The Three Cities Trilogy: Paris - Émile Zola (free books to read .TXT) 📗

a covert conviction that nothing could stay destiny. And he himself was no longer calm, no longer experienced the icy, despairing distress of the early morning. On finding himself again in the street, amidst the quivering fog, he felt the fever, the glow of charity which the sight of such frightful wretchedness had ignited, once more within him. No, no! such suffering was too much; he wished to struggle still, to save Laveuve and restore a little joy to all those poor folk. The new experiment presented itself with that city of Paris which he had seen shrouded as with ashes, so mysterious and so perturbing beneath the threat of inevitable justice. And he dreamed of a huge sun bringing health and fruitfulness, which would make of the huge city the fertile field where would sprout the better world of to-morrow. II WEALTH AND WORLDLINESS

THAT same morning, as was the case nearly every day, some intimates were expected to dejeuner at the Duvillards’, a few friends who more or less invited themselves. And on that chilly day, all thaw and fog, the regal mansion in the Rue Godot-de-Mauroy near the Boulevard de la Madeleine bloomed with the rarest flowers, for flowers were the greatest passion of the Baroness, who transformed the lofty, sumptuous rooms, littered with marvels, into warm and odoriferous conservatories, whither the gloomy, livid light of Paris penetrated caressingly with infinite softness.

The great reception rooms were on the ground-floor looking on to the spacious courtyard, and preceded by a little winter garden, which served as a vestibule where two footmen in liveries of dark green and gold were invariably on duty. A famous gallery of paintings, valued at millions of francs, occupied the whole of the northern side of the house. And the grand staircase, of a sumptuousness which also was famous, conducted to the apartments usually occupied by the family, a large red drawing-room, a small blue and silver drawing-room, a study whose walls were hung with old stamped leather, and a dining-room in pale green with English furniture, not to mention the various bedchambers and dressing-rooms.

Built in the time of Louis XIV. the mansion retained an aspect of noble grandeur, subordinated to the epicurean tastes of the triumphant bourgeoisie, which for a century now had reigned by virtue of the omnipotence of money.

Noon had not yet struck, and Baron Duvillard, contrary to custom, found himself the first in the little blue and silver salon. He was a man of sixty, tall and sturdy, with a large nose, full cheeks, broad, fleshy lips, and wolfish teeth, which had remained very fine. He had, however, become bald at an early age, and dyed the little hair that was left him.

Moreover, since his beard had turned white, he had kept his face clean-shaven. His grey eyes bespoke his audacity, and in his laugh there was a ring of conquest, while the whole of his face expressed the fact that this conquest was his own, that he wielded the sovereignty of an unscrupulous master, who used and abused the power stolen and retained by his caste.

He took a few steps, and then halted in front of a basket of wonderful orchids near the window. On the mantel-piece and table tufts of violets sent forth their perfume, and in the warm, deep silence which seemed to fall from the hangings, the Baron sat down and stretched himself in one of the large armchairs, upholstered in blue satin striped with silver. He had taken a newspaper from his pocket, and began to re-peruse an article it contained, whilst all around him the entire mansion proclaimed his immense fortune, his sovereign power, the whole history of the century which had made him the master. His grandfather, Jerome Duvillard, son of a petty advocate of Poitou, had come to Paris as a notary’s clerk in 1788, when he was eighteen; and very keen, intelligent and hungry as he was, he had gained the family’s first three millions—at first in trafficking with the emigres’ estates when they were confiscated and sold as national property, and later, in contracting for supplies to the imperial army. His father, Gregoire Duvillard, born in 1805, and the real great man of the family—he who had first reigned in the Rue Godot-de-Mauroy, after King Louis Philippe had granted him the title of Baron—remained one of the recognized heroes of modern finance by reason of the scandalous profits which he had made in every famous thieving speculation of the July Monarchy and the Second Empire, such as mines, railroads, and the Suez Canal. And he, the present Baron, Henri by name, and born in 1836, had only seriously gone into business on Baron Gregoire’s death soon after the Franco-German War. However, he had done so with such a rageful appetite, that in a quarter of a century he had again doubled the family fortune. He rotted and devoured, corrupted, swallowed everything that he touched; and he was also the tempter personified—the man who bought all consciences that were for sale—having fully understood the new times and its tendencies in presence of the democracy, which in its turn had become hungry and impatient. Inferior though he was both to his father and his grandfather, being a man of enjoyment, caring less for the work of conquest than the division of the spoil, he nevertheless remained a terrible fellow, a sleek triumpher, whose operations were all certainties, who amassed millions at each stroke, and treated with governments on a footing of equality, able as he was to place, if not France, at least a ministry in his pocket. In one century and three generations, royalty had become embodied in him: a royalty already threatened, already shaken by the tempest close ahead. And at times his figure grew and expanded till it became, as it were, an incarnation of the whole bourgeoisie—that bourgeoisie which at the division of the spoils in 1789 appropriated everything, and has since fattened on everything at the expense of the masses, and refuses to restore anything whatever.

