The Lily of the Valley - Honoré de Balzac (best classic literature .TXT) 📗

as rapid as lightning,--"is to rest here. I am so crippled with fatigue I really cannot walk farther."

"You must not doubt the hospitality of our beautiful Touraine," she said; then, turning to my companion, she added: "You will give us the pleasure of your dining at Clochegourde?"

I threw such a look of entreaty at Monsieur de Chessel that he began the preliminaries of accepting the invitation, though it was given in a manner that seemed to expect a refusal. As a man of the world, he recognized these shades of meaning; but I, a young man without experience, believed so implicitly in the sincerity between word and thought of this beautiful woman that I was wholly astonished when my host said to me, after we reached home that evening, "I stayed because I saw you were dying to do so; but if you do not succeed in making it all right, I may find myself on bad terms with my neighbors." That expression, "if you do not make it all right," made me ponder the matter deeply. In other words, if I pleased Madame de Mortsauf, she would not be displeased with the man who introduced me to her. He evidently thought I had the power to please her; this in itself gave me that power, and corroborated my inward hope at a moment when it needed some outward succor.

"I am afraid it will be difficult," he began; "Madame de Chessel expects us."

"She has you every day," replied the countess; "besides, we can send her word. Is she alone?"

"No, the Abbe de Quelus is there."

"Well, then," she said, rising to ring the bell, "you really must dine with us."

This time Monsieur de Chessel thought her in earnest, and gave me a congratulatory look. As soon as I was sure of passing a whole evening under that roof I seemed to have eternity before me. For many miserable beings to-morrow is a word without meaning, and I was of the number who had no faith in it; when I was certain of a few hours of happiness I made them contain a whole lifetime of delight.

Madame de Mortsauf talked about local affairs, the harvest, the vintage, and other matters to which I was a total stranger. This usually argues either a want of breeding or great contempt for the stranger present who is thus shut out from the conversation, but in this case it was embarrassment. Though at first I thought she treated me as a child and I envied the man of thirty to whom she talked of serious matters which I could not comprehend, I came, a few months later, to understand how significant a woman's silence often is, and how many thoughts a voluble conversation masks. At first I attempted to be at my ease and take part in it, then I perceived the advantages of my situation and gave myself up to the charm of listening to Madame de Mortsauf's voice. The breath of her soul rose and fell among the syllables as sound is divided by the notes of a flute; it died away to the ear as it quickened the pulsation of the blood. Her way of uttering the terminations in "i" was like a bird's song; the "ch" as she said it was a kiss, but the "t's" were an echo of her heart's despotism. She thus extended, without herself knowing that she did so, the meaning of her words, leading the soul of the listener into regions above this earth. Many a time I have continued a discussion I could easily have ended, many a time I have allowed myself to be unjustly scolded that I might listen to those harmonies of the human voice, that I might breathe the air of her soul as it left her lips, and strain to my soul that spoken light as I would fain have strained the speaker to my breast. A swallow's song of joy it was when she was gay!--but when she spoke of her griefs, a swan's voice calling to its mates!

Madame de Mortsauf's inattention to my presence enabled me to examine her. My eyes rejoiced as they glided over the sweet speaker; they kissed her feet, they clasped her waist, they played with the ringlets of her hair. And yet I was a prey to terror, as all who, once in their lives, have experienced the illimitable joys of a true passion will understand. I feared she would detect me if I let my eyes rest upon the shoulder I had kissed, and the fear sharpened the temptation. I yielded, I looked, my eyes tore away the covering; I saw the mole which lay where the pretty line between the shoulders started, and which, ever since the ball, had sparkled in that twilight which seems the region of the sleep of youths whose imagination is ardent and whose life is chaste.

