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to heighten his expectations. I beg you will excuse me from describing particularly the lengths I went with him, and the means which I employed; you may judge of them from what I have already confessed to you. Profiting by the mystic books which I found in his very extensive library, I was soon able to converse with him in his own language, and to adorn my system of the invisible world with the most extraordinary inventions. In a short time I could make him believe whatever I pleased, and he would have sworn as readily as upon an article in the canon. Moreover, as he was very devout, and was by nature somewhat credulous, my fables received credence the more readily, and in a short time I had so completely surrounded and hemmed him in with mystery that he cared for nothing that was not supernatural. In short I became the patron saint of the house. The usual subject of my lectures was the exaltation of human nature, and the intercourse of men with superior beings; the infallible Count Gabalis was my oracle.

[A mystical work of that title, written in French in 1670 by the
Abbe do Villars, and translated into English in 1600. Pope is said
to have borrowed from it the machinery of his Rape of the Lock.-H.
G. B.]

"The young countess, whose mind since the loss of her lover had been more occupied in the world of spirits than in that of nature, and who had, moreover, a strong shade of melancholy in her composition, caught my hints with a fearful satisfaction. Even the servants contrived to have some business in the room when I was speaking, and seizing now and then one of my expressions, joined the fragments together in their own way.

"Two months were passed in this manner at the marquis' villa, when the chevalier one morning entered my apartment. A deep sorrow was painted on his countenance, his features were convulsed, he threw himself into a chair, with gestures of despair.

"'Captain,' said he, 'it is all over with me, I must begone; I can remain here no longer.'

"'What is the matter, chevalier? What ails you?'

"'Oh! this fatal passion!' said he, starting frantically from his chair. 'I have combated it like a man; I can resist it no longer.'

"'And whose fault is it but yours, my dear chevalier? Are they not all in your favor? Your father, your relations.'

"'My father, my relations! What are they to me? I want not a forced union, but one of inclination, Have not I a rival? Alas! and what a rival! Perhaps among the dead! Oh! let me go! Let me go to the end of the world,--I must find my brother.'

"'What! after so many unsuccessful attempts can you still cherish hope?'

"'Hope!' replied the chevalier; 'alas! no. It has long since vanished from my heart, but it has not from hers. Of what consequence are my sentiments? Can I be happy while there remains a gleam of hope in Antonia's heart? Two words, my friend, would end my torments. But it is in vain. My destiny must continue to be miserable till eternity shall break its long silence, and the grave shall speak in my behalf.'

"'Is it then a state of certainty that would render you happy?'

"'Happy! Alas! I doubt whether I can ever again be happy. But uncertainty is of all others the most dreadful pain.'

"After a short interval of silence he suppressed his emotion, and continued mournfully, 'If he could but see my torments! Surely a constancy which renders his brother miserable cannot add to his happiness. Can it be just that the living should suffer so much for the sake of the dead, who can no longer enjoy earthly felicity? If he knew the pangs I suffer,' continued he, hiding his face on my shoulder, while the tears streamed from his eyes, 'yes, perhaps he himself would conduct her to my arms.'

"'But is there no possibility of gratifying your wishes?'

"He started. 'What do you say, my friend?'

"'Less important occasions than the present,' said I, 'have disturbed the repose of the dead for the sake of the living. Is not the whole earthly happiness of a man, of a brother--'

"'The whole earthly happiness! Ah, my friend, I feel what you say is but too true; my entire felicity.'

"'And the tranquillity of a distressed family, are not these sufficient to justify such a measure? Undoubtedly. If any sublunary concern can authorize us to interrupt the peace of the blessed, to make use of a power--'

"'For God's sake, my friend,' said he, interrupting me, no more of this. Once, I avow it, I had such a thought; I think I mentioned it to you; but I have long since rejected it as horrid and abominable.'

"You will have conjectured already," continued the Sicilian, "to what this conversation led us. I endeavored to overcome the scruples of the chevalier, and at last succeeded. We resolved to summon the spirit of the deceased Jeronymo. I only stipulated for the delay of a fortnight, in order, as I pretended, to prepare myself in a suitable manner for so solemn an act. The time being expired, and my machinery in readiness, I took advantage of a very gloomy day, when we were all assembled as usual, to obtain the consent of the family, or rather, gradually to lead them to the subject, so that they themselves requested it of me. The most difficult part of the task was to obtain the approbation of Antonia, whose presence was most essential. My endeavors were, however, greatly assisted by the melancholy turn of her mind, and perhaps still more so by a faint hope that Jeronymo might still be living, and therefore would not appear. A want of confidence in the thing itself, or a doubt of my ability, was the only obstacle which I had not to contend with.