The article which the Baron was re-perusing in a halfpenny newspaper interested him. “La Voix du Peuple” was a noisy sheet which, under the pretence of defending outraged justice and morality, set a fresh scandal circulating every morning in the hope of thereby increasing its sales.

And that morning, in big type on its front page, this sub-title was displayed: “The Affair of the African Railways. Five Millions spent in Bribes: Two Ministers Bought, Thirty Deputies and Senators Compromised.”

Then in an article of odious violence the paper’s editor, the famous Sagnier, announced that he possessed and intended to publish the list of the thirty-two members of Parliament, whose support Baron Duvillard had purchased at the time when the Chambers had voted the bill for the African Railway Lines. Quite a romantic story was mingled with all this, the adventures of a certain Hunter, whom the Baron had employed as his go-between and who had now fled. The Baron, however, re-perused each sentence and weighed each word of the article very calmly; and although he was alone he shrugged his shoulders and spoke aloud with the tranquil assurance of a man whose responsibility is covered and who is, moreover, too powerful to be molested.

“The idiot,” he said, “he knows even less than he pretends.”

Just then, however, a first guest arrived, a man of barely four and thirty, elegantly dressed, dark and good looking, with a delicately shaped nose, and curly hair and beard. As a rule, too, he had laughing eyes, and something giddy, flighty, bird-like in his demeanour; but that morning he seemed nervous, anxious even, and smiled in a scared way.

“Ah! it’s you, Duthil,” said the Baron, rising. “Have you read this?” And he showed the new comer the “Voix du Peuple,” which he was folding up to replace it in his pocket.

“Why yes, I’ve read it. It’s amazing. How can Sagnier have got hold of the list of names? Has there been some traitor?”

The Baron looked at his companion quietly, amused by his secret anguish.

Duthil, the son of a notary of Angouleme, almost poor and very honest, had been sent to Paris as deputy for that town whilst yet very young, thanks to the high reputation of his father; and he there led a life of pleasure and idleness, even as he had formerly done when a student.

However, his pleasant bachelor’s quarters in the Rue de Suresnes, and his success as a handsome man in the whirl of women among whom he lived, cost him no little money; and gaily enough, devoid as he was of any moral sense, he had already glided into all sorts of compromising and lowering actions, like a light-headed, superior man, a charming, thoughtless fellow, who attached no importance whatever to such trifles.

“Bah!” said the Baron at last. “Has Sagnier even got a list? I doubt it, for there was none; Hunter wasn’t so foolish as to draw one up. And then, too, it was merely an ordinary affair; nothing more was done than is always done in such matters of business.”

Duthil, who for the first time in his life had felt anxious, listened like one that needs to be reassured. “Quite so, eh?” he exclaimed.

“That’s what I thought. There isn’t a cat to be whipped in the whole affair.”

He tried to laugh as usual, and no longer exactly knew how it was that he had received some ten thousand francs in connection with the matter, whether it were in the shape of a vague loan, or else under some pretext of publicity, puffery, or advertising, for Hunter had acted with extreme adroitness so as to give no offence to the susceptibilities of even the least virginal consciences.

“No, there’s not a cat to be whipped,” repeated Duvillard, who decidedly seemed amused by the face which Duthil was pulling. “And besides, my dear fellow, it’s well known that cats always fall on their feet. But have you seen Silviane?”

“I just left her. I found her in a great rage with you. She learnt this morning that her affair of the Comedie is off.”

A rush of anger suddenly reddened the Baron’s face. He, who could scoff so calmly at the threat of the African Railways scandal, lost his balance and felt his blood boiling directly there was any question of Silviane, the last, imperious passion of his sixtieth year. “What! off?” said he.

“But at the Ministry of Fine Arts they gave me almost a positive promise only the day before yesterday.”

He referred to a stubborn caprice of Silviane d’Aulnay, who, although she had hitherto only reaped a success of beauty on the stage, obstinately sought to enter the Comedie Francaise and make her debut there in the part of “Pauline” in Corneille’s “Polyeucte,” which part she had been studying desperately for several months past. Her idea seemed an insane one, and all Paris laughed at it; but the young woman, with superb assurance, kept herself well to the front, and imperiously demanded the role, feeling sure that she would conquer.

“It was the minister who wouldn’t have it,” explained Duthil.

The Baron was choking. “The minister, the minister! Ah! well, I will soon have that minister sent to the rightabout.”

However, he had to cease speaking, for at that moment Baroness Duvillard came into the little drawing-room. At forty-six years of age she was still very beautiful. Very fair and tall, having hitherto put on but little superfluous fat, and retaining perfect arms and shoulders, with speckless silky skin, it was only her face that was spoiling, colouring slightly with reddish blotches. And these blemishes were her torment, her hourly thought and worry. Her Jewish origin was revealed by her somewhat long and strangely charming face, with blue and softly voluptuous