A History of English Literature - George Saintsbury (romantic books to read .TXT) 📗
- Author: George Saintsbury
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A man of genius who adored Fuller, and who owes to him more than to any one else except Sir Thomas Browne, has done, in small compass, a service to his memory which is not easily to be paralleled. Lamb's specimens from Fuller, most of which are only two or three lines long, and none a pageful, for once contradict the axiom quoted above as to a brick and a house. So perfectly has the genius of selector and author coincided, that not having myself gone through the verification of them, I should hardly be surprised to find that Lamb had used his faculty of invention. Yet this would not matter, for they are perfectly Fullerian. Although Fuller has justly been praised for his method, and although he never seems to have suffered his fancy to run away with him to the extent of forgetting or wilfully misrepresenting a fact, the conceits, which are the chief characteristic of his style, are comparatively independent of the subject. Coleridge has asserted that "Wit was the stuff and substance of his intellect," an assertion which (with all the respect due to Coleridge) would have been better phrased in some such way as this,—that nearly the whole force of his intellect concentrated itself upon the witty presentation of things. He is illimitably figurative, and though his figures seldom or never fail to carry illumination of the subject with them, their peculiar character is sufficiently indicated by the fact that they can almost always be separated from the subject and from the context in which they occur without any damage to their own felicity. To a thoroughly serious person, to a person like Lord Chesterfield (who was indeed very serious in his own way, and abhorred proverbial philosophy), or to one who cannot away with the introduction of a quip in connection with a solemn subject, and who thinks that indulgence in a gibe is a clear proof that the writer has no solid argument to produce, Fuller must be nothing but a puzzle or a disgust. That a pious and earnest divine should, even in that day of quaintness, compare the gradual familiarisation of Christians with the sacraments of the Church to the habit of children first taking care of, and then neglecting a pair of new boots, or should describe a brother clerk as "pronouncing the word damn with such an emphasis as left a dismal echo in his auditors' ears a good while longer," seems, no doubt, to some excellent people, unpardonable, and almost incomprehensible. Yet no one has ever impeached the sincerity of Fuller's convictions, and the blamelessness of his life. That a grave historian should intersperse the innumerable trivialities of the Worthies may be only less shocking. But he was an eminent proof of his own axiom, "That an ounce of mirth, with the same degree of grace, will serve God farther than a pound of sadness." Fuller is perhaps the only writer who, voluminous as he is, will not disappoint the most superficial inquirer for proofs of the accuracy of the character usually given to him. Nobody perhaps but himself, in trying to make the best of the Egyptian bondage of the Commonwealth, would have discovered that the Church, being unrepresented by any of the four hundred and odd members of Cromwell's Parliament, was better off than when she had Archbishops, Bishops, and a convocation all to herself, urging, "what civil Christian would not plead for a dumb man," and so enlisting all the four hundred and odd enemies as friends and representatives. But it is impossible to enter fully on the subject of Fuller's quips. What may fairly be said of them is, that while constantly fantastic, and sometimes almost childish, they are never really silly; that they are never, or hardly ever in bad taste; and that, quaint and far fetched as they are, there is almost always some application or suggestion which saves them from being mere intellectual somersaults. The famous one of the "Images of God cut in ebony," is sufficient of itself to serve as a text. There is in it all the good side of the emancipation propaganda with an entire freedom from the extravagance, the vulgarity, the injustice, the bad taste which marked that propaganda a century and more afterwards, when taken up by persons very different from Fuller. Perhaps it may be well to give an extract of some length from him:—
"A lady big with child was condemned to perpetual imprisonment, and in the dungeon was delivered of a son, who continued with her till a boy of some bigness. It happened at one time he heard his mother (for see neither of them could, as to decern in so dark a place) bemoan her condition.
"Why, mother (said the child) do you complain, seeing you want nothing you can wish, having clothes, meat, and drink sufficient? Alas! child (returned the mother), I lack liberty, converse with Christians, the light of the sun, and many things more, which thou, being prison-born, neither art nor can be sensible of in thy condition.
"The post-nati, understand thereby such striplings born in England since the death of monarchy therein, conceive this land, their mother, to be in a good estate. For one fruitful harvest followeth another, commodities are sold at reasonable rates, abundance of brave clothes are worn in the city, though not by such persons whose birth doth best become, but whose purses can best bestow them.
