A History of China - Wolfram Eberhard (e reader for manga .TXT) 📗

true literature—the novel, the short story, and the drama. Poetry did exist, but it kept to the old paths and had few fresh ideas. All the various forms of the Sung period were made use of. The essayists, too, offered nothing new, though their number was legion. One of the best known is Yüan Mei (1716-1797), who was also the author of the collection of short stories Tse-pu-yü ("The Master did not tell"), which is regarded very highly by the Chinese. The volume of short stories entitled Liao-chai chich-i, by P'u Sung-lin (1640-1715?), is world-famous and has been translated into every civilized language. Both collections are distinguished by their simple but elegant style. The short story was popular among the greater gentry; it abandoned the popular style it had in the Ming epoch, and adopted the polished language of scholars.

The Manchu epoch has left to us what is by general consent the finest novel in Chinese literature, Hung-lou-meng ("The Dream of the Red Chamber"), by Ts'ao Hsüeh-ch'in, who died in 1763. It describes the downfall of a rich and powerful family from the highest rank of the gentry, and the decadent son's love of a young and emotional lady of the highest circles. The story is clothed in a mystical garb that does something to soften its tragic ending. The interesting novel Ju-lin wai-shih ("Private Reports from the Life of Scholars"), by Wu Ching-tz[)u] (1701-1754), is a mordant criticism of Confucianism with its rigid formalism, of the social system, and of the examination system. Social criticism is the theme of many novels. The most modern in spirit of the works of this period is perhaps the treatment of feminism in the novel Ching-hua-yüan, by Li Yu-chên (d. 1830), which demanded equal rights for men and women.

The drama developed quickly in the Manchu epoch, particularly in quantity, especially since the emperors greatly appreciated the theatre. A catalogue of plays compiled in 1781 contains 1,013 titles! Some of these dramas were of unprecedented length. One of them was played in 26 parts containing 240 acts; a performance took two years to complete! Probably the finest dramas of the Manchu epoch are those of Li Yü (born 1611), who also became the first of the Chinese dramatic critics. What he had to say about the art of the theatre, and about aesthetics in general, is still worth reading.

About the middle of the nineteenth century the influence of Europe became more and more marked. Translation began with Yen Fu (1853-1921), who translated the first philosophical and scientific books and books on social questions and made his compatriots acquainted with Western thought. At the same time Lin Shu (1852-1924) translated the first Western short stories and novels. With these two began the new style, which was soon elaborated by Liang Ch'i-ch'ao, a collaborator of Sun Yat-sen's, and by others, and which ultimately produced the "literary revolution" of 1917. Translation has continued to this day; almost every book of outstanding importance in world literature is translated within a few months of its appearance, and on the average these translations are of a fairly high level.

Particularly fine work was produced in the field of porcelain in the Manchu epoch. In 1680 the famous kilns in the province of Kiangsi were reopened, and porcelain that is among the most artistically perfect in the world was fired in them. Among the new colours were especially green shades (one group is known as famille verte) and also black and yellow compositions. Monochrome porcelain also developed further, including very fine dark blue, brilliant red (called "ox-blood"), and white. In the eighteenth century, however, there began an unmistakable decline, which has continued to this day, although there are still a few craftsmen and a few kilns that produce outstanding work (usually attempts to imitate old models), often in small factories.

In painting, European influence soon shows itself. The best-known example of this is Lang Shih-ning, an Italian missionary whose original name was Giuseppe Castiglione (1688-1766); he began to work in China in 1715. He learned the Chinese method of painting, but introduced a number of technical tricks of European painters, which were adopted in general practice in China, especially by the official court painters: the painting of the scholars who lived in seclusion remained uninfluenced. Dutch flower-painting also had some influence in China as early as the eighteenth century.

The missionaries played an important part at court. The first Manchu emperors were as generous in this matter as the Mongols had been, and allowed the foreigners to work in peace. They showed special interest in the European science introduced by the missionaries; they had less sympathy for their religious message. The missionaries, for their part, sent to Europe enthusiastic accounts of the wonderful conditions in China, and so helped to popularize the idea that was being formed in Europe of an "enlightened", a constitutional, monarchy. The leaders of the Enlightenment read these reports with enthusiasm, with the result that they had an influence on the French Revolution. Confucius was found particularly attractive, and was regarded as a forerunner of the Enlightenment. The "Monadism" of the philosopher Leibniz was influenced by these reports.

The missionaries gained a reputation at court as "scientists", and in this they were of service both to China and to Europe. The behaviour of the European merchants who followed the missions, spreading gradually in growing numbers along the coasts of China, was not by any means so irreproachable. The Chinese were certainly justified when they declared that European ships often made landings on the coast and simply looted, just as the Japanese had done before them. Reports of this came to the court, and as captured foreigners described themselves as "Christians" and also seemed to have some connection with the missionaries living at court, and as disputes had broken out among the missionaries themselves in connection with papal ecclesiastical policy, in the Yung-cheng period (1723-1736; the name of the emperor was Shih Tsung) Christianity was placed under a general ban, being regarded as a secret political organization.

5 Relations with the outer world

During the Yung-cheng period there was long-continued guerrilla fighting with natives in south-west China. The pressure of population in China sought an outlet in emigration. More and more Chinese moved into the south-west, and took the land from the natives, and the fighting was the consequence of this.

