The Jungle - Upton Sinclair (poetry books to read TXT) 📗
- Author: Upton Sinclair
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He got into the shelter of a doorway and took stock of himself. He was not hurt, and he was not arrested—more than he had any right to expect. He swore at himself and his luck for a while, and then turned his thoughts to practical matters. He had no money, and no place to sleep; he must begin begging again.
He went out, hunching his shoulders together and shivering at the touch of the icy rain. Coming down the street toward him was a lady, well dressed, and protected by an umbrella; and he turned and walked beside her. “Please, ma'am,” he began, “could you lend me the price of a night's lodging? I'm a poor working-man—”
Then, suddenly, he stopped short. By the light of a street lamp he had caught sight of the lady's face. He knew her.
It was Alena Jasaityte, who had been the belle of his wedding feast! Alena Jasaityte, who had looked so beautiful, and danced with such a queenly air, with Juozas Raczius, the teamster! Jurgis had only seen her once or twice afterward, for Juozas had thrown her over for another girl, and Alena had gone away from Packingtown, no one knew where. And now he met her here!
She was as much surprised as he was. “Jurgis Rudkus!” she gasped. “And what in the world is the matter with you?”
“I—I've had hard luck,” he stammered. “I'm out of work, and I've no home and no money. And you, Alena—are you married?”
“No,” she answered, “I'm not married, but I've got a good place.”
They stood staring at each other for a few moments longer. Finally Alena spoke again. “Jurgis,” she said, “I'd help you if I could, upon my word I would, but it happens that I've come out without my purse, and I honestly haven't a penny with me: I can do something better for you, though—I can tell you how to get help. I can tell you where Marija is.”
Jurgis gave a start. “Marija!” he exclaimed.
“Yes,” said Alena; “and she'll help you. She's got a place, and she's doing well; she'll be glad to see you.”
It was not much more than a year since Jurgis had left Packingtown, feeling like one escaped from jail; and it had been from Marija and Elzbieta that he was escaping. But now, at the mere mention of them, his whole being cried out with joy. He wanted to see them; he wanted to go home! They would help him—they would be kind to him. In a flash he had thought over the situation. He had a good excuse for running away—his grief at the death of his son; and also he had a good excuse for not returning—the fact that they had left Packingtown. “All right,” he said, “I'll go.”
So she gave him a number on Clark Street, adding, “There's no need to give you my address, because Marija knows it.” And Jurgis set out, without further ado. He found a large brownstone house of aristocratic appearance, and rang the basement bell. A young colored girl came to the door, opening it about an inch, and gazing at him suspiciously.
“What do you want?” she demanded.
“Does Marija Berczynskas live here?” he inquired.
“I dunno,” said the girl. “What you want wid her?”
“I want to see her,” said he; “she's a relative of mine.”
The girl hesitated a moment. Then she opened the door and said, “Come in.” Jurgis came and stood in the hall, and she continued: “I'll go see. What's yo' name?”
“Tell her it's Jurgis,” he answered, and the girl went upstairs. She came back at the end of a minute or two, and replied, “Dey ain't no sich person here.”
Jurgis's heart went down into his boots. “I was told this was where she lived!” he cried. But the girl only shook her head. “De lady says dey ain't no sich person here,” she said.
And he stood for a moment, hesitating, helpless with dismay. Then he turned to go to the door. At the same instant, however, there came a knock upon it, and the girl went to open it. Jurgis heard the shuffling of feet, and then heard her give a cry; and the next moment she sprang back, and past him, her eyes shining white with terror, and bounded up the stairway, screaming at the top of her lungs: “Police! Police! We're pinched!”
Jurgis stood for a second, bewildered. Then, seeing blue-coated forms rushing upon him, he sprang after the Negress. Her cries had been the signal for a wild uproar above; the house was full of people, and as he entered the hallway he saw them rushing hither and thither, crying and screaming with alarm. There were men and women, the latter clad for the most part in wrappers, the former in all stages of dishabille. At one side Jurgis caught a glimpse of a big apartment with plush-covered chairs, and tables covered with trays and glasses. There were playing cards scattered all over the floor—one of the tables had been upset, and bottles of wine were rolling about, their contents running out upon the carpet. There was a young girl who had fainted, and two men who were supporting her; and there were a dozen others crowding toward the front door.
