Behind the Bungalow - Edward Hamilton Aitken (feel good novels .TXT) 📗
- Author: Edward Hamilton Aitken
Book online «Behind the Bungalow - Edward Hamilton Aitken (feel good novels .TXT) 📗». Author Edward Hamilton Aitken
resources are infinite. His eye falls on the sugar basin standing beside my teacup, and he immediately takes it up and, coming round to my left side, holds it to my nose. All this time sit I, like Tantalus, with the savoriest of Domingo's "beefysteaks" before me and am not allowed to taste it. But I know that in every operation he is animated by an exalted sense of blended duty and prerogative, and if I could really open his mind to the thought that the least of his attentions was dispensable, his whole nature would be demoralized at once; so I endure and grow lean. Another thing which works towards the same result is a practice that he has of studying my tastes, and when he thinks he has detected a preference for a particular dish, plying me with that until the very sight of it becomes nauseous. At one time he fed me with "broon custard" pudding for about six months, until in desperation I interdicted that preparation for evermore, and he fell back upon "lemol custard." Thus my luxuries are cut off one after another and there is little left that I can eat.
Our grandfathers used to have Parsee butlers in tall hats to wait upon them, but that race is now extinct. The Butler on this side of India is now a Goanese, or a Soortee, or, more rarely, a Mussulman. Each of these has, doubtless, his own characteristics; but have you ever stepped back a few paces and contemplated, not your own or anyone else's individual servant, but the entire phenomenon of an Indian Butler? Here is a man whose food by nature is curry and rice, before a hillock of which he sits cross-legged, and putting his five fingers into it, makes a large bolus, which he pushes into his mouth. He repeats this till all is gone, and then he sleeps like a boa- constrictor until he recovers his activity; or else he feeds on great flat cakes of wheat flour, off which he rends jagged-pieces and lubricates them with some spicy and unctuous gravy. All our ways of life, our meats and drinks, and all our notions of propriety and fitness in connection with the complicated business of appeasing our hunger as becomes our station, all these are a foreign land to him: yet he has made himself altogether at home in them. He has a sound practical knowledge of all our viands, their substance, and the mode of their preparation, their qualities, relationships and harmonies, and the exact place they hold in our great cenatorial system. He knows all liquors also by name, with their places and times of appearing. And he is as great in action as in knowledge. When he takes the command of a burra khana he is a Wellington. He plans with foresight, and executes with fortitude and self-reliance. See him marshal his own troops and his auxiliary butlers while he carves and dispenses the joint! Then he puts himself at their head and invades the dining-room. He meets with reverses;--the claret-jug collides with a dish in full sail and sheds its contents on his white coat; the punkah rope catches his turban and tosses it into a lady's lap, exposing his curiously shaven head to the public merriment; but, though disconcerted, he is not defeated. He never forgets his position or loses sight of his dignity. His mistress discusses him with such wit as may be at her command, and he understands but smiles not. When the action is over he retires from the field, divests himself of his robes of office and sits down, as he was bred to do, before that hillock of curry and rice.
Even good Homer nods, and I confess I am still haunted by the memory of a day when my Chief was my guest, and the butler served up red herrings neatly done up in--The Times of India!