At the beginning of the Ch'ien-lung period (1736-1796), fighting started again in Turkestan. Mongols, now called Kalmuks, defeated by the Chinese, had migrated to the Ili region, where after heavy fighting they gained supremacy over some of the Kazaks and other Turkish peoples living there and in western Turkestan. Some Kazak tribes went over to the Russians, and in 1735 the Russian colonialists founded the town of Orenburg in the western Kazak region. The Kalmuks fought the Chinese without cessation until, in 1739, they entered into an agreement under which they ceded half their territory to Manchu China, retaining only the Ili region. The Kalmuks subsequently reunited with other sections of the Kazaks against the Chinese. In 1754 peace was again concluded with China, but it was followed by raids on both sides, so that the Manchus determined to enter on a great campaign against the Ili region. This ended with a decisive victory for the Chinese (1755). In the years that followed, however, the Chinese began to be afraid that the various Kazak tribes might unite in order to occupy the territory of the Kalmuks, which was almost unpopulated owing to the mass slaughter of Kalmuks by the Chinese. Unrest began among the Mohammedans throughout the neighbouring western Turkestan, and the same Chinese generals who had fought the Kalmuks marched into Turkestan and captured the Mohammedan city states of Uch, Kashgar, and Yarkand.

The reinforcements for these campaigns, and for the garrisons which in the following decades were stationed in the Ili region and in the west of eastern Turkestan, marched along the road from Peking that leads northward through Mongolia to the far distant Uliassutai and Kobdo. The cost of transport for one shih (about 66 lb.) amounted to 120 pieces of silver. In 1781 certain economies were introduced, but between 1781 and 1791 over 30,000 tons, making some 8 tons a day, was transported to that region. The cost of transport for supplies alone amounted in the course of time to the not inconsiderable sum of 120,000,000 pieces of silver. In addition to this there was the cost of the transported goods and of the pay of soldiers and of the administration. These figures apply to the period of occupation, of relative peace: during the actual wars of conquest the expenditure was naturally far higher. Thus these campaigns, though I do not think they brought actual economic ruin to China, were nevertheless a costly enterprise, and one which produced little positive advantage.

In addition to this, these wars brought China into conflict with the European colonial powers. In the years during which the Chinese armies were fighting in the Ili region, the Russians were putting out their feelers in that direction, and the Chinese annals show plainly how the Russians intervened in the fighting with the Kalmuks and Kazaks. The Hi region remained thereafter a bone of contention between China and Russia, until it finally went to Russia, bit by bit, between 1847 and 1881. The Kalmuks and Kazaks played a special part in Russo-Chinese relations. The Chinese had sent a mission to the Kalmuks farthest west, by the lower Volga, and had entered into relations with them, as early as 1714. As Russian pressure on the Volga region continually grew, these Kalmuks (mainly the Turgut tribe), who had lived there since 1630, decided to return into Chinese territory (1771). During this enormously difficult migration, almost entirely through hostile territory, a large number of the Turgut perished; 85,000, however, reached the Hi region, where they were settled by the Chinese on the lands of the eastern Kalmuks, who had been largely exterminated.

In the south, too, the Chinese came into direct touch with the European powers. In 1757 the English occupied Calcutta, and in 1766 the province of Bengal. In 1767 a Manchu general, Ming Jui, who had been victorious in the fighting for eastern Turkestan, marched against Burma, which was made a dependency once more in 1769. And in 1790-1791 the Chinese conquered Nepal, south of Tibet, because Nepalese had made two attacks on Tibet. Thus English and Chinese political interests came here into contact.

For the Ch'ien-lung period's many wars of conquest there seem to have been two main reasons. The first was the need for security. The Mongols had to be overthrown because otherwise the homeland of the Manchus was menaced; in order to make sure of the suppression of the eastern Mongols, the western Mongols (Kalmuks) had to be overthrown; to make them harmless, Turkestan and the Ili region had to be conquered; Tibet was needed for the security of Turkestan and Mongolia—and so on. Vast territories, however, were conquered in this process which were of no economic value, and most of which actually cost a great deal of money and brought nothing in. They were conquered simply for security. That advantage had been gained: an aggressor would have to cross great areas of unproductive territory, with difficult conditions for reinforcements, before he could actually reach China. In the second place, the Chinese may actually have noticed the efforts that were being made by the European powers, especially Russia and England, to divide Asia among themselves, and accordingly they made sure of their own good share.

6 Decline; revolts

The period of Ch'ien-lung is not only that of the greatest expansion of the Chinese empire, but also that of the greatest prosperity under the Manchu regime. But there began at the same time to be signs of internal decline. If we are to fix a particular year for this, perhaps it should be the year 1774, in which came the first great popular rising, in the province of Shantung. In 1775 there came another popular rising, in Honan—that of the "Society of the White Lotus". This society, which had long existed as a secret organization and had played a part in the Ming epoch, had been reorganized by a man named Liu Sung. Liu Sung was captured and was condemned to penal servitude. His followers, however, regrouped themselves, particularly in the province of Anhui. These risings had been produced, as always, by excessive oppression of the people by the government or the governing class. As, however, the anger of the population was naturally directed also against the idle Manchus of the cities, who lived on their state pensions, did no work, and behaved as a ruling class, the government saw in these movements a nationalist spirit, and took drastic steps against them. The popular leaders now altered their program, and acclaimed a supposed descendant from the Ming dynasty as the future emperor. Government troops caught the leader of the "White Lotus" agitation, but he succeeded in escaping. In the regions through