Critical and Historical Essays - Volume 1 - Thomas Babbington Macaulay (popular ebook readers TXT) 📗

the angular regularity which Sir William had admired in the flower-beds of Haarlem and the Hague. A beautiful rivulet, flowing from the hills of Surrey, bounded the domain. But a straight canal which, bordered by a terrace, intersected the garden, was probably more admired by the lovers of the picturesque in that age. The house was small but neat, and well-furnished; the neighbourhood very thinly peopled. Temple had no visitors, except a few friends who were willing to travel twenty or thirty miles in order to see him, and now and then a foreigner whom curiosity brought to have a look at the author of the Triple Alliance.

Here, in May 1694, died Lady Temple. From the time of her marriage we know little of her, except that her letters were always greatly admired, and that she had the honour to correspond constantly with Queen Mary. Lady Giffard, who, as far as appears, had always been on the best terms with her sister-in-law, still continued to live with Sir William.

But there were other inmates of Moor Park to whom a far higher interest belongs. An eccentric, uncouth, disagreeable young Irishman, who had narrowly escaped plucking at Dublin, attended Sir William as an amanuensis, for board and twenty pounds a year, dined at the second table, wrote bad verses in praise of his employer, and made love to a very pretty, dark-eyed young girl, who waited on Lady Giffard. Little did Temple imagine that the coarse exterior of his dependant concealed a genius equally suited to politics and to letters, a genius destined to shake great kingdoms, to stir the laughter and the rage of millions, and to leave to posterity memorials which can perish only with the English language. Little did he think that the flirtation in his servants' hall, which he perhaps scarcely deigned to make the subject of a jest, was the beginning of a long unprosperous love, which was to be as widely famed as the passion of Petrarch or of Abelard. Sir William's secretary was Jonathan Swift. Lady Giffard's waiting-maid was poor Stella.

Swift retained no pleasing recollection of Moor Park. And we may easily suppose a situation like his to have been intolerably painful to a mind haughty, irascible, and conscious of pre- eminent ability. Long after, when he stood in the Court of Requests with a circle of gartered peers round him, or punned and rhymed with Cabinet Ministers over Secretary St. John's Monte- Pulciano, he remembered, with deep and sore feeling, how miserable he used to be for days together when he suspected that Sir William had taken something ill. He could hardly believe that he, the Swift who chid the Lord Treasurer, rallied the Captain General, and confronted the pride of the Duke of Buckinghamshire with pride still more inflexible, could be the same being who had passed nights of sleepless anxiety, in musing over a cross look or a testy word of a patron. "Faith," he wrote to Stella, with bitter levity, "Sir William spoiled a fine gentleman." Yet, in justice to Temple, we must say that there is no reason to think that Swift was more unhappy at Moor Park than he would have been in a similar situation under any roof in England. We think also that the obligations which the mind of Swift owed to that of Temple were not inconsiderable. Every judicious reader must be struck by the peculiarities which distinguish Swift's political tracts from all similar works produced by mere men of letters. Let any person compare, for example, the Conduct of the Allies, or the Letter to the October Club, with Johnson's False Alarm, or Taxation no Tyranny, and he will be at once struck by the difference of which we speak. He may possibly think Johnson a greater man than Swift. He may possibly prefer Johnson's style to Swift's. But he will at once acknowledge that Johnson writes like a man who has never been out of his study. Swift writes like a man who has passed his whole life in the midst of public business, and to whom the most important affairs of state are as familiar as his weekly bills.

"Turn him to any cause of policy, The Gordian knot of it he will unloose, Familiar as his garter."

The difference, in short, between a political pamphlet by Johnson and a political pamphlet by Swift, is as great as the difference between an account of a battle by Mr. Southey, and the account of the same battle by Colonel Napier. It is impossible to doubt that the superiority of Swift is to be, in a great measure, attributed to his long and close connection with Temple.

Indeed, remote as were the alleys and flower-pots of Moor Park from the haunts of the busy and the ambitious, Swift had ample opportunities of becoming acquainted with the hidden causes of many great events. William was in the habit of consulting Temple, and occasionally visited him. Of what passed between them very little is known. It is certain, however, that when the Triennial Bill had been carried through the two Houses, his Majesty, who was exceedingly unwilling to pass it, sent the Earl of Portland to learn Temple's opinion. Whether Temple thought the bill in itself a good one does not appear; but he clearly saw how imprudent it must be in a prince, situated as William was, to engage in an altercation with his Parliament, and directed Swift to draw up a paper on the subject, which, however, did not convince the King.

