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have endless Balls, an opera, a Court there—with whom am I to dance, pray, when I am out of mourning? Am I to sit and govern my feet under a chair, and gaze like an imbecile nun? It is too preposterous. I am betrothed to you; I wish, I wish to behave like a betrothed. The archduchess herself will laugh to see me chained to a chair. I shall have to reply a thousand times to 'Where is he?' What can I answer? 'Wouldn't come,' will be the only true reply."

During this tirade, Vittoria was singing one of her old songs, well known to Wilfrid, which brought the vision of a foaming weir, and moonlight between the branches of a great cedar-tree, and the lost love of his heart sitting by his side in the noising stillness. He was sure that she could be singing it for no one but for him. The leap taken by his spirit from this time to that, was shorter than from the past back to the present.

"You do not applaud," said Lena, when the song had ceased.

He murmured: "I never do, in drawing-rooms."

"A cantatrice expects it everywhere; these creatures live on it."

"I'll tell her, if you like, what we thought of it, when I take her down to my sister, presently."

"Are you not to take me down?"

"The etiquette is to hand her up to you."

"No, no!" Lena insisted, in abhorrence of etiquette; but Wilfrid said pointedly that his sister's feelings must be spared. "Her husband is an animal: he is a millionaire city-of-London merchant; conceive him! He has drunk himself gouty on Port wine, and here he is for the grape-cure."

"Ah! in that England of yours, women marry for wealth," said Lena.

"Yes, in your Austria they have a better motive" he interpreted her sentiment.

"Say, in our Austria."

"In our Austria, certainly."

"And with our holy religion?"

"It is not yet mine."

"It will be?" She put the question eagerly.

Wilfrid hesitated, and by his adept hesitation succeeded in throwing her off the jealous scent.

"Say that it will be, my Wilfrid!"

"You must give me time"

"This subject always makes you cold."

"My own Lena!"

"Can I be, if we are doomed to be parted when we die?"

There is small space for compunction in a man's heart when he is in Wilfrid's state, burning with the revival of what seemed to him a superhuman attachment. He had no design to break his acknowledged bondage to Countess Lena, and answered her tender speech almost as tenderly.

It never occurred to him, as he was walking down to Meran with Vittoria, that she could suppose him to be bartering to help rescue the life of a wretched man in return for soft confidential looks of entreaty; nor did he reflect, that when cast on him, they might mean no more than the wish to move him for a charitable purpose. The completeness of her fascination was shown by his reading her entirely by his own emotions, so that a lowly-uttered word, or a wavering unwilling glance, made him think that she was subdued by the charm of the old days.

"Is it here?" she said, stopping under the first Italian name she saw in the arcade of shops.

"How on earth have you guessed it?" he asked, astonished.

She told him to wait at the end of the arcade, and passed in. When she joined him again, she was downcast. They went straight to Adela's hotel, where the one thing which gave her animation was the hearing that Mr. Sedley had met an English doctor there, and had placed himself in his hands. Adela dressed splendidly for her presentation to the duchess. Having done so, she noticed Vittoria's depressed countenance and difficult breathing. She commanded her to see the doctor. Vittoria consented, and made use of him. She could tell Laura confidently at night that Wilfrid would not betray Angelo, though she had not spoken one direct word to him on the subject.

Wilfrid was peculiarly adept in the idle game he played. One who is intent upon an evil end is open to expose his plan. But he had none in view; he lived for the luxurious sensation of being near the woman who fascinated him, and who was now positively abashed when by his side. Adela suggested to him faintly—she believed it was her spontaneous idea —that he might be making his countess jealous. He assured her that the fancy sprang from scenes which she remembered, and that she could have no idea of the pride of a highborn Austrian girl, who was incapable of conceiving jealousy of a person below her class. Adela replied that it was not his manner so much as Emilia's which might arouse the suspicion; but she immediately affected to appreciate the sentiments of a highborn Austrian girl toward a cantatrice, whose gifts we regard simply as an aristocratic entertainment. Wilfrid induced his sister to relate Vittoria's early history to Countess Lena; and himself almost wondered, when he heard it in bare words, at that haunting vision of the glory of Vittoria at La Scala—where, as he remembered, he would have run against destruction to cling to her lips. Adela was at first alarmed by the concentrated wrathfulness which she discovered in the bosom of Countess Anna, who, as their intimacy waxed, spoke of the intruding opera siren in terms hardly proper even to married women; but it seemed right, as being possibly aristocratic. Lena was much more tolerant. "I have just the same enthusiasm for soldiers that my Wilfrid has for singers," she said; and it afforded Adela exquisite pleasure to hear her tell how that she had originally heard of the 'eccentric young Englishman,' General Pierson's nephew, as a Lustspiel—a comedy; and of his feats on horseback, and his duels, and his—he was very wicked over here, you know;" Lena laughed. She assumed the privileges of her four-and-twenty years and her rank. Her marriage was to take place in the Spring. She announced it with the simplicity of an independent woman of the world, adding, "That is, if my Wilfrid will oblige me by not plunging into further disgrace with the General."

