Murder on the Orient Express - Agatha Christie (always you kirsty moseley .TXT) 📗

the ordinary part of the train?"

 

 

"No, Monsieur. After the service of dinner, the door between the ordinary carriages and the sleeping-cars is locked."

 

 

"Did you yourself descend from the train at Vincovci?"

 

 

 

"Yes, Monsieur. I got down onto the platform as usual and stood by the step up into the train. The other conductors did the same."

 

 

"What about the forward door - the one near the restaurant car?"

 

 

 

"It is always fastened on the inside."

"It is not so fastened now."

 

 

 

The man looked surprised; then his face cleared. "Doubtless one of the passengers opened it to look out on the snow."

 

 

"Probably," said Poirot.

 

 

 

He tapped thoughtfully on the table for a minute or two.

 

 

 

"Monsieur does not blame me?" said the man timidly.

 

 

 

Poirot smiled on him kindly.

 

 

 

"You have had the evil chance, my friend," he said. "Ah! one other point while I remember it. You said that another bell rang just as you were knocking at M. Ratchett's door. In fact I heard it myself. Whose was it?"

 

 

"It was the bell of Madame la Princesse Dragomiroff. She desired me to summon her maid."

 

 

"And you did so?"

 

 

 

"Yes, Monsieur."

 

 

 

Poirot studied the plan in front of him thoughtfully. Then he inclined his head.

 

 

"That is all," he said, "for the moment."

"Thank you, Monsieur."

 

 

 

The man rose. He looked at M. Bouc.

 

 

 

"Do not distress yourself," said the latter kindly; "I cannot see that there has been any negligence on your part."

 

 

Gratified, Pierre Michel left the compartment.

 

 

 

 

 

Chapter 2

 

 

 

THE EVIDENCE OF THE SECRETARY

 

 

 

 

 

For a minute or two Poirot remained lost, in thought.

 

 

 

"I think," he said at last, "that it would be well to have a further word with Mr MacQueen, in view of what we now know."

 

 

The young American appeared promptly.

 

 

 

"Well," he said, "how are things going?"

 

 

 

"Not too badly. Since our last conversation, I have learnt something - the identity of Mr Ratchett."

 

 

Hector MacQueen leaned forward interestedly. "Yes?" he said.

"'Ratchett,' as you suspected, was merely an alias. The man 'Ratchett' was Cassetti, who ran the celebrated kidnapping stunts - including the famous affair of little Daisy Armstrong."

 

 

An expression of utter astonishment appeared on MacQueen's face. Then it darkened. "The damned skunk!" he exclaimed.

 

 

"You had no idea of this, Mr MacQueen?"

 

 

 

"No, sir," said the young American decidedly. "If I had, I'd have cut off my right hand before it had a chance to do secretarial work for him!"

 

 

"You feel strongly about the matter, Mr MacQueen?"

 

 

 

"I have a particular reason for doing so. My father was the district attorney who handled the case, Mr Poirot. I saw Mrs Armstrong more than once - she was a lovely woman. So gentle and heartbroken." His face darkened. "If ever a man deserved what he got, Ratchett - or Cassetti - is the man. I'm rejoiced at his end. Such a man wasn't fit to live!"

 

 

"You almost feel as though you would have been willing to do the good deed yourself?"

 

 

"I do. I -" He paused, then added rather guiltily, "Seems I'm kind of incriminating myself."

 

 

"I should be more inclined to suspect you, Mr MacQueen, if you displayed an inordinate sorrow at your employer's decease."

"I don't think I could do that even to save myself from the chair," said MacQueen grimly. Then he added: "If I'm not being unduly curious, just how did you figure this out? Cassetti's identity, I mean."

 

 

"By a fragment of a letter found in his compartment."

 

 

 

"But surely - I mean - that was rather careless of the old man?"

 

 

 

"That depends," said Poirot, "on the point of view."

 

 

 

The young man seemed to find this remark rather baffling. He stared at Poirot as though trying to make him out.

 

 

"The task before me," said Poirot, "is to make sure of the movements of every one on the train. No offence need be taken, you understand. It is only a matter of routine."

 

 

"Sure. Get right on with it and let me clear my character if I can."

 

 

 

"I need hardly ask you the number of your compartment," said Poirot, smiling, "since I shared it with you for a night. It is the second-class compartment Nos. 6 and 7, and after my departure you had it to yourself."

 

 

"That's right."

 

 

 

"Now, Mr MacQueen, I want you to describe your movements last night from the time of leaving the dining-car."

"That's quite easy. I went back to my compartment, read a bit, got out on the platform at Belgrade, decided it was too cold, and got in again. I talked for a while to a young English lady who is in the compartment next to mine. Then I fell into conversation with that Englishman, Colonel Arbuthnot - as a matter of fact I think you passed us as we were talking. Then I went in to Mr Ratchett and, as I told you, took down some memoranda of letters he wanted written. I said good night to him and left him. Colonel Arbuthnot was still standing in the corridor. His compartment was already made up for the night, so I suggested that he should come along to mine. I ordered a couple of drinks and we got right down to it. Discussed world politics and the Government of India and our own troubles with Prohibition and the Wall Street crisis. I don't as a rule cotton to Britishers - they're a stiff-necked lot - but I liked this one."

 

 

"Do you know what time it was when he left you?"

 

 

 

"Pretty late. Nearly two o'clock, I should say."

 

 

 

"You noticed that the train had stopped?"

 

 

 

'Oh, yes. We wondered a bit. Looked out and saw the snow lying very thick, but we didn't think it was serious."

 

 

"What happened when Colonel Arbuthnot finally said good night?"