"But their mother, England, doth justly bemoan the sad difference betwixt her present and former condition; when she enjoyed full and free trade without payment of taxes, save so small they seemed rather an acknowledgment of their allegiance than a burden to their estate; when she had the court of a king, the House of Lords, yea, and the Lord's house, decently kept, constantly frequented, without falsehood in doctrine, or faction in discipline. God of His goodness restore unto us so much of these things as may consist with His glory and our good."
"I saw a servant maid, at the command of her mistress, make, kindle, and blow a fire. Which done, she was posted away about other business, whilst her mistress enjoyed the benefit of the fire. Yet I observed that this servant, whilst industriously employed in the kindling thereof, got a more general, kindly, and continuing heat than her mistress herself. Her heat was only by her, and not in her, staying with her no longer than she stayed by the chimney; whilst the warmth of the maid was inlaid, and equally diffused through the whole body.
"An estate suddenly gotten is not so lasting to the owner thereof as what is duly got by industry. The substance of the diligent, saith Solomon, Prov. xii. 27, is precious. He cannot be counted poor that hath so many pearls, precious brown bread, precious small beer, precious plain clothes, etc. A comfortable consideration in this our age, wherein many hands have learned their lesson of labour, who were neither born nor bred with it."
The best judges have admitted that, in contradistinction to this perpetual quipping, which is, as far as it goes, of his time, the general style of Fuller is on the whole rather more modern than the styles of his contemporaries. It does not seem that this is due to deliberate intention of shortening and proportioning his prose; for he is as careless as any one of the whole century about exact grammatical sequence, and seems to have had no objection on any critical grounds to the long disjointed sentence which was the curse of the time. But his own ruling passion insensibly disposed him to a certain brevity. He liked to express his figurative conceits pointedly and antithetically; and point and antithesis are the two things most incompatible with clauses jointed ad infinitum in Clarendon's manner, with labyrinths of "whos" and "whiches" such as too frequently content Milton and Taylor. Poles asunder from Hobbes, not merely in his ultimate conclusions but in the general quality of his mind, he perhaps comes nearest to the author of the treatise on Human Nature in clear, sensible, unambiguous presentation of the thing that he means to say; and this, joined to his fecundity in illustration of every kind, greatly helps the readableness of his books. No work of his as a working out of an original conception can compete with The Anatomy of Melancholy; but he is as superior in minor method to Burton as he is inferior in general grasp.
The remainder of the minor Carolines must be dismissed rapidly. A not unimportant position among the prose writers of this time is occupied by Edward Herbert, Lord Herbert of Cherbury, the elder brother of George Herbert the poet. He was born in 1583, and finished his life ingloriously, and indeed discreditably, during the troubles of the civil war, on the 20th of August 1648. His earlier career is elaborately if not exactly truthfully recorded in his Autobiography, and its details have been carefully supplemented by his latest editor, Mr. Lee. His literary activity was various and considerable. His greatest work—a treatise which has been rashly called the foundation of English deism, but which rather expresses the vague and not wholly unorthodox doubt expressed earlier by Montaigne, and by contemporaries of Herbert's own, such as La Mothe le Vayer—was written in Latin, and has never been translated into English. He was an English verse writer of some merit, though inferior to his brother. His ambitious and academic History of Henry VIII. is a regular and not unsuccessful effort in English prose, prompted no doubt by the thoroughgoing courtiership which ranks with his vanity and want of stability on the most unfavourable aspect of Herbert's character. But posterity has agreed to take him as an English writer chiefly on the strength of the Autobiography, which remained in manuscript for a century and more, and was published by Horace Walpole, rather against the will of Lord Powis, its possessor and its author's representative. It is difficult to say that Lord Powis was wrong, especially considering that Herbert never published these memoirs, and seems to have written them as much as anything else for his own private satisfaction. It may be doubted whether there is any more astounding monument of coxcombry in literature. Herbert is sometimes cited as a model of a modern knight-errant, of an Amadis born too late. Certainly, according to his own account, all women loved and all men feared him; but for the former fact we have nothing but his own authority, and in regard to the latter we have counter evidence which renders it exceedingly doubtful. He was, according to his own account, a desperate duellist. But even by this account his duels had a curious habit of being interrupted, in the immortal phrase of Mr. Winkle, by "several police constables;" while in regard to actual war the exploits of his youth seem not to have been great, and those of his age were wholly discreditable, inasmuch as being by profession an ardent Royalist, he took the first opportunity to make, without striking a blow, a profitable composition with the Parliament. Nevertheless, despite the drawbacks of subject-matter, the autobiography is a very interesting piece of English prose. The narrative style, for all its coxcombry and its insistence on petty details, has a singular vivacity; the
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