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*** START OF THIS PROJECT GUTENBERG EBOOK THE CLICKING OF CUTHBERT *** Etext produced by Suzanne L. Shell, Charles Franks and the Online Distributed Proofreading Team HTML file produced by David Widger








THE CLICKING OF CUTHBERT By P. G. Wodehouse 1922





DEDICATION TO THE IMMORTAL MEMORY OF JOHN HENRIE AND PAT ROGIE WHO AT EDINBURGH IN THE YEAR 1593 A.D. WERE IMPRISONED FOR "PLAYING OF THE GOWFF ON THE LINKS OF LEITH EVERY SABBATH THE TIME OF THE SERMONSES", ALSO OF ROBERT ROBERTSON WHO GOT IT IN THE NECK IN 1604 A.D. FOR THE SAME REASON







FORE!

This book marks an epoch in my literary career. It is written in blood. It is the outpouring of a soul as deeply seared by Fate's unkindness as the fairway on the dog-leg hole of the second nine was ever seared by my iron. It is the work of a very nearly desperate man, an eighteen-handicap man who has got to look extremely slippy if he doesn't want to find himself in the twenties again.

As a writer of light fiction, I have always till now been handicapped by the fact that my disposition was cheerful, my heart intact, and my life unsoured. Handicapped, I say, because the public likes to feel that a writer of farcical stories is piquantly miserable in his private life, and that, if he turns out anything amusing, he does it simply in order to obtain relief from the almost insupportable weight of an existence which he has long since realized to be a wash-out. Well, today I am just like that.

Two years ago, I admit, I was a shallow farceur. My work lacked depth. I wrote flippantly simply because I was having a thoroughly good time. Then I took up golf, and now I can smile through the tears and laugh, like Figaro, that I may not weep, and generally hold my head up and feel that I am entitled to respect.

If you find anything in this volume that amuses you, kindly bear in mind that it was probably written on my return home after losing three balls in the gorse or breaking the head off a favourite driver: and, with a murmured "Brave fellow! Brave fellow!" recall the story of the clown jesting while his child lay dying at home. That is all. Thank you for your sympathy. It means more to me than I can say. Do you think that if I tried the square stance for a bit.... But, after all, this cannot interest you. Leave me to my misery.

POSTSCRIPT.—In the second chapter I allude to Stout Cortez staring at the Pacific. Shortly after the appearance of this narrative in serial form in America, I received an anonymous letter containing the words, "You big stiff, it wasn't Cortez, it was Balboa." This, I believe, is historically accurate. On the other hand, if Cortez was good enough for Keats, he is good enough for me. Besides, even if it was Balboa, the Pacific was open for being stared at about that time, and I see no reason why Cortez should not have had a look at it as well.

P. G. WODEHOUSE.





CONTENTS FORE! 1 — The Clicking of Cuthbert 2 — A Woman is only a Woman 3 — A Mixed Threesome 4 — Sundered Hearts 5 — The Salvation of George Mackintosh 6 — Ordeal By Golf 7 — The Long Hole 8 — The Heel of Achilles 9 — The Rough Stuff 10 — The Coming of Gowf PROLOGUE EPILOGUE







1 — The Clicking of Cuthbert

The young man came into the smoking-room of the clubhouse, and flung his bag with a clatter on the floor. He sank moodily into an arm-chair and pressed the bell.

"Waiter!"

"Sir?"

The young man pointed at the bag with every evidence of distaste.

"You may have these clubs," he said. "Take them away. If you don't want them yourself, give them to one of the caddies."

Across the room the Oldest Member gazed at him with a grave sadness through the smoke of his pipe. His eye was deep and dreamy—the eye of a man who, as the poet says, has seen Golf steadily and seen it whole.

"You are giving up golf?" he said.

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