden, which produces a mass of greenery rarely seen in a town. The roofs, red or blue, rising among flower-gardens, trees, and trellised terraces, present an harmonious variety of aspects.

The church, an old Middle-Age structure, built of stone, thanks to the munificence of the lords of Soulanges, who reserved for themselves first a chapel near the chancel, then a crypt as their necropolis, has, by way of portal, an immense arcade, like that of the church at Lonjumeau, and is bordered by flower-beds adorned with statues, and flanked on either side by columns with niches, which terminate in spires. This portal, often seen in churches of the same period when chance has saved them from the ravages of Calvinism, is surmounted by a triglyph, above which stands a statue of the Virgin holding the infant Jesus. The sides of the structure are externally of five arches, defined by stone ribs and lighted by windows with small panes. The apse rests on arched abutments that are worthy of a cathedral. The clock-tower, placed in a transept of the cross, is square and surmounted by a belfry. The church can be seen from a great distance, for it stands at the top of the great square, at the lower end of which the high-road passes through the town.

This square, large for the size of the town, is surrounded by very original buildings, all of different epochs. Many, half-wood, half-brick, with their timbers faced with slate, date back to the Middle Ages. Others, of stone, with balconies, show the form of gable so dear to our ancestors, which belongs to the twelfth century. Several charm the eye with those old projecting beams, carved with grotesque faces, which form the roof of a sort of shed, and recall the days when the middle classes were exclusively commercial. The finest house among them was that of the chief magistrate of former days,--a house with a sculptured front on a line with the church, to which it forms a fine accompaniment. Sold as national property, it was bought in by the commune, which turned it into a town-hall and court-house, where Monsieur Sarcus had presided ever since the establishment of municipal judges.

This slight sketch will give an idea of the square of Soulanges, adorned in the centre with a charming fountain brought from Italy in 1520 by the Marechal de Soulanges, which was not unworthy of a great capital. An unfailing jet of water, coming from a spring higher up the hill, was shed by four Cupids in white marble, bearing shells in their arms and baskets of grapes upon their heads.

Literary travellers who may pass this way (should any such follow Emile Blondet) might imagine the spot to have inspired Moliere and the Spanish drama, which held its footing so long on French boards, showing that comedy is native to warm countries where so much of life is passed in the public streets. The square of Soulanges is all the more a reminder of that classic stage because the two principal streets, opening just on a line with the fountain, afford the exit and entrances so necessary for the dramatic masters and valets whose business it is either to meet or to avoid each other. At the corner of one of these streets, called the rue de la Fontaine, shone the notarial escutcheon of Maitre Lupin. The houses of Messieurs Sarcus, Guerbet the collector, Brunet, Gourdon, clerk of the court, and that of his brother the doctor, also that of old Monsieur Gendrin-Vatebled, the keeper of the forests and streams,--all these houses, kept with extreme neatness by their owners, who held firmly to the flattering surname of their native town, stand in the neighborhood of the square and form the aristocratic quarter of Soulanges.

The house of Madame Soudry--for the powerful individuality of Mademoiselle Laguerre's former waiting-maid took the lead of her husband in the community--was modern, having been built by a rich wine-merchant, born in Soulanges, who, after making his money in Paris, returned there in 1793 to buy wheat for his native town. He was slain as an "accapareur," a monopolist, by the populace, instigated by a mason, the uncle of Godain, with whom he had had some quarrel about the building of his ambitious house. The settlement of his estate, sharply contested by collateral heirs, dragged slowly along until, in 1798, Soudry, who had then returned to Soulanges, was able to buy the wine-merchant's palace for three thousand francs in specie. He then let it, in the first instance, to the government for the headquarters of the gendarmerie. In 1811 Mademoiselle Cochet, whom Soudry consulted about all his affairs, strongly objected to the renewal of the lease, making the house uninhabitable, she declared, with barracks. The town of Soulanges, assisted by the department, then erected a building for the gendarmerie in a street running at right angles from the town-hall. Thereupon Soudry cleaned up his house and restored its primitive lustre, not a little dimmed by the stabling of horses and the occupancy of gendarmes.

The house, only one story high, with projecting windows in the roof, has a view on three sides; one to the square, another to a lake, the third to a garden. The fourth side looks on a courtyard which separates the Soudrys from the adjoining house occupied by a grocer named Wattebled, a man of the SECOND-CLASS society of Soulanges, father of the beautiful Madame Plissoud, of whom we shall presently have occasion to speak.