 

 

 

"He went along to his compartment and I called to the conductor to make up my bed."

"Where were you whilst he was making it?"

 

 

 

"Standing just outside the door in the corridor smoking a cigarette."

 

 

"And then?"

 

 

 

"And then I went to bed and slept till morning."

 

 

 

"During the evening did you leave the train at all?"

 

 

 

"Arbuthnot and I thought we'd get out at - what was the name of the place? - Vincovci - to stretch our legs a bit. But it was bitterly cold - a blizzard on. We soon hopped back again."

 

 

"By which door did you leave the train?"

 

 

 

"By the one nearest to our compartment."

 

 

 

"The one next to the dining-car?"

 

 

 

"Yes."

 

 

 

"Do you remember if it was bolted?"

 

 

 

MacQueen considered.

 

 

 

"Why, yes, I seem to remember it was. At least there was a kind of bar that fitted across the handle. Is that what you mean?"

"Yes. On getting back into the train did you replace that bar?"

 

 

 

"Why, no - I don't think I did. I got in last. No, I don't seem to remember doing so." He added suddenly, "Is that an important point?"

 

 

"It may be. Now, I presume, Monsieur, that while you and Colonel Arbuthnot were sitting talking the door of your compartment into the corridor was open?"

 

 

Hector MacQueen nodded.

 

 

 

"I want you, if you can, to tell me if anyone passed along that corridor after the train left Vincovci up to the time you parted company for the night."

 

 

MacQueen drew his brows together.

 

 

 

"I think the conductor passed along once," he said, "coming from the direction of the dining-car. And a woman passed the other way, going towards it."

 

 

"Which woman?"

 

 

 

"I couldn't say. I didn't really notice. You see I was arguing a point with Arbuthnot. I just seem to remember a glimpse of some scarlet silk affair passing the door. I didn't look, and anyway I wouldn't have seen the person's face. As you know, my carriage faces the dining-car end of the train, so a woman going along the corridor in that direction would have her back to me as soon as she'd passed."

Poirot nodded. "She was going to the toilet, I presume?"

 

 

 

"I suppose so."

 

 

 

"And you saw her return?"

 

 

 

"Well, no, now that you mention it, I didn't notice her returning but I suppose she must have done so."

 

 

"One more question. Do you smoke a pipe, Mr MacQueen?"

 

 

 

"No, sir, I do not."

 

 

 

Poirot paused a moment. "I think that is all at present. I should now like to see the valet of Mr Ratchett. By the way, did both you and he always travel second-class?"

 

 

"He did. But I usually went first - if possible in the compartment adjoining Mr Ratchett's. Then he had most of his baggage put in my compartment and yet could get at both it and me easily whenever he chose. But on this occasion all the first-class berths were booked except the one that he took."

 

 

"I comprehend. Thank you, Mr MacQueen."

 

 

 

 

 

Chapter 3

 

 

 

THE EVIDENCE OF THE VALET

 

The American was succeeded by the pale Englishman with the inexpressive face whom Poirot had already noticed on the day before. He stood waiting very correctly. Poirot motioned to him to sit down.

 

 

"You are, I understand, the valet of M. Ratchett."

 

 

 

"Yes, sir."

 

 

 

"Your name?"

 

 

 

"Edward Henry Masterman."

 

 

 

"Your age?"

 

 

 

"Thirty-nine."

 

 

 

"And your home address?"

 

 

 

"21 Friar Street, Clerkenwell."

 

 

 

"You have heard that your master has been murdered?"

 

 

 

"Yes, sir. A very shocking occurrence."

 

 

 

"Will you now tell me, please, at what hour you last saw M. Ratchett?"

The valet considered.

 

 

 

"It must have been about nine o'clock, sir, last night. That or a little after."

 

 

"Tell me in your own words exactly what happened."

 

 

 

"I went in to Mr Ratchett as usual, sir, and attended to his wants."

 

 

 

"What were your duties exactly?"

 

 

 

"To fold or hang up his clothes, sir, put his dental plate in water and see that he had everything he wanted for the night."

 

 

"Was his manner much the same as usual?"

 

 

 

The valet considered a moment.

 

 

 

"Well, sir, I think he was upset."

 

 

 

"In what way - upset?"

 

 

 

"Over a letter he'd been reading. He asked me if it was I who had put it in his compartment. Of course I told him I hadn't done any such thing, but he swore at me and found fault with everything I did."

 

 

"Was that unusual?"

"Oh, no, sir. He lost his temper easily - as I say, it just depended what had happened to upset him."

 

 

"Did your master ever take a sleeping draught?"

 

 

 

Dr Constantine leaned forward a little.

 

 

 

"Always when travelling by train, sir. He said he couldn't sleep otherwise."

 

 

"Do you know what drug he was in the habit of taking?"

 

 

 

"I couldn't say, I'm sure, sir. There was no name on the bottle - just 'The Sleeping Draught to be taken at bedtime.'"

 

 

"Did he take it last night?"

 

 

 

"Yes, sir. I poured it into a glass and put it on top of the toilet table ready for him."

 

 

"You didn't actually see him drink it?"

 

 

 

"No, sir."

 

 

 

"What happened next?"

 

 

 

"I asked if there was anything further, and also asked what time he would like to be called in the morning. He said he didn't want to be disturbed till he rang."

"Was that usual?"

 

 

 

"Quite usual, sir. When he was ready to get up he used to ring the bell for the conductor and then send him for me."

 

 

"Was he usually an early or a late riser?"

 

 

 

"It depended, sir, on his mood. Sometimes he'd get