"Having obtained the consent of the family, the third day was fixed on for the operation. I prepared them for the solemn transaction by mystical instruction, by fasting, solitude, and prayers, which I ordered to be continued till late in the night. Much use was also made of a certain musical instrument, unknown till that time, and which, in such cases, has often been found very powerful. The effect of these artifices was so much beyond my expectation that the enthusiasm to which on this occasion I was obliged to force myself was infinitely heightened by that of my audience. The anxiously-expected hour at last arrived."

"I guess," said the prince, "whom you are now going to introduce. But go on, go on."

"No, your highness. The incantation succeeded according to my wishes."

"How? Where is the Armenian?"

"Do not fear, your highness. He will appear but too soon. I omit the description of the farce itself, as it would lead me to too great a length. Be it sufficient to say that it answered my utmost expectations. The old marquis, the young countess, her mother, Lorenzo, and a few others of the family, were present. You may imagine that during my long residence in this house I had not wanted opportunities of gathering information respecting everything that concerned the deceased. Several portraits of him enabled me to give the apparition the most striking likeness, and as I suffered the ghost to speak only by signs, the sound of his voice could excite no suspicion.

"The departed Jeronymo appeared--in the dress of a Moorish slave, with a deep wound in his neck. You observe that in this respect I was counteracting the general supposition that he had perished in the waves, for I had reason to hope that the unexpectedness of this circumstance would heighten their belief in the apparition itself, while, on the other hand, nothing appeared to me more dangerous than to keep too strictly to what was natural."

"I think you judged rightly," said the prince. "In whatever respects apparitions the most probable is the least acceptable. If their communications are easily comprehended we undervalue the channel by which they are obtained. Nay, we even suspect the reality of the miracle if the discoveries which it brings to light are such as might easily have been imagined. Why should we disturb the repose of a spirit if it is to inform us of nothing more than the ordinary powers of the intellect are capable of teaching us? But, on the other hand, if the intelligence which we receive is extraordinary and unexpected it confirms in some degree the miracle by which it is obtained; for who can doubt an operation to be supernatural when its effect could not be produced by natural means? I interrupt you," added the prince. "Proceed in your narrative."

"I asked the ghost whether there was anything in this world which he still considered as his own," continued the Sicilian, "and whether he had left anything behind that was particularly dear to him? The ghost shook his head three times, and lifted up his hand towards heaven. Previous to his retiring he dropped a ring from his finger, which was found on the floor after he had disappeared. Antonia took it, and, looking at it attentively, she knew it to be the ring she had given her intended husband on their betrothal."

"The ring!" exclaimed the prince, surprised. "How did you get it?"

"Who? I? It was not the true one, your highness; I got it. It was only a counterfeit."

"A counterfeit!" repeated the prince. "But in order to counterfeit you required the true one. How did you come by it? Surely the deceased never went without it."

"That is true," replied the Sicilian, with symptoms of confusion. "But from a description which was given me of the genuine ring--"

"A description which was given you! By whom?"

"Long before that time. It was a plain gold ring, and had, I believe, the name of the young countess engraved on it. But you made me lose the connection."

"What happened further?" said the prince, with a very dissatisfied countenance.

"The family felt convinced that Jeronymo was no more. From that day forward they publicly announced his death, and went into mourning. The circumstance of the ring left no doubt, even in the mind of Antonia, and added a considerable weight to the addresses of the chevalier.

"In the meantime the violent shock which the young countess had received from the sight of the apparition brought on her a disorder so dangerous that the hopes of Lorenzo were very near being destroyed forever. On her recovery she insisted upon taking the veil; and it was only at the most serious remonstrances of her confessor, in whom she placed implicit confidence, that she was induced to abandon her project. At length the united solicitations of the family, and of the confessor, forced from her a reluctant consent. The last day of mourning was fixed on for the day of marriage, and the old marquis determined to add to the solemnity of the occasion by making over all his estates to his lawful heir.

"The day arrived, and Lorenzo received his trembling bride at the altar. In the evening a splendid banquet was prepared for the cheerful guests in a hall superbly illuminated, and the most lively and delightful music contributed to increase the general gladness. The happy old marquis wished all the world to participate in his joy. All the entrances of the palace were thrown open, and every one who sympathized in his happiness was joyfully welcomed. In the
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