DOMINGO, THE COOK
I do not remember who was the author of the observation that a great nation in a state of decay betakes itself to the fine arts. Perhaps no one has made the observation yet. It is certainly among the records of my brain, but I may possibly have put it there myself. If so, I make it now, for the possibilities of originality are getting scarce and will soon disappear from the face of the earth as completely as the mastodon. The present application of the saying is to the people of Goa, who, while they carry through the world patronymics which breathe of conquest and discovery, devote their energies rather to the violin and the art of cookery. The caviller may object to the application of the words "fine art" to culinary operations, but the objection rests on superficial thought. A deeper view will show that art is in the artist, not in his subject or his materials. Perusal of the Codes of the Financial Department showed me many years ago that the retrenchment of my pay and allowances could be elevated to a fine art by devotion of spirit, combined with a fine sense of law. And to Domingo the preparation of dinner is indeed a fine art. Trammel his genius, confine him within the limits of what is commonly called a "plain dinner," and he cannot cook. He stews his meat before putting it into a pie, he thickens his custard with flour instead of eggs, he roasts a leg of mutton by boiling it first and doing "littlee brown" afterwards; in short, what does he not do? It is true of all his race. How loathsome were Pedro's mutton chops, and Camilo could not boil potatoes decently for a dinner of less than four courses. But let him loose on a burra khana, give him carte blanche as to sauces and essences and spicery, and all his latent faculties and concealed accomplishments unfold themselves like a lotus flower in the morning. No one could have suspected that the shame-faced little man harboured such resources. If he has not always the subtlest perception of the harmonics of flavours, what a mastery he shows of strong effects and striking contrasts, what fecundity of invention, what a play of fancy in decoration, what manual dexterity, what rapidity and certainty in all his operations! And the marvel increases when we consider the simplicity of his implements and materials. His studio is fitted with half a dozen small fireplaces, and furnished with an assortment of copper pots, a chopper, two tin spoons--but he can do without these,--a ladle made of half a cocoanut shell at the end of a stick, and a slab of stone with a stone roller on it; also a rickety table; a very gloomy and ominous looking table, whose undulating surface is chopped and hacked and scarred, begrimed, besmeared, smoked, oiled, stained with juices of many substances. On this table he minces meat, chops onions, rolls pastry and sleeps; a very useful table. In the midst of these he hustles about, putting his face at intervals into one of his fires and blowing through a short bamboo tube, which is his bellows, such a potent blast that for a moment his whole head is enveloped in a cloud of ashes and cinders, which also descend copiously on the half-made tart and the souffle and the custard. Then he takes up an egg, gives it three smart raps with the nail of his forefinger, and in half a second the yoke is in one vessel and the white in another. The fingers of his left hand are his strainer. Every second or third egg he tosses aside, having detected, as it passed through the said strainer that age had rendered it unsuitable for his purposes; sometimes he does not detect this. From eggs he proceeds to onions, then he is taking the stones out of raisins, or shelling peas. There is a standard English cookery book which commences most of its instructions with the formula, "wash your hands carefully, using a nail brush." Domingo does not observe this ceremony, but he often wipes his fingers upon his pantaloons. It occurs to me, however, that I do not wisely pursue this theme; for the mysteries of Domingo's craft are no fit subject for the gratification of an irreverent curiosity. Those words of the poet,
"Where ignorance is bliss, 'Tis folly to be wise,"
have no truer application. You will reap the bliss when you sit down to the savoury result.
Though Domingo is naturally shy, and does not make a display of his attainments, he is a man of education, and is quite prepared, if you wish it, to write out his menu. Here is a sample
Soup. Salary Soup.
Fis. Heel fish fry.
Madish. Russel Pups. Wormsil mole.
Joint. Roast Bastard.
Toast. Anchovy Poshteg.
Puddin. Billimunj. Ispunj roli.
I must take this opportunity to record a true story of a menu, though it does not properly pertain to Domingo, but an ingenious Ramaswamy, of Madras. This man's master liked everything very proper, and insisted on a written menu at every meal. One morning Ramaswamy was much embarrassed, for the principal dish at breakfast was to be devilled turkey. "Devil very bad word," he said to himself; "how can write?" At last he solved the difficulty, and the dish appeared as "D---d turkey."
