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duke were all once more assembled. Same place, same scene, same actors! but this was funereal grief in place of the joys of motherhood; the night of death instead of the dawn of life. At that moment the storm, threatened by the melancholy moaning of the sea since sundown, suddenly burst forth.

"Dear flower of my life!" said the mother, kissing her son. "You were taken from my bosom in the midst of a tempest, and in a tempest I am taken from you. Between these storms all life has been stormy to me, except the hours I have spent with you. This is my last joy, mingled with my last pangs. Adieu, my only love! adieu, dear image of two souls that will soon be reunited! Adieu, my only joy--pure joy! adieu, my own beloved!"

"Let me follow thee!" cried Etienne.

"It would be your better fate!" she said, two tears rolling down her livid cheeks; for, as in former days, her eyes seemed to read the future. "Did any one see him?" she asked of the two men.

At this instant the duke turned in his bed; they all trembled.

"Even my last joy is mingled with pain," murmured the duchess. "Take him away! take him away!"

"Mother, I would rather see you a moment longer and die!" said the poor lad, as he fainted by her side.

At a sign from the duchess, Bertrand took Etienne in his arms, and, showing him for the last time to his mother, who kissed him with a last look, he turned to carry him away, awaiting the final order of the dying mother.

"Love him well!" she said to the physician and Bertrand; "he has no protectors but you and Heaven."

Prompted by an instinct which never misleads a mother, she had felt the pity of the old retainer for the eldest son of a house, for which his veneration was only comparable to that of the Jews for their Holy City, Jerusalem. As for Beauvouloir, the compact between himself and the duchess had long been signed. The two servitors, deeply moved to see their mistress forced to bequeath her noble child to none but themselves, promised by a solemn gesture to be the providence of their young master, and the mother had faith in that gesture.

The duchess died towards morning, mourned by the servants of the household, who, for all comment, were heard to say beside her grave, "She was a comely woman, sent from Paradise."

Etienne's sorrow was the most intense, the most lasting of sorrows, and wholly silent. He wandered no more among his rocks; he felt no strength to read or sing. He spent whole days crouched in the crevice of a rock, caring nought for the inclemency of the weather, motionless, fastened to the granite like the lichen that grew upon it; weeping seldom, lost in one sole thought, immense, infinite as the ocean, and, like that ocean, taking a thousand forms,--terrible, tempestuous, tender, calm. It was more than sorrow; it was a new existence, an irrevocable destiny, dooming this innocent creature to smile no more. There are pangs which, like a drop of blood cast into flowing water, stain the whole current instantly. The stream, renewed from its source, restores the purity of its surface; but with Etienne the source itself was polluted, and each new current brought its own gall.

Bertrand, in his old age, had retained the superintendence of the stables, so as not to lose the habit of authority in the household. His house was not far from that of Etienne, so that he was ever at hand to watch over the youth with the persistent affection and simple wiliness characteristic of old soldiers. He checked his roughness when speaking to the poor lad; softly he walked in rainy weather to fetch him from his reverie in his crevice to the house. He put his pride into filling the mother's place, so that her child might find, if not her love, at least the same attentions. This pity resembled tenderness. Etienne bore, without complaint or resistance, these attentions of the old retainer, but too many links were now broken between the hated child and other creatures to admit of any keen affection at present in his heart. Mechanically he allowed himself to be protected; he became, as it were, an intermediary creature between man and plant, or, perhaps one might say, between man and God. To what shall we compare a being to whom all social laws, all the false sentiments of the world were unknown, and who kept his ravishing innocence by obeying nought but the instincts of his heart?