"No; you will not marry a man who is under a cloud," Anna subjoined.

"Certainly not a soldier," said Lena. "What it was exactly that he did at La Scala, I don't know, and don't care to know, but he was then ignorant that she had touched the hand of that Guidascarpi. I decide by this—he was valiant; he defied everybody: therefore I forgive him. He is not in disgrace with me. I will reinstate him."

"You have your own way of being romantic," said Anna. "A soldier who forgets his duty is in my opinion only a brave fool."

"It seems to me that a great many gallant officers are fond of fine voices," Lena retorted.

"No doubt it is a fashion among them," said Anna.

Adela recoiled with astonishment when she began to see the light in which the sisters regarded Vittoria; and she was loyal enough to hint and protest on her friend's behalf. The sisters called her a very good soul. "It may not be in England as over here," said Anna. "We have to submit to these little social scourges."

Lena whispered to Adela, "An angry woman will think the worst. I have no doubt of my Wilfrid. If I had!—"

Her eyes flashed. Fire was not wanting in her.

The difficulties which tasked the amiable duchess to preserve an outward show of peace among the antagonistic elements she gathered together were increased by the arrival at the castle of Count Lenkenstein, Bianca's husband, and head of the family, from Bologna. He was a tall and courtly man, who had one face for his friends and another for the reverse party; which is to say, that his manners could be bad. Count Lenkenstein was accompanied by Count Serabiglione, who brought Laura's children with their Roman nurse, Assunta. Laura kissed her little ones, and sent them out of her sight. Vittoria found her home in their play and prattle. She needed a refuge, for Count Lenkenstein was singularly brutal in his bearing toward her. He let her know that he had come to Meran to superintend the hunt for the assassin, Angelo Guidascarpi. He attempted to exact her promise in precise speech that she would be on the spot to testify against Angelo when that foul villain should be caught. He objected openly to Laura's children going about with her. Bitter talk on every starting subject was exchanged across the duchess's table. She herself was in disgrace on Laura's account, and had to practise an overflowing sweetness, with no one to second her efforts. The two noblemen spoke in accord on the bubble revolution. The strong hand—ay, the strong hand! The strong hand disposes of vermin. Laura listened to them, pallid with silent torture. "Since the rascals have taken to assassination, we know that we have them at the dregs," said Count Lenkenstein. "A cord round the throats of a few scores of them, and the country will learn the virtue of docility."

Laura whispered to her sister: "Have you espoused a hangman?"

Such dropping of deadly shells in a quiet society went near to scattering it violently; but the union was necessitous. Count Lenkenstein desired to confront Vittoria with Angelo; Laura would not quit her side, and Amalia would not expel her friend. Count Lenkenstein complained roughly of Laura's conduct; nor did Laura escape her father's reproof. "Sir, you are privileged to say what you will to me," she responded, with the humility which exasperated him.

"Yes, you bend, you bend, that you may be stiff-necked when it suits you," he snapped her short.

"Surely that is the text of the sermon you preach to our Italy!"

"A little more, as you are running on now, madame, and our Italy will be froth on the lips. You see, she is ruined."

"Chi lo fa, lo sa," hummed Laura; "but I would avoid quoting you as that authority."

"After your last miserable fiasco, my dear!"

"It was another of our school exercises. We had not been good boys and girls. We had learnt our lesson imperfectly. We have received our punishment, and we mean to do better next time."

"Behave seasonably, fittingly; be less of a wasp; school your tongue."

"Bianca is a pattern to me, I am aware," said Laura.

"She is a good wife."

"I am a poor widow."

"She is a good daughter."

"I am a wicked rebel."

"And you are scheming at something now," said the little nobleman, sagacious so far; but he was too eager to read the verification of the tentative remark in her face, and she perceived that it was a guess founded on her show of spirit.

"Scheming to contain my temper, which is much tried," she said. "But I suppose it supports me. I can always keep up against hostility."

"You provoke it; you provoke it."

"My instinct, then, divines my medicine."

"Exactly, my dear; your personal instinct. That instigates you all. And none are so easily conciliated as these Austrians. Conciliate them, and you have them." Count Serabiglione diverged into a repetition of his theory of the policy and mission of superior intelligences, as regarded his system for dealing with the Austrians.

Nurse Assunta's jealousy was worked upon to separate the children from Vittoria. They ran down with her no more to meet the vast bowls of grapes in the morning and feather their hats with vine leaves. Deprived of her darlings, the loneliness of her days made her look to Wilfrid for commiseration. Father Bernardus was too continually exhortative, and fenced too much to "hit the eyeball of her conscience," as he phrased it, to afford her repose. Wilfrid could tell himself that he had already done much for her; for if what he had done were known, his career, social and military, was ended. This idea being accompanied by a sense of security delighted him; he was accustomed to inquire of Angelo's condition, and praise the British doctor who was attending him gratuitously. "I wish I could get him out of the way," he said, and frowned as in

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