Our surprise at Domingo's attainments is no doubt due very much to the humble attire in which we are accustomed to see him, his working dress being a quondam white cotton jacket and a pair of blue checked pantaloons of a strong material made in jails, or two pairs, the sound parts of one being arranged to underlie the holes in the other. When once we have seen the gentleman dressed for church on a festival day, with the beaver which has descended to him from his illustrious grandfather's benevolent master respectfully held in his hand, and his well brushed hair shining with a bountiful allowance of cocoanut ointment, surprise ceases. He is indeed a much respected member of society, and enjoys the esteem of his club, where he sometimes takes chambers when out of employment. By his fellow servants, too, he is recognised as a professional man, and called The Maistrie, but, like ourselves, he is an exile, and, like some of us, he is separated from his wife and children, so his thoughts run much upon furlough and ultimate retirement, and he adopts a humble style of life with the object of saving money. In this object he succeeds most remarkably. Little as we know of the home life of our Hindoo servants, we know almost less about that of Domingo, for he rarely has his family with him. Is he a fond husband and an indulgent father? I fancy he is when his better nature is uppermost, but I am bound to confess that the cardinal vice of his character is cruelty, not the passive cruelty of the pure Asiatic, but that ferocious cruelty which generally marks an infusion of European blood. The infusion in him has filtered through so many generations that it must be very weak indeed, but it shows itself. When I see an emaciated crow with the point of its beak chopped off, so that it cannot pick up its food, or another with a tin pot fastened with wire to its bleeding nose, I know whose handiwork is there. Domingo suffers grievously from the
Our grandfathers used to have Parsee butlers in tall hats to wait upon them, but that race is now extinct. The Butler on this side of India is now a Goanese, or a Soortee, or, more rarely, a Mussulman. Each of these has, doubtless, his own characteristics; but have you ever stepped back a few paces and contemplated, not your own or anyone else's individual servant, but the entire phenomenon of an Indian Butler? Here is a man whose food by nature is curry and rice, before a hillock of which he sits cross-legged, and putting his five fingers into it, makes a large bolus, which he pushes into his mouth. He repeats this till all is gone, and then he sleeps like a boa- constrictor until he recovers his activity; or else he feeds on great flat cakes of wheat flour, off which he rends jagged-pieces and lubricates them with some spicy and unctuous gravy. All our ways of life, our meats and drinks, and all our notions of propriety and fitness in connection with the complicated business of appeasing our hunger as becomes our station, all these are a foreign land to him: yet he has made himself altogether at home in them. He has a sound practical knowledge of all our viands, their substance, and the mode of their preparation, their qualities, relationships and harmonies, and the exact place they hold in our great cenatorial system. He knows all liquors also by name, with their places and times of appearing. And he is as great in action as in knowledge. When he takes the command of a burra khana he is a Wellington. He plans with foresight, and executes with fortitude and self-reliance. See him marshal his own troops and his auxiliary butlers while he carves and dispenses the joint! Then he puts himself at their head and invades the dining-room. He meets with reverses;--the claret-jug collides with a dish in full sail and sheds its contents on his white coat; the punkah rope catches his turban and tosses it into a lady's lap, exposing his curiously shaven head to the public merriment; but, though disconcerted, he is not defeated. He never forgets his position or loses sight of his dignity. His mistress discusses him with such wit as may be at her command, and he understands but smiles not. When the action is over he retires from the field, divests himself of his robes of office and sits down, as he was bred to do, before that hillock of curry and rice.
Even good Homer nods, and I confess I am still haunted by the memory of a day when my Chief was my guest, and the butler served up red herrings neatly done up in--The Times of India!
DOMINGO, THE COOK
I do not remember who was the author of the observation that a great nation in a state of decay betakes itself to the fine arts. Perhaps no one has made the observation yet. It is certainly among the records of my brain, but I may possibly have put it there myself. If so, I make it now, for the possibilities of originality are getting scarce and will soon disappear from the face of the earth as completely as the mastodon. The present application of the saying is to the people of Goa, who, while they carry through the world patronymics which breathe of conquest and discovery, devote their energies rather to the violin and the art of cookery. The caviller may object to the application of the words "fine art" to culinary operations, but the objection rests on superficial thought. A deeper view will show that art is in the artist, not in his subject or his materials. Perusal of the Codes of the Financial Department showed me many years ago that the retrenchment of my pay and allowances could be elevated to a fine art by devotion of spirit, combined with a fine sense of law. And to Domingo the preparation of dinner is indeed a fine art. Trammel his genius, confine him within the limits of what is commonly called a "plain dinner," and he cannot cook. He stews his