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The screens came safe, and one of them is at this moment interposed between me and the fire, much to the comfort of my peepers. The other of them being fitted up with a screw that was useless, I have consigned it to proper hands, that it may be made as serviceable as its brother. They are very neat, and I account them a great acquisition. Our carpenter assures me that the lameness of the chairs was not owing to any injury received in their journey, but that the maker never properly finished them. They were not high when they came, and in order to reduce them to a level, we have lowered them an inch. Thou knowest, child, that the short foot could not be lengthened, for which reason we shortened the long ones. The box containing the plate and the brooms reached us yesterday, and nothing had suffered the least damage by the way. Everything is smart, everything is elegant, and we admire them all. The short candlesticks are short enough. I am now writing with those upon the table; Mrs. U. is reading opposite, and they suit us both exactly. With the money that you have in hand, you may purchase, my dear, at your most convenient time, a tea-urn; that which we have at present having never been handsome, and being now old and patched. A parson once, as he walked across the parlour, pushed it down with his belly, and it never perfectly recovered itself. We want likewise a tea-waiter, meaning, if you please, such a one as you may remember to have seen at the Hall, a wooden one. To which you may add, from the same fund, three or four yards of yard-wide muslin, wherewithal to make neckcloths for my worship. If after all these disbursements anything should be left at the bottom of the purse, we shall be obliged to you if you will expend it in the purchase of silk pocket-handkerchiefs. There, my precious—I think I have charged thee with commissions in plenty.
You neither must nor shall deny us the pleasure of sending to you such small matters as we do. As to the partridges, you may recollect possibly, when I remind you of it, that I never eat them; they refuse to pass my stomach; and Mrs. Unwin rejoiced in receiving them only because she could pack them away to you—therefore never lay us under any embargoes of this kind, for I tell you beforehand, that we are both incorrigible. My beloved Cousin, the first thing that I open my eyes upon in a morning, is it not the bed in which you have laid me? Did you not, in our old dismal parlour at Olney, give me the tea on which I breakfast?—the chocolate that I drank at noon, and the table at which I dine?—the everything, in short, that I possess in the shape of convenience, is it not all from you? and is it possible, think you, that we should either of us overlook an opportunity of making such a tiny acknowledgement of your kindness? Assure yourself that never, while my name is Giles Gingerbread, will I dishonour my glorious ancestry, and my illustrious appellation, by so unworthy a conduct. I love you at my heart, and so does Mrs. U., and we must say thank you, and send you a peppercorn when we can. So thank you, my dear, for the brawn and the chine, and for all the good things that you announce, and at present I will, for your sake, say no more of thanksgiving.
TO MRS. BODHAMHis mother's portrait
Weston, 27 Feb. 1790.
MY DEAREST ROSE,Whom I thought withered, and fallen from the stalk, but whom I still find alive: nothing could give me greater pleasure than to know it, and to hear it from yourself. I loved you dearly when you were a child, and love you not a jot the less for having ceased to be so. Every creature that bears any affinity to my mother is dear to me, and you, the daughter of her brother, are but one remove distant from her: I love you, therefore, and love you much, both for her sake, and for your own. The world could not have furnished you with a present so acceptable to me, as the picture which you have so kindly sent me. I received it the night before last, and viewed it with a trepidation of nerves and spirits somewhat akin to what I should have felt, had the dear original presented herself to my embraces. I kissed it, and hung it where it is the last object that I see at night, and, of course, the first on which I open my eyes in the morning. She died when I completed my sixth year; yet I remember her well, and am an ocular witness of the great fidelity of the copy. I remember, too, a multitude of the maternal tendernesses which I received from her, and which have endeared her memory to me beyond expression. There is in me, I believe, more of the Donne than of the Cowper; and though I love all of both names, and have a thousand reasons to love those of my own name, yet I feel the bond of nature draw me vehemently to your side. I was thought in the days of my childhood much to resemble my mother; and in my natural temper, of which at the age of fifty-eight I must be supposed to be a competent judge, can trace both her, and my late uncle, your father. Somewhat of his irritability; and a little, I would hope, both of his and of her—I know not what to call it, without seeming to praise myself, which is not my intention, but speaking to you, I will even speak out, and say good nature. Add to all this, I deal much in poetry, as did our venerable ancestor, the Dean of St. Paul's, and I think I shall have proved myself a Donne at all points. The truth is, that whatever I am, I love you all.
EDMUND BURKE1729-1797
TO MATTHEW SMITHFirst impressions of London
[1750.]