The chief amusement of Temple's declining years was literature. After his final retreat from business, he wrote his very agreeable Memoirs, corrected and transcribed many of his letters, and published several miscellaneous treatises, the best of which, we think, is that on Gardening. The style of his essays is, on the whole, excellent, almost always pleasing, and now and then stately and splendid. The matter is generally of much less value; as our readers will readily believe when we inform them that Mr. Courtenay, a biographer, that is to say, a literary vassal, bound by the immemorial law of his tenure to render homage, aids, reliefs, and all other customary services to his lord, avows that he cannot give an opinion about the essay on Heroic Virtue, because he cannot read it without skipping; a circumstance which strikes us as peculiarly strange, when we consider how long Mr. Courtenay was at the India Board, and how many thousand paragraphs of the copious official eloquence of the East he must have perused.

One of Sir William's pieces, however, deserves notice, not, indeed, on account of its intrinsic merit, but on account of the light which it throws on some curious weaknesses of his character, and on account of the extraordinary effects which it produced in the republic of letters. A most idle and contemptible controversy had arisen in France touching the comparative merit of the ancient and modern writers. It was certainly not to be expected that, in that age, the question would be tried according to those large and philosophical principles of criticism which guided the judgments of Lessing and of Herder. But it might have been expected that those who undertook to decide the point would at least take the trouble to read and understand the authors on whose merits they were to pronounce. Now, it is no exaggeration to say that, among the disputants who clamoured, some for the ancients and some for the moderns, very few were decently acquainted with either ancient or modern literature, and hardly one was well acquainted with both. In Racine's amusing preface to the Iphigenie the reader may find noticed a most ridiculous mistake into which one of the champions of the moderns fell about a passage in the Alcestis of Euripides. Another writer is so inconceivably ignorant as to blame Homer for mixing the four Greek dialects, Doric, Ionic, Aeolic, and Attic, just, says he, as if a French poet were to put Gascon phrases and Picard phrases into the midst of his pure Parisian writing. On the other hand, it is no exaggeration to say that the defenders of the ancients were entirely unacquainted with the greatest productions of later times; nor, indeed, were the defenders of the moderns better informed. The parallels which were instituted in the course of this dispute are inexpressibly ridiculous. Balzac was selected as the rival of Cicero. Corneille was said to unite the merits of Aeschylus, Sophocles, and Euripides. We should like to see a Prometheus after Corneille's fashion. The Provincial Letters, masterpieces undoubtedly of reasoning, wit, and eloquence, were pronounced to be superior to all the writings of Plato, Cicero, and Lucian together, particularly in the art of dialogue, an art in which, as it happens, Plato far excelled all men, and in which Pascal, great and admirable in other respects, is notoriously very deficient.

This childish controversy spread to England; and some mischievous daemon suggested to Temple the thought of undertaking the defence of the ancients. As to his qualifications for the task, it is sufficient to say that he knew not a word of Greek. But his vanity, which, when he was engaged in the conflicts of active life and surrounded by rivals, had been kept in tolerable order by his discretion, now, when he had long lived in seclusion, and had become accustomed to regard himself as by far the first man of his circle, rendered him blind to his own deficiencies. In an evil hour he published an Essay on Ancient and Modern Learning. The style of this treatise is very good, the matter ludicrous and contemptible to the last degree. There we read how Lycurgus travelled into India, and brought the Spartan laws from that country; how Orpheus made voyages in search of knowledge, and attained to a depth of learning which has made him renowned in all succeeding ages; how Pythagoras passed twenty-two years in Egypt, and, after graduating there, spent twelve years more at Babylon, where the Magi admitted him ad eundem; how the ancient Brahmins lived two hundred years; how the earliest Greek philosophers foretold earthquakes and plagues, and put down riots by magic; and how much Ninus surpassed in abilities any of his successors on the throne of Assyria. The moderns, Sir William owns, have found out the circulation of blood; but, on the other hand, they have quite lost the art of conjuring; nor can any modern fiddler enchant fishes, fowls, and serpents by his performance. He tells us that "Thales, Pythagoras, Democritus, Hippocrates, Plato, Aristotle, and Epicurus made greater progresses in the several empires of science than any of their successors have since been able to reach"; which is just as absurd as if he had said that the greatest names in British science are Merlin, Michael Scott, Dr. Sydenham, and Lord Bacon. Indeed, the manner in which Temple mixes the historical and the fabulous reminds us of those classical dictionaries, intended for the use of schools, in which Narcissus the lover of himself and Narcissus the freedman of Claudius, Pollux the son of Jupiter and Leda and Pollux the author of the Onomasticon, are ranged under the same headings, and treated as personages equally real.

The effect of this arrangement resembles that which would be produced by a dictionary of modern names, consisting of such articles as the following:-"Jones, William, an eminent Orientalist, and one of the judges of the Supreme Court of judicature in Bengal-Davy, a fiend, who destroys ships-Thomas, a foundling, brought up by Mr. Allworthy." It is from such sources as these that Temple seems to have learned all that he knew about the ancients. He puts the story of Orpheus between the Olympic games and the battle of Arbela; as if we had exactly the same reasons for believing that Orpheus led beasts with his