meat before putting it into a pie, he thickens his custard with flour instead of eggs, he roasts a leg of mutton by boiling it first and doing "littlee brown" afterwards; in short, what does he not do? It is true of all his race. How loathsome were Pedro's mutton chops, and Camilo could not boil potatoes decently for a dinner of less than four courses. But let him loose on a burra khana, give him carte blanche as to sauces and essences and spicery, and all his latent faculties and concealed accomplishments unfold themselves like a lotus flower in the morning. No one could have suspected that the shame-faced little man harboured such resources. If he has not always the subtlest perception of the harmonics of flavours, what a mastery he shows of strong effects and striking contrasts, what fecundity of invention, what a play of fancy in decoration, what manual dexterity, what rapidity and certainty in all his operations! And the marvel increases when we consider the simplicity of his implements and materials. His studio is fitted with half a dozen small fireplaces, and furnished with an assortment of copper pots, a chopper, two tin spoons--but he can do without these,--a ladle made of half a cocoanut shell at the end of a stick, and a slab of stone with a stone roller on it; also a rickety table; a very gloomy and ominous looking table, whose undulating surface is chopped and hacked and scarred, begrimed, besmeared, smoked, oiled, stained with juices of many substances. On this table he minces meat, chops onions, rolls pastry and sleeps; a very useful table. In the midst of these he hustles about, putting his face at intervals into one of his fires and blowing through a short bamboo tube, which is his bellows, such a potent blast that for a moment his whole head is enveloped in a cloud of ashes and cinders, which also descend copiously on the half-made tart and the souffle and the custard. Then he takes up an egg, gives it three smart raps with the nail of his forefinger, and in half a second the yoke is in one vessel and the white in another. The fingers of his left hand are his strainer. Every second or third egg he tosses aside, having detected, as it passed through the said strainer that age had rendered it unsuitable for his purposes; sometimes he does not detect this. From eggs he proceeds to onions, then he is taking the stones out of raisins, or shelling peas. There is a standard English cookery book which commences most of its instructions with the formula, "wash your hands carefully, using a nail brush." Domingo does not observe this ceremony, but he often wipes his fingers upon his pantaloons. It occurs to me, however, that I do not wisely pursue this theme; for the mysteries of Domingo's craft are no fit subject for the gratification of an irreverent curiosity. Those words of the poet,
"Where ignorance is bliss, 'Tis folly to be wise,"
have no truer application. You will reap the bliss when you sit down to the savoury result.
Though Domingo is naturally shy, and does not make a display of his attainments, he is a man of education, and is quite prepared, if you wish it, to write out his menu. Here is a sample
Soup. Salary Soup.
Fis. Heel fish fry.
Madish. Russel Pups. Wormsil mole.
Joint. Roast Bastard.
Toast. Anchovy Poshteg.
Puddin. Billimunj. Ispunj roli.
I must take this opportunity to record a true story of a menu, though it does not properly pertain to Domingo, but an ingenious Ramaswamy, of Madras. This man's master liked everything very proper, and insisted on a written menu at every meal. One morning Ramaswamy was much embarrassed, for the principal dish at breakfast was to be devilled turkey. "Devil very bad word," he said to himself; "how can write?" At last he solved the difficulty, and the dish appeared as "D---d turkey."
Our surprise at Domingo's attainments is no doubt due very much to the humble attire in which we are accustomed to see him, his working dress being a quondam white cotton jacket and a pair of blue checked pantaloons of a strong material made in jails, or two pairs, the sound parts of one being arranged to underlie the holes in the other. When once we have seen the gentleman dressed for church on a festival day, with the beaver which has descended to him from his illustrious grandfather's benevolent master respectfully held in his hand, and his well brushed hair shining with a bountiful allowance of cocoanut ointment, surprise ceases. He is indeed a much respected member of society, and enjoys the esteem of his club, where he sometimes takes chambers when out of employment. By his fellow servants, too, he is recognised as a professional man, and called The Maistrie, but, like ourselves, he is an exile, and, like some of us, he is separated from his wife and children, so his thoughts run much upon furlough and ultimate retirement, and he adopts a humble style of life with the object of saving money. In this object he succeeds most remarkably. Little as we know of the home life of our Hindoo servants, we know almost less about that of Domingo, for he rarely has his family with him. Is he a fond husband and an indulgent father? I fancy he is when his better nature is uppermost, but I am bound to confess that the cardinal vice of his character is cruelty, not the passive cruelty of the pure Asiatic, but that ferocious cruelty which generally marks an infusion of European blood. The infusion in him has filtered through so many generations that it must be very weak indeed, but it shows itself. When I see an emaciated crow with the point of its beak chopped off, so that it cannot pick up its food, or another with a tin pot fastened with wire to its bleeding nose, I know whose handiwork is there. Domingo suffers grievously from the
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