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to the river but not falling to it; mouldering boats, fishing-nets; the monotonous sing-song of a shepherd; ducks paddling among the islands or preening on the "jard,"--a name given to the coarse sand which the Loire brings down; the millers, with their caps over one ear, busily loading their mules,--all these details made the scene before me one of primitive simplicity. Imagine, also, beyond the bridge two or three farm-houses, a dove-cote, turtle-doves, thirty or more dilapidated cottages, separated by gardens, by hedges of honeysuckle, clematis, and jasmine; a dunghill beside each door, and cocks and hens about the road. Such is the village of Pont-de-Ruan, a picturesque little hamlet leading up to an old church full of character, a church of the days of the Crusades, such a one as painters desire for their pictures. Surround this scene with ancient walnut-trees and slim young poplars with their pale-gold leaves; dot graceful buildings here and there along the grassy slopes where sight is lost beneath the vaporous, warm sky, and you will have some idea of one of the points of view of this most lovely region.

I followed the road to Sache along the left bank of the river, noticing carefully the details of the hills on the opposite shore. At length I reached a park embellished with centennial trees, which I knew to be that of Frapesle. I arrived just as the bell was ringing for breakfast. After the meal, my host, who little suspected that I had walked from Tours, carried me over his estate, from the borders of which I saw the valley on all sides under its many aspects,--here through a vista, there to its broad extent; often my eyes were drawn to the horizon along the golden blade of the Loire, where the sails made fantastic figures among the currents as they flew before the wind. As we mounted a crest I came in sight of the chateau d'Azay, like a diamond of many facets in a setting of the Indre, standing on wooden piles concealed by flowers. Farther on, in a hollow, I saw the romantic masses of the chateau of Sache, a sad retreat though full of harmony; too sad for the superficial, but dear to a poet with a soul in pain. I, too, came to love its silence, its great gnarled trees, and the nameless mysterious influence of its solitary valley. But now, each time that we reached an opening towards the neighboring slope which gave to view the pretty castle I had first noticed in the morning, I stopped to look at it with pleasure.

"Hey!" said my host, reading in my eyes the sparkling desires which youth so ingenuously betrays, "so you scent from afar a pretty woman as a dog scents game!"

I did not like the speech, but I asked the name of the castle and of its owner.

"It is Clochegourde," he replied; "a pretty house belonging to the Comte de Mortsauf, the head of an historic family in Touraine, whose fortune dates from the days of Louis XI., and whose name tells the story to which they owe their arms and their distinction. Monsieur de Mortsauf is descended from a man who survived the gallows. The family bear: Or, a cross potent and counter-potent sable, charged with a fleur-de-lis or; and 'Dieu saulve le Roi notre Sire,' for motto. The count settled here after the return of the emigration. The estate belongs to his wife, a demoiselle de Lenoncourt, of the house of Lenoncourt-Givry which is now dying out. Madame de Mortsauf is an only daughter. The limited fortune of the family contrasts strangely with the distinction of their names; either from pride, or, possibly, from necessity, they never leave Clochegourde and see no company. Until now their attachment to the Bourbons explained this retirement, but the return of the king has not changed their way of living. When I came to reside here last year I paid them a visit of courtesy; they returned it and invited us to dinner; the winter separated us for some months, and political events kept me away from Frapesle until recently. Madame de Mortsauf is a woman who would hold the highest position wherever she might be."

"Does she often come to Tours?"

"She never goes there. However," he added, correcting himself, "she did go there lately to the ball given to the Duc d'Angouleme, who was very gracious to her husband."

"It was she!" I exclaimed.

"She! who?"

"A woman with beautiful shoulders."

"You will meet a great many women with beautiful shoulders in Touraine," he said, laughing. "But if you are not tired we can cross the river and call at Clochegourde and you shall renew acquaintance with those particular shoulders."