Nevertheless, in spite of his sombre melancholy, he came to feel the need of loving, of finding another mother, another soul for his soul. But, separated from civilization by an iron wall, it was well-nigh impossible to meet with a being who had flowered like himself. Instinctively seeking another self to whom to confide his thoughts and whose life might blend with his life, he ended in sympathizing with his Ocean. The sea became to him a living, thinking being. Always in presence of that vast creation, the hidden marvels of which contrast so grandly with those of earth, he discovered the meaning of many mysteries. Familiar from his cradle with the infinitude of those liquid fields, the sea and the sky taught him many poems. To him, all was variety in that vast picture so monotonous to some. Like other men whose souls dominate their bodies, he had a piercing sight which could reach to enormous distances and seize, with admirable ease and without fatigue, the fleeting tints of the clouds, the passing shimmer of the waters. On days of perfect stillness his eyes could see the manifold tints of the ocean, which to him, like the face of a woman, had its physiognomy, its smiles, ideas, caprices; there green and sombre; here smiling and azure; sometimes uniting its brilliant lines with the hazy gleams of the horizon, or again, softly swaying beneath the orange-tinted heavens. For him all-glorious fetes were celebrated at sundown when the star of day poured its red colors on the waves in a crimson flood. For him the sea was gay and sparkling and spirited when it quivered in repeating the noonday light from a thousand dazzling facets; to him it revealed its wondrous melancholy; it made him weep whenever, calm or sad, it reflected the dun-gray sky surcharged with clouds. He had learned the mute language of that vast creation. The flux and reflux of its waters were to him a melodious breathing which uttered in his ear a sentiment; he felt and comprehended its inward meaning. No mariner, no man of science, could have predicted better than he the slightest wrath of the ocean, the faintest change on that vast face. By the manner of the waves as they rose and died away upon the shore, he could foresee tempests, surges, squalls, the height of tides, or calms. When night had spread its veil upon the sky, he still could see the sea in its twilight mystery, and talk with it. At all times he shared its fecund life, feeling in his soul the tempest when it was angry; breathing its rage in its hissing breath; running with its waves as they broke in a thousand liquid fringes upon the rocks. He felt himself intrepid, free, and terrible as the sea itself; like it, he bounded and fell back; he kept its solemn silence; he copied its sudden pause. In short, he had wedded the sea; it was now his confidant, his friend. In the morning when he crossed the glowing sands of the beach and came upon his rocks, he divined the temper of the ocean from a single glance; he could see landscapes on its surface; he hovered above the face of the waters, like an angel coming down from heaven. When the joyous, mischievous white mists cast their gossamer before him, like a veil before the face of a bride, he followed their undulations and caprices with the joy of a lover. His thought, married with that grand expression of the divine thought, consoled him in his solitude, and the thousand outlooks of his soul peopled its desert with glorious fantasies. He ended at last by divining in the motions of the sea its close communion with the celestial system; he perceived nature in its harmonious whole, from the blade of grass to the wandering stars which seek, like seeds driven by the wind, to plant themselves in ether.

Pure as an angel, virgin of those ideas which degrade mankind, naive as a child, he lived like a sea-bird, a gull, or a flower, prodigal of the treasures of poetic imagination, and possessed of a divine knowledge, the fruitful extent of which he contemplated in solitude. Incredible mingling of two creations! sometimes he rose to God in prayer; sometimes he descended, humble and resigned, to the quiet happiness of animals. To him the stars were the flowers of night, the birds his friends, the sun was a father. Everywhere he found the soul of his mother; often he saw her in the clouds; he spoke to her; they communicated, veritably, by celestial visions; on certain days he could hear her voice and see her smile; in short, there were days when he had not lost her. God seemed to have given him the power of the hermits of old, to have endowed him with some perfected inner senses which penetrated to the spirit of all things. Unknown moral forces enabled him to go farther than other men into the secrets of the Immortal labor. His yearnings, his sorrows were the links that united him to the unseen world; he went there, armed with his love, to seek his mother; realizing thus, with the sublime harmonies of ecstasy, the symbolic enterprise of Orpheus.

Often, when crouching in the crevice of some rock, capriciously curled up in his granite grotto, the entrance to which was as narrow as that of a charcoal kiln, he would sink into involuntary sleep, his figure softly lighted by the warm rays of the sun which crept through the fissures and fell upon the dainty seaweeds that adorned his retreat, the veritable nest of a sea-bird. The sun, his sovereign lord, alone told him that he had slept, by measuring the time he had been absent from his watery landscapes, his golden sands, his shells and pebbles. Across a light as brilliant as that from heaven he saw the cities of which he read; he looked with amazement, but without envy, at courts and kings, battles, men, and buildings. These daylight dreams made dearer to him his precious flowers, his clouds, his sun, his granite rocks. To attach him the more to his solitary existence, an angel seemed to reveal to him the abysses of the moral world and the terrible shocks of civilization. He felt that his soul, if torn by the throng of men, would perish like a pearl dropped from the crown of a princess into mud.



PART II. HOW THE SON DIED




CHAPTER IV. THE HEIR

In 1617, twenty and some years after the horrible night during which Etienne came into the world, the Duc d'Herouville, then seventy-six years old, broken, decrepit, almost dead, was sitting at sunset in an immense arm-chair, before the gothic window of his bedroom, at the place where his wife had so vainly implored, by the sounds of the horn wasted on the air, the help of men and heaven. You might have thought him a body resurrected from the grave. His once energetic face, stripped of its sinister aspect by old age and suffering, was ghastly in color, matching the long meshes of

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