I can sketch for you the leading features which all eyes saw in Madame de Mortsauf; but no drawing, however correct, no color, however warm, can represent her to you. Her face was of those that require the unattainable artist, whose hand can paint the reflection of inward fires and render that luminous vapor which defies science and is not revealable by language--but which a lover sees. Her soft, fair hair often caused her much suffering, no doubt through sudden rushes of blood to the head. Her brow, round and prominent like that of Joconda, teemed with unuttered thoughts, restrained feelings--flowers drowning in bitter waters. The eyes, of a green tinge flecked with brown, were always wan; but if her children were in question, or if some keen condition of joy or suffering (rare in the lives of all resigned women) seized her, those eyes sent forth a subtile gleam as if from fires that were consuming her,--the gleam that wrung the tears from mine when she covered me with her contempt, and which sufficed to lower the boldest eyelid. A Grecian nose, designed it might be by Phidias, and united by its double arch to lips that were gracefully curved, spiritualized the face, which was oval with a skin of the texture of a white camellia colored with soft rose-tints upon the cheeks. Her plumpness did not detract from the grace of her figure nor from the rounded outlines which made her shape beautiful though well developed. You will understand the character of this perfection when I say that where the dazzling treasures which had so fascinated me joined the arm there was no crease or wrinkle. No hollow disfigured the base of her head, like those which make the necks of some women resemble trunks of trees; her muscles were not harshly defined, and everywhere the lines were rounded into curves as fugitive to the eye as to the pencil. A soft down faintly showed upon her cheeks and on the outline of her throat, catching the light which made it silken. Her little ears, perfect in shape, were, as she said herself, the ears of a mother and a slave. In after days, when our hearts were one, she would say to me, "Here comes Monsieur de Mortsauf"; and she was right, though I, whose hearing is remarkably acute, could hear nothing.

Her arms were beautiful. The curved fingers of the hand were long, and the flesh projected at the side beyond the finger-nails, like those of antique statues. I should displease you, I know, if you were not yourself an exception to my rule, when I say that flat waists should have the preference over round ones. The round waist is a sign of strength; but women thus formed are imperious, self-willed, and more voluptuous than tender. On the other hand, women with flat waists are devoted in soul, delicately perceptive, inclined to sadness, more truly woman than the other class. The flat waist is supple and yielding; the round waist is inflexible and jealous.

You now know how she was made. She had the foot of a well-bred woman,--the foot that walks little, is quickly tired, and delights the eye when it peeps beneath the dress. Though she was the mother of two children, I have never met any woman so truly a young girl as she. Her whole air was one of simplicity, joined to a certain bashful dreaminess which attracted others, just as a painter arrests our steps before a figure into which his genius has conveyed a world of sentiment. If you recall the pure, wild fragrance of the heath we gathered on our return from the Villa Diodati, the flower whose tints of black and rose you praised so warmly, you can fancy how this woman could be elegant though remote from the social world, natural in expression, fastidious in all things which became part of herself,--in short, like the heath of mingled colors. Her body had the freshness we admire in the unfolding leaf; her spirit the clear conciseness of the aboriginal mind; she was a child by feeling, grave through suffering, the mistress of a household, yet a maiden too. Therefore she charmed artlessly and unconsciously, by her way of sitting down or rising, of throwing in a word or keeping silence. Though habitually collected, watchful as the sentinel on whom the safety of others depends and who looks for danger, there were moments when smiles would wreathe her lips and betray the happy nature buried beneath the saddened bearing that was the outcome of her life. Her gift of attraction was mysterious. Instead of inspiring the gallant attentions which other women seek, she made men dream, letting them see her virginal nature of pure flame, her celestial visions, as we see the azure heavens through rifts in the clouds. This involuntary revelation of her being made others thoughtful. The rarity of her gestures, above all, the rarity of her glances--for, excepting her children, she seldom looked at any one--gave a strange solemnity to all she said and did when her words or actions seemed to her to compromise her dignity.

On this particular morning Madame de Mortsauf wore a rose-colored gown patterned in tiny stripes, a collar with a wide hem, a black belt, and little boots of the same hue. Her hair was simply twisted round her head, and held in place by a tortoise-shell comb. Such, my dear Natalie, is the imperfect sketch I promised you. But the constant emanation of her soul upon her family, that nurturing essence shed in floods around her as the sun emits its light, her inward nature, her cheerfulness on days serene, her resignation on stormy ones,--all those variations of expression by which character is displayed depend, like the effects in the sky, on unexpected and fugitive circumstances, which have no connection with each other except the background against which they rest, though all are necessarily mingled with the events of this history,--truly a household epic, as great to the eyes of a wise man as a tragedy to the eyes of the crowd, an epic in which you will feel an interest, not only for the part I took in it, but for the likeness that it bears to the destinies of so vast a number of women.

Everything at Clochegourde bore signs of a truly English cleanliness. The room in which the countess received us was panelled throughout and painted in two shades of gray. The mantelpiece was ornamented with a clock inserted in a block of mahogany and surmounted with a tazza, and two large vases of white porcelain with gold lines, which held bunches of Cape heather. A lamp was on a pier-table, and a backgammon board on legs before the fireplace. Two wide bands of cotton held back the white cambric curtains, which had no fringe. The furniture was covered with gray cotton