Suddenly, however, there came a series of resounding blows upon it, causing the crowd to give back. At the same instant a stout woman, with painted cheeks and diamonds in her ears, came running down the stairs, panting breathlessly: “To the rear! Quick!”
She led the way to a back staircase, Jurgis following; in the kitchen she pressed a spring, and a cupboard gave way and opened, disclosing a dark passageway. “Go in!” she cried to the crowd, which now amounted to twenty or thirty, and they began to pass through. Scarcely had the last one disappeared, however, before there were cries from in front, and then the panic-stricken throng poured out again, exclaiming: “They're there too! We're trapped!”
“Upstairs!” cried the woman, and there was another rush of the mob, women and men cursing and screaming and fighting to be first. One flight, two, three—and then there was a ladder to the roof, with a crowd packed at the foot of it, and one man at the top, straining and struggling to lift the trap door. It was not to be stirred, however, and when the woman shouted up to unhook it, he answered: “It's already unhooked. There's somebody sitting on it!”
And a moment later came a voice from downstairs: “You might as well quit, you people. We mean business, this time.”
So the crowd subsided; and a few moments later several policemen came up, staring here and there, and leering at their victims. Of the latter the men were for the most part frightened and sheepish-looking. The women took it as a joke, as if they were used to it—though if they had been pale, one could not have told, for the paint on their cheeks. One black-eyed young girl perched herself upon the top of the balustrade, and began to kick with her slippered foot at the helmets of the policemen, until one of them caught her by the ankle and pulled her down. On the floor below four or five other girls sat upon trunks in the hall, making fun of the procession which filed by them. They were noisy and hilarious, and had evidently been drinking; one of them, who wore a bright red kimono, shouted and screamed in a voice that drowned out all the other sounds in the hall—and Jurgis took a glance at her, and then gave a start, and a cry, “Marija!”
She heard him, and glanced around; then she shrank back and half sprang to her feet in amazement. “Jurgis!” she gasped.
For a second or two they stood staring at each other. “How did you come here?” Marija exclaimed.
“I came to see you,” he answered.
“When?”
“Just now.”
“But how did you know—who told you I was here?”
“Alena Jasaityte. I met her on the street.”
Again there was a silence, while they gazed at each other. The rest of the crowd was watching them, and so Marija got up and came closer to him. “And you?” Jurgis asked. “You live here?”
“Yes,” said Marija, “I live here.” Then suddenly came a hail from below: “Get your clothes on now, girls, and come along. You'd best begin, or you'll be sorry—it's raining outside.”
“Br-r-r!” shivered some one, and the women got up and entered the various doors which lined the hallway.
“Come,” said Marija, and took Jurgis into her room, which was a tiny place about eight by six, with a cot and a chair and a dressing stand and some dresses hanging behind the door. There were clothes scattered about on the floor, and hopeless confusion everywhere—boxes of rouge and bottles of perfume mixed with hats and soiled dishes on the dresser, and a pair of slippers and a clock and a whisky bottle on a chair.
Marija had nothing on but a kimono and a pair of stockings; yet she proceeded to dress before Jurgis, and without even taking the trouble to close the door. He had by this time divined what sort of a place he was in; and he had seen a great deal of the world since he had left home, and was not easy to shock—and yet it gave him a painful start that Marija should do this. They had always been decent people at home, and it seemed to him that the memory of old times ought to have ruled her. But then he laughed at himself for a fool. What was he, to be pretending to decency!
“How long have you been living here?” he asked.
“Nearly a year,” she answered.
“Why did you come?”
“I had to live,” she said; “and I couldn't see the children starve.”
He paused for a moment, watching her. “You were out of work?” he asked, finally.
“I got sick,” she replied, “and after that I had no money. And then Stanislovas died—”
“Stanislovas dead!”
“Yes,” said Marija, “I forgot. You didn't know about it.”
“How did he die?”
“Rats killed him,” she answered.
Jurgis gave a gasp. “Rats killed him!”
“Yes,” said the other; she was bending over, lacing her shoes as she spoke. “He was working in an oil factory—at least he was hired by the men to get their beer. He used to carry cans on a long pole; and he'd drink a little out of each can, and one day he drank too much, and fell asleep in a corner, and got locked up in the place all night. When they found him the rats had killed him and eaten him nearly all up.”
Jurgis sat, frozen with horror. Marija went on lacing up
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