I agreed, not without a blush of shame and pleasure. About four o'clock we reached the little chateau on which my eyes had fastened from the first. The building, which is finely effective in the landscape, is in reality very modest. It has five windows on the front; those at each end of the facade, looking south, project about twelve feet,--an architectural device which gives the idea of two towers and adds grace to the structure. The middle window serves as a door from which you descend through a double portico into a terraced garden which joins the narrow strip of grass-land that skirts the Indre along its whole course. Though this meadow is separated from the lower terrace, which is shaded by a double line of acacias and Japanese ailanthus, by the country road, it nevertheless appears from the house to be a part of the garden, for the road is sunken and hemmed in on one side by the terrace, on the other side by a Norman hedge. The terraces being very well managed put enough distance between the house and the river to avoid the inconvenience of too great proximity to water, without losing the charms of it. Below the house are the stables, coach-house, green-houses, and kitchen, the various openings to which form an arcade. The roof is charmingly rounded at the angles, and bears mansarde windows with carved mullions and leaden finials on their gables. This roof, no doubt much neglected during the Revolution, is stained by a sort of mildew produced by lichens and the reddish moss which grows on houses exposed to the sun. The glass door of the portico is surmounted by a little tower which holds the bell, and on which is carved the escutcheon of the Blamont-Chauvry family, to which Madame de Mortsauf belonged, as follows: Gules, a pale vair, flanked quarterly by two hands clasped or, and two lances in chevron sable. The motto, "Voyez tous, nul ne touche!" struck me greatly. The supporters, a griffin and dragon gules, enchained or, made a pretty effect in the carving. The Revolution has damaged the ducal crown and the crest, which was a palm-tree vert with fruit or. Senart, the secretary of the committee of public safety was bailiff of Sache before 1781, which explains this destruction.

These arrangements give an elegant air to the little castle, dainty as a flower, which seems to scarcely rest upon the earth. Seen from the valley the ground-floor appears to be the first story; but on the other side it is on a level with a broad gravelled path leading to a grass-plot, on which are several flower-beds. To right and left are vineyards, orchards, and a few acres of tilled land planted with chestnut-trees which surround the house, the ground falling rapidly to the Indre, where other groups of trees of variegated shades of green, chosen by Nature herself, are spread along the shore. I admired these groups, so charmingly disposed, as we mounted the hilly road which borders Clochegourde; I breathed an atmosphere of happiness. Has the moral nature, like the physical nature, its own electrical communications and its rapid changes of temperature? My heart was beating at the approach of events then unrevealed which were to change it forever, just as animals grow livelier when foreseeing fine weather.

This day, so marked in my life, lacked no circumstance that was needed to solemnize it. Nature was adorned like a woman to meet her lover. My soul heard her voice for the first time; my eyes worshipped her, as fruitful, as varied as my imagination had pictured her in those school-dreams the influence of which I have tried in a few unskilful words to explain to you, for they were to me an Apocalypse in which my life was figuratively foretold; each event, fortunate or unfortunate, being mated to some one of these strange visions by ties known only to the soul.

We crossed a court-yard surrounded by buildings necessary for the farm work,--a barn, a wine-press, cow-sheds, and stables. Warned by the barking of the watch-dog, a servant came to meet us, saying that Monsieur le comte had gone to Azay in the morning but would soon return, and that Madame la comtesse was at home. My companion looked at me. I fairly trembled lest he should decline to see Madame de Mortsauf in her husband's absence; but he told the man to announce us. With the eagerness of a child I rushed into the long antechamber which crosses the whole house.

"Come in, gentlemen," said a golden voice.

Though Madame de Mortsauf had spoken only one word at the ball, I recognized her voice, which entered my soul and filled it as a ray of sunshine fills and gilds a prisoner's dungeon. Thinking, suddenly, that she might remember my face, my first impulse was to fly; but it was too late,--she appeared in the doorway, and our eyes met. I know not which of us blushed deepest. Too much confused for immediate speech she returned to her seat at an embroidery frame while the servant placed two chairs, then she drew out her needle and counted some stitches, as if to explain her silence; after which she raised her head, gently yet proudly, in the direction of Monsieur de Chessel as she asked to what fortunate circumstance she owed his visit. Though curious to know the secret of my unexpected appearance, she looked at neither of us,--her eyes were fixed on the river; and yet you could have told by the way she listened that she was able to recognize, as the blind do, the agitations of a neighboring soul by the imperceptible inflexions of the voice.

Monsieur de Chessel gave my name and biography. I had lately arrived at Tours, where my parents had recalled me when the armies threatened Paris. A son of Touraine to whom Touraine was as yet unknown, she would find me a young man weakened by excessive study and sent to Frapesle to amuse himself; he had already shown me his estate, which I saw for the first time. I had just told him that I had walked from Tours to Frapesle, and fearing for my health--which was really delicate--he had stopped at Clochegourde to ask her to allow me to rest there. Monsieur de Chessel told the truth; but the accident seemed so forced that Madame de Mortsauf distrusted us. She gave me a cold, severe glance, under which my own eyelids fell, as much from a sense of humiliation as to hide the tears that rose beneath them. She saw the moisture on my forehead, and perhaps she guessed the tears; for she offered me the restoratives I needed, with a few kind and consoling words, which gave me back the power of speech. I blushed like a young girl, and in a voice as tremulous as that of an old man I thanked her and declined.

"All I ask," I said, raising my eyes to hers, which mine now met for the second time in a glance
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