The Book-Hunter - John Hill Burton (13 ebook reader .TXT) 📗

"The number of lexicons and dictionaries is large, and among the latter may be found all the rare old English works so valuable for reference. Three book-cases are devoted to serials, which contain many of the standard reviews and magazines. One case is appropriated to voyages and travels, in which are found many valuable ones. In another are upwards of one hundred volumes of table-talk, and numerous works on the fine arts and bibliography. One book-case is devoted to choice works on America, among which is Sebastian Munster's Cosmographia Totius Orbis Regionum, published in folio at Basle in 1537, which contains full notes of Columbus, Vespucci, and other early voyagers. Another department contains a curious catalogue of authorities relating to Crime and Punishment; a liberal space is devoted to Facetiæ, another to American Poetry, and also one to Natural and Moral Philosophy. The standard works of Fiction, Biography, Theology, and the Drama, are all represented.

"There is a fair collection of classical authors, many of which are of Aldine and Elzevir editions. Among the rarities in this department is a folio copy of Plautus, printed at Venice in 1518, and illustrated with woodcuts."

The author thus coming upon a Roman writer of plays, named Plautus, favours us with an account of him, which it is unnecessary to pursue, since it by no means possesses the interest attached to his still-life sketches. Let us pass on and take a peep at the collection of Chancellor Kent, known in this country as the author of Kent's Commentary:—

"To a lawyer, the Chancellor's written remarks on his books are, perhaps, their most interesting feature. He studied pen in hand, and all of his books contain his annotations, and some are literary curiosities. His edition of Blackstone's Commentaries is the first American edition, printed in Philadelphia in 1771. It is creditable to the press of that time, and is overlaid with annotations, showing how diligently the future American commentator studied the elegant work of his English predecessor. The general reader will find still more interest in the earlier judicial reports of the State of New York, printed while he was on the bench. He will find not merely legal notes, but biographical memoranda of many of the distinguished judges and lawyers who lived at the commencement of the century, and built up the present system of laws.

"In proceeding from the legal to the miscellaneous part of the library, the visitor's attention will, perhaps, be attracted by an extensive and curious collection of the records of criminal law. Not merely the English state trials and the French causes célèbres are there, but the criminal trials of Scotland and of America, and detached publications of remarkable cases, Newgate Calendars, Malefactors' Register, Chronicles of Crime, with ghastly prints of Newgate and Old Bailey, with their executions. The Chancellor is not responsible for this part of the library, which owes its completeness to the morbid taste of his successor, who defends the collection as best illustrating the popular morals and manners of every period, and contends that fiction yields in interest to the gloomy dramas of real life."

The practice attributed to the Chancellor of annotating his books is looked on by collectors as in the general case a crime which should be denied benefit of clergy. What is often said, however, of other crimes may be said of this, that if the perpetrator be sufficiently illustrious, it becomes a virtue. If Milton, for instance, had thought fit to leave his autograph annotations on the first folio Shakespeare, the offence would not only have been pardoned but applauded, greatly to the pecuniary benefit of any one so fortunate as to discover the treasure. But it would be highly dangerous for ordinary people to found on such an immunity. I remember being once shown by an indignant collector a set of utterly and hopelessly destroyed copies of rare tracts connected with the religious disputes of Queen Elizabeth's day, each inlaid and separately bound in a thin volume in the finest morocco, with the title lengthways along the back. These had been lent to a gentleman who deemed himself a distinguished poet, and he thought proper to write on the margin the sensations caused within him by the perusal of some of the more striking passages, certifying the genuineness of his autograph by his signature at full length in a bold distinct hand. He, worthy man, deemed that he was adding greatly to the value of the rarities; but had he beheld the owner's face on occasion of the discovery, he would have been undeceived.

There are in Dr Wynne's book descriptions, not only of libraries according to their kind, but according to their stage of growth, from those which, as the work of a generation or two, have reached from ten to fifteen thousand, to the collections still in their youth, such as Mr Lorimer Graham's of five thousand volumes, rich in early editions of British poetry, and doubtless, by this time, still richer, since its owner was lately here collecting early works on the literature of Scotland, and other memorials of the land of his fathers. Certainly, however, the most interesting of the whole is the library of the Rev. Dr Magoon, "an eminent and popular divine of the Baptist Church." He entered on active life as an operative bricklayer. There are, it appears, wall-plates extant, and not a few, built by his hands, and it was only by saving the earnings these brought to him that he could obtain an education. When an English mechanic finds out that he has a call to the ministry, we can easily figure the grim ignorant fanatical ranter that comes forth as the result. If haply he is able to read, his library will be a few lean sheepskin-clad volumes, such as Boston's Crook in the Lot, Fisher's Marrow of Modern Divinity, Brooks's Apples of Gold, Bolton's Saint's Enriching Examination, and Halyburton's Great Concern. The bricklayer, however, was endowed with the heavenly gift of the high æsthetic, which no birth or breeding can secure, and threw himself into that common ground where art and religion meet—the literature of Christian medieval art. Things must, however, have greatly changed among our brethren since the days of Cotton Mather, or even of Jonathan Edwards, when a person in Dr Magoon's position could embellish his private sanctuary in this fashion.

