The Confessions of a Caricaturist, Vol. 1 by Harry Furniss (ebook reader that looks like a book TXT) 📗
- Author: Harry Furniss
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For some years I had quite a run of fancy dress balls, a craze at that time, acting as special artist for various periodicals, the Illustrated London News in particular. The ball above recorded was unique, but there is very little variety in such gatherings, where variety is the one thing aimed at, thus showing the limit of our English artistic invention. The ingredients of a ball of three hundred, say, would be as follows,—Thirty Marie Stuarts, ten Marguerites, twenty-eight Fausts, fifty Flower Girls, nine Portias, three Clowns, sixteen Matadores, thirty Sailors, twenty-five Ophelias, twenty-five Desdemonas, the remainder uniforms and nondescripts. Of course any popular figure, picture or play of the moment will be represented. When the relief of Mafeking took place, the number of Baden-Powells, tall, short, young, old, thin and stout, in the various fancy balls and bazaars appearing will be, as newspaper leader-writers say, "a fact fresh in the mind of the reader." Some years ago a portrait of the "missing Gainsborough," a picture of [Pg 65]the Duchess of Devonshire, which mysteriously vanished from Agnew's gallery in Bond Street, was represented in dozens at the fancy balls of the period, and the Gilbert-Sullivan opera "Patience," supplied many a costume. My brother "special" on this occasion—Lewis Wingfield—was a Crichton of eccentricity. The son of an Irish peer, an officer in the Guards, he dressed as a ballet-girl and danced on the stage; was a journalist and wrote for Charles Dickens when that great novelist edited Household Words. Wingfield never did anything by halves, so in writing a series of articles for Dickens on the casual wards of London he personated a street photographer (having delicate hands he could not pretend to be a labourer), and wrote his experiences of the dreadful state of affairs existing in those days under the rule of Bumbledom. The last he sought relief at was situated close to Golden Square. Here he was very harshly treated, and when he left he rapidly changed into his usual clothes, drove up to the establishment as one of the life patrons (all his family had for years supported the charity), and had the satisfaction of dismissing the overbearing overseer, to the wretch's chagrin. Wingfield related this incident with great glee.
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Anxious to find out the amount niggers made on the Derby Day, he decided to go as a burnt-cork nigger himself; but it is impossible to do this unless you are of that ilk, for like the business of the beggars and street performers, everything is properly organised; there is a proper system and superintendent to arrange matters. After some difficulty he managed to get introduced as the genuine article, and at 4 in the morning had to stand with the other Ethiopian minstrels at "Poverty Junction," between Waterloo Bridge and Waterloo Station, while lots were drawn for positions on the course. As luck would have it, Wingfield drew a pitch opposite the Grand Stand, where at least he would be among his own acquaintances. All the niggers had to walk to Epsom, unless it happened some friendly carter could be induced to offer a seat. Had four-in-hands come along Wingfield might have been saved a walk, but costers were to him unknown. By lunch-time he was heartily sick of his new life. However, he was determined to carry it through. In the evening, after his long, hot day's work, he found he had to wait for the policeman's train. After the half-million people had returned to London, he was allowed to crawl into a carriage, and being thoroughly tired he fell asleep in a corner of the compartment. But the police wanted some entertainment, and waking him up, said:
"Now then, darky, tune up! we can pay you as well as the toffs; let's have a song!" They had a concert all the way, Wingfield singing the solos. The hat was sent round and a collection made, and to the bitter end Wingfield had to bang away at his banjo and squeak with what little voice he had left. This nearly finished him. Arriving at Victoria, he hailed a hansom. One driver after another eyed him scornfully and passed on. He then for the first time realised that it is not a customary thing for an itinerant nigger to drive about London in hansoms, even on Derby Day. So he dragged himself wearily along the streets until he happened to meet an intimate friend. To him he explained matters, and his friend called a hansom for him and paid the driver as well before he would take up his dusky fare. He thought the fact of his driving a street nigger [Pg 67]a great joke, and made merry over his passenger as he passed the other drivers. But he was very much astonished when he drove up in front of quite an imposing dwelling and saw the door opened by a footman as the nigger toiled up the steps.