All little towns have a renowned beauty, just as they have a Socquard and a Cafe de la Paix.

It will be apparent to every one that the frontage of the Soudry mansion on the lake must have a terraced garden confined by a stone balustrade which overlooks both the lake and the main road. A flight of steps leads down from the terrace to the road, and on it an orange-tree, a pomegranate, a myrtle, and other ornamental shrubs are placed, necessitating a greenhouse. On the side toward the square the house is entered from a portico raised several steps above the level of the street. According to the custom of small towns the gate of the courtyard, used only for the service of the house or for any unusual arrival, was seldom opened. Visitors, who mostly came on foot, entered by the portico.

The style of the Hotel Soudry is plain. The courses are indicated by projecting lines; the windows are framed by mouldings alternately broad and slender, like those of the Gabriel and Perronnet pavilion in the place Louis XV. These ornaments in so small a town give a certain solid and monumental air to the building which has become celebrated.

Opposite to this house, in another angle of the square stands the famous Cafe de la Paix, the characteristics of which, together with the fascinations of its Tivoli, will require, somewhat later, a less succinct description than that we have given of the Soudry mansion.

Rigou very seldom came to Soulanges; everybody was in the habit of going to him,--Lupin and Gaubertin, Soudry and Gendrin,--so much were they afraid of him. But we shall presently understand why any educated man, such as the ex-Benedictine, would have done as Rigou did, and kept away from the little town, after reading the following sketch of the personages who composed what was called in those parts "the leading society of Soulanges."

Of its principal figures, the most original, as you have already suspected, was that of Madame Soudry, whose personality, to be duly rendered, needs a minute and careful brush.

Madame Soudry, respectfully imitating Mademoiselle Laguerre, began by allowing herself a "mere touch of rouge"; but this delicate tint had changed through force of habit to those vermilion patches picturesquely described by our ancestors as "carriage-wheels." The wrinkles growing deeper and deeper, it occurred to the ex-lady's-maid to fill them up with paint. Her forehead becoming unduly yellow, and the temples too shiny, she "laid on" a little white, and renewed the veins of her youth with a tracery of blue. All this color gave an exaggerated liveliness to her eyes which were already tricksy enough, so that the mask of her face would seem to a stranger even more than fantastic, though her friends and acquaintances, accustomed to this fictitious brilliancy, actually declared her handsome.

This ungainly creature, always decolletee, showed a bosom and a pair of shoulders that were whitened and polished by the same process employed upon her face; happily, for the sake of exhibiting her magnificent laces, she partially veiled the charms of these chemical products. She always wore the body of her dress stiffened with whalebone and made in a long point and garnished with knots of ribbon, even on the point! Her petticoats gave forth a creaking noise,--so much did the silk and the furbelows abound.

This attire, which deserves the name of apparel (a word that before long will be inexplicable), was, on the evening in question, of costly brocade,--for Madame Soudry possessed over a hundred dresses, each richer than the others, the remains of Mademoiselle Laguerre's enormous and splendid wardrobe, made over to fit Madame Soudry in the last fashion of the year 1808. Her blond wig, frizzed and powdered, sustained a superb cap with knots of cherry satin ribbon matching those on her dress. If you will kindly imagine beneath this ultra-coquettish cap the face of a monkey of extreme ugliness, on which a flat nose, fleshless as that of Death, is separated by a strong hairy line from a mouth filled with false teeth, whence issue sounds like the confused clacking of hunting-horns, you will have some difficulty in understanding why the leading society of Soulanges (all the town, in fact) thought this quasi-queen a beauty,--unless, indeed, you remember the succinct statement recently made "ex professo," by one of the cleverest women of our time, on the art of making her sex beautiful by surrounding accessories.

As to accessories, in the first place, Madame Soudry was surrounded by the magnificent gifts accumulated by her late mistress, which the ex-Benedictine called "fructus belli." Then she made the most of her ugliness by exaggerating it, and by assuming that indescribable air and manner which belongs only to Parisian women, the secret of which is known even to the most vulgar among them,--who are always more or less mimics. She laced tight, wore an enormous bustle, also diamond earrings, and her fingers were covered with rings. At