You'll expect some short account of my journey to this great city. To tell you the truth, I made very few remarks as I rolled along, for my mind was occupied with many thoughts, and my eyes often filled with tears, when I reflected on all the dear friends I left behind; yet the prospects could not fail to attract the attention of the most indifferent: country seats sprinkled round on every side, some in the modern taste, some in the style of old De Coverley Hall, all smiling on the neat but humble cottage; every village as neat and compact as a bee-hive, resounding with the busy hum of industry; and inns like palaces.
What a contrast to our poor country, where you'll scarce find a cottage ornamented with a chimney! But what pleased me most of all was the progress of agriculture, my favourite study, and my favourite pursuit, if Providence had blessed me with a few paternal acres.
A description of London and its natives would fill a volume. The buildings are very fine: it may be called the sink of vice: but its hospitals and charitable institutions, whose turrets pierce the skies like so many electrical conductors, avert the wrath of Heaven. The inhabitants may be divided into two classes, the undoers and the undone; generally so, I say, for I am persuaded there are many men of honesty and women of virtue in every street. An Englishman is cold and distant at first; he is very cautious even in forming an acquaintance; he must know you well before he enters into friendship with you; but if he does, he is not the first to dissolve that sacred bond: in short, a real Englishman is one that performs more than he promises; in company he is rather silent, extremely prudent in his expressions, even in politics, his favourite topic. The women are not quite so reserved; they consult their glasses to the best advantage; and as nature is very liberal in her gifts to their persons, and even minds, it is not easy for a young man to escape their glances, or to shut his ears to their softly flowing accents.
As to the state of learning in this city, you know I have not been long enough in it to form a proper judgement of that subject. I don't think, however, there is as much respect paid to a man of letters on this side of the water as you imagine. I don't find that genius, the 'rath primrose, which forsaken dies', is patronized by any of the nobility, so that writers of the first talents are left to the capricious patronage of the public. Notwithstanding discouragement, literature is cultivated in a high degree. Poetry raises her enchanting voice to Heaven. History arrests the wings of Time in his flight to the gulf of oblivion. Philosophy, the queen of arts, and the daughter of Heaven, is daily extending her intellectual empire. Fancy sports on airy wing like a meteor on the bosom of a summer cloud; and even Metaphysics spins her cobwebs, and catches some flies.
The House of Commons not unfrequently exhibits explosions of eloquence that rise superior to those of Greece and Rome, even in their proudest days. Yet, after all, a man will make more by the figures of arithmetic than the figures of rhetoric, unless he can get into the trade wind, and then he may sail secure over Pactolean sands. As to the stage, it is sunk, in my opinion, into the lowest degree; I mean with regard to the trash that is exhibited on it; but I don't attribute this to the taste of the audience, for when Shakespeare warbles his 'native woodnotes', the boxes, pit, and gallery, are crowded—and the gods are true to every word, if properly winged to the heart.
Soon after my arrival in town I visited Westminster Abbey: the moment I entered I felt a kind of awe pervade my mind which I cannot describe; the very silence seemed sacred. Henry VII's chapel is a very fine piece of Gothic architecture, particularly the roof; but I am told that it is exceeded by a chapel in the University of Cambridge. Mrs. Nightingale's monument has not been praised beyond its merit. The attitude and expression of the husband in endeavouring to shield his wife from the dart of death, is natural and affecting. But I always thought that the image of death would be much better represented with an extinguished torch inverted, than with a dart. Some would imagine that all these monuments were so many monuments of folly;—I don't think so; what useful lessons of morality and sound philosophy do they not exhibit! When the high-born beauty surveys her face in the polished Parian, though dumb the marble, yet it tells her that it was placed to guard the remains of as fine a form, and as fair a face as her own. They show besides how anxious we are to extend our loves and friendships beyond the grave, and to snatch as much as we can from oblivion—such is our natural love of immortality; but it is here that letters obtain the noblest triumphs; it is here that the swarthy daughters of Cadmus may hang their trophies on high; for when all the pride of the chisel and the pomp of heraldry yield to the silent touches of time, a single line, a half-worn-out inscription, remain faithful to their trust. Blest be the man that first introduced these strangers into our islands, and may they never want protection or merit! I have not the least doubt that the finest poem in the English language, I mean Milton's Il Penseroso, was composed in the long-resounding aisle of a mouldering cloister or ivy'd abbey. Yet after all do you know that I would rather sleep in the southern corner of a little country churchyard, than in the tomb of the Capulets. I should like, however, that my dust should
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