As an artist Wingfield was ambitious. Finding, as he told me, that he could never be a great artist, he preferred not to be one at all. On his walls were large classic paintings, not likely ever to find their way to the walls of anyone else. But he tried his hand at popular art as well. A scene in a circus, for instance, was one subject. A pretty little LEWIS WINGFIELD AS
A STREET NIGGER HOME
FROM THE DERBY. child was engaged to sit in his studio, but as that day he was going to Hengler's Circus to paint the background he, to the delight of the child, took her with him. The little girl played about in the ring, and was noticed by Mr. Hengler, who asked her if she would like to be dressed up and play in the same ring at night. This led to the child becoming a professional. She enchanted everyone as Cinderella. Her name was Connie Gilchrist. I fell in love with her myself when I was in my teens and first saw her as Cinderella. Afterwards when I came to London I was as ignorant as a Lord Chief Justice as to who Connie Gilchrist was; but I recollect a model sitting to me recommending my writing to her younger sister for some figures she thought her sister would suit. The day was fixed, but by the morning's post I received a letter from the young lady to say that Mr. Hollingshead, of the Gaiety Theatre, had sent for her, and she could not sit to me. She was Connie Gilchrist, and I believe this was the last engagement she had accepted as a professional model.
Telegram from the editor of the Illustrated London News:—"Election, Liverpool, see to it at once." So I did. On arriving in the evening, I rushed off to a "ward meeting," To my surprise the artist of a rival paper sat down beside me. He did not frighten me away, but candidly confessed that he had seen a [Pg 68] private telegram of mine saying I was starting, and his editor packed him off by the same train. Ha! I must be equal to him! I sat up all night and drew a page on wood, ready for engraving, and sent it off by the first train in the morning. It was in the press before my rival's rough notes left Liverpool. One would hardly think, to see candles stuck in my boots, that the hotel was the Old Adelphi. I trust the "special" of the future will find the electric light, or a better supply of bedroom candlesticks. All day again sketching, and all night hard at work, burning the midnight oil (I was nearly writing boots). A slice of luck kept me awake in the early morning. A knock at my door, and to my surprise a friend walked in who had come down by a night train for a "daily" and seeing my name in the AN ALL-NIGHT SITTING. visitors' book had looked me up, thinking I could give him some "tips." "All right," I said; "a bargain: you sit for me and I'll talk. Here, stand like this"—the Liberal candidate. "Capital! Now round like this"—the Conservative. "Drawn from life! And after another day of this kind of thing, I reached home without having had an hour's sleep. Oh! a "special's" life is not a happy one.
Great political excitement, there is no doubt, turns men's heads. Once I recollect finding a most dignified provincial politician in this state, and necessity compelled me to turn him into a sketching-stool. Mr. Gladstone was speaking at Bingley Hall, Birmingham, and although close to him on the platform, I could not, being only five feet two, see over the heads of others when all stood to cheer. I mentioned this fact to my neighbour. "Oh, you must not miss this scene!" he said, and quickly, without ceremony, he had me on his back, his bald head serving as an easel. It has struck me since that had this old gentleman, a big man in his native town, and still bigger in his own estimation, seen himself as others saw him at that moment, the probability is that he would not have felt anything like so kindly to me as I did to him.
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Reduction of Page Design. Brush Drawing on wood, made after election meeting at night, and despatched to London by early morning train. See the Confessions of a Special Artist.
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Another instance of a special artist having to depend upon his wits was when I found myself at a big central manufacturing town, sent down in a hurry from London by the Illustrated London News to illustrate a most important election meeting—an election upon which the fate of the Government of the day depended. When I arrived the mills had been closed, crowds were in the streets, and it would have been a simple matter to have got into Mafeking compared with getting into the hall in which the meeting was at the time being held.
GLADSTONE AT A PUBLIC MEETING.
If there is one thing I dislike more than another it is a crowd, particularly an electioneering crowd. Political fever is a bad malady, even when one is impervious to it, if he has to fight his way through an infected mob. Quickly slipping round to the principal hotel, and finding there the carriages engaged for the celebrities of the meeting, I got into one and was driven rapidly up to the hall, cheered by the mob, who doubtless looked upon me as some active politician. Had I put my head out of the window and promised them any absurdity, I believe they would have chosen me their member on the spot. Arriving at the hall, I was received by the tipstaffs, who, probably not catching my name distinctly, thought as the hotel people had done, that I was sent down in some official capacity, and politely ushered me to the platform, where I was given a seat in the front row.
Ah, you little know the difficulties of the poor artist in running his subjects to earth. When in New York I was specially engaged by the New York Herald to contribute a series of studies of the leading public men. These were to appear in the Sunday edition.
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Those Sunday papers! What gluttons for reading the Americans are! The first Sabbath morning I was in the States I telephoned in an off-hand sort of way from my bedroom for "some Sunday papers." I went on dressing, and somehow forgot my order, but on leaving, or rather attempting to leave, my room afterwards, I found to my astonishment the doorway completely
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