"The chief characteristic of the collection is its numerous works on the history, literature, and theory of art in general, and of Christian architecture in particular. There is scarcely a church, abbey, monastery, college, or cathedral; or picture, statue, or illumination, prominent in Christian art, extant in Italy, Germany, France, or the British Islands, that is not represented either by original drawings or in some other graphic form.

"In addition to these works, having especial reference to Christian art, are many full sets of folios depicting the leading galleries of ancient, medieval, and modern art in general. Some of these, as the six elephant folios on the Louvre, are in superb bindings; while many others, among which are the Dresden Gallery and Retzsch's Outlines, derive an additional value from once having formed a part of the elegant collection of William Reginald Courtenay.

"But what renders this collection particularly valuable, is its large number of original drawings by eminent masters which accompany the written and engraved works. Amongst these are two large sepia drawings, by Amici, of the Pantheon and St Peter's at Rome. These drawings were engraved and published with several others by Ackermann. Both the originals, and the engravings executed from them, are in the collection. The original view near the Basilica of St Marco, by Samuel Prout, the engraving of which is in Finden's Byron, and the interior of St Marco, by Luke Price, the engraving of which is in Price's Venice Illustrated, grace the collection. There is likewise a superb general view of Venice, by Wyld; a fine exterior view of Rheims Cathedral, by Buckley; an exterior view of St Peter's at Caën, by Charles Vacher; and the interior of St Germain des Prés at Paris, by Duval."

The early history of the American settlements is naturally the object around which many of these collections cluster; but the scraps of this kind of literature which have been secured have a sadly impoverished aspect in comparison with the luxurious stores which American money has attracted from the Old World.[53] Here one is forcibly reminded of those elements in the old-established libraries of Europe which no wealth or zeal can achieve elsewhere, because the commodity is not in the market.

America had just one small old library, and the lamentation over the loss of this ewe-lamb is touching evidence of her poverty in such possessions. The Harvard Library dates from the year 1638. In 1764 the college buildings were burned, and though books are not easily consumed, yet the small collection of five thousand volumes was overwhelmed in the general ruin. So were destroyed many books from the early presses of the mother country, and many of the firstlings of the transatlantic printers; and though its bulk was but that of an ordinary country squire's collection, the loss has been always considered national and irreparable.

It is, after all, a rather serious consideration—which it never seems as yet to have occurred to any one to revolve—how entirely the new states of the West and the South seem to be cut off from the literary resources which the Old World possesses in her old libraries. Whatever light lies hidden beneath the bushel in these venerable institutions, seems for ever denied to the students and inquirers of the new empire rising in the antipodes, and consequently to the minds of the people at large who receive impressions from students and inquirers. Books can be reprinted, it is true; but where is the likelihood that seven hundred thousand old volumes will be reprinted to put the Astorian Library on a par with the Imperial? Well, perhaps some quick and cheap way will be found of righting it all when the Aerial Navigation Company issues its time-bills, and news come of battles "from the nation's airy navies grappling in the central blue."

In the meantime, what a lesson do these matters impress on us of the importance of preserving old books! Government and legislation have done little, if anything, in Britain, towards this object, beyond the separate help that may have been extended to individual public libraries, and the Copyright Act deposits. Of general measures, it is possible to point out some which have been injurious, by leading to the dispersal or destruction of books. The house and window duties have done this to a large extent. As this statement may not be quite self-evident, a word in explanation may be appropriate. The practice of the department having charge of the Assessed Taxes has been, when any furniture was left in an unoccupied house, to levy the duty—to exempt only houses entirely empty. It was a consequence of this that when, by minority, family decay, or otherwise, a mansion-house had to be shut up, there was an inducement entirely to gut it of its contents, including the library. The same cause, by the way, has been more destructive still to furniture, and may be said to have lost to our posterity the fashions of a generation or two. Tables, chairs, and cabinets first grow unfashionable, and then old; in neither stage have they any friends who will comfort or support them—they are still worse off than books. But then comes an after-stage, in which they revive as antiquities, and become exceeding precious. As Pompeiis, however, are rare in the world, the chief repositories of antique furniture have been mansions shut up for a