Murder on the Orient Express - Agatha Christie (always you kirsty moseley .TXT) 📗

you the reason for these questions. What have they to do with the matter in hand - the murder on this train?"

 

 

"They are connected in this way, Madame: the man who was murdered was the man responsible for the kidnapping and murder of Mrs Armstrong's child."

 

 

"Ah!"

 

 

 

The straight brows came together. Princess Dragomiroff drew herself a little more erect.

 

 

"In my view, then, this murder is an entirely admirable happening! You will pardon my slightly biased point of view."

 

 

"It is most natural, Madame. And now to return to the question you did not answer. Where is the younger daughter of Linda Arden, the sister of Mrs Armstrong?"

 

 

"I honestly cannot tell you, Monsieur. I have lost touch with the younger generation. I believe she married an Englishman some years ago and went to England, but at the moment I cannot recollect the name."

 

 

She paused a minute and then said:

 

 

 

"Is there anything further you want to ask me, gentlemen?"

"Only one thing, Madame, a somewhat personal question. The colour of your dressing-gown."

 

 

She raised her eyebrows slightly. "I must suppose you have a reason for such a question. My dressing-gown is of black satin."

 

 

"There is nothing more, Madame. I am much obliged to you for answering my questions so promptly."

 

 

She made a slight gesture with her heavily beringed hand. Then as she rose, and the others rose with her, she stopped.

 

 

"You will excuse me, Monsieur," she said, "but may I ask your name? Your face is somehow familiar to me."

 

 

"My name, Madame, is Hercule Poirot - at your service."

 

 

 

She was silent a minute, then: "Hercule Poirot," she said. "Yes. I remember now. This is Destiny."

 

 

She walked away, very erect, a little stiff in her movements.

 

 

 

"Voilа une grande dame," said M. Bouc. "What do you think of her, my friend?"

 

 

But Hercule Poirot merely shook his head.

 

 

 

"I am wondering," he said, "what she meant by Destiny."

 

Chapter 7

 

 

 

THE EVIDENCE OF COUNT AND COUNTESS ANDRENYI

 

 

 

 

 

Count and Countess Andrenyi were next summoned. The Count, however, entered the dining-car alone.

 

 

There was no doubt that he was a fine-looking man seen face to face. He was at least six feet in height, with broad shoulders and slender hips. He was dressed in very well-cut English tweeds and might have been taken for an Englishman had it not been for the length of his moustache and something in the line of the cheekbone.

 

 

"Well, Messieurs," he said, "what can I do for you?"

 

 

 

"You understand, Monsieur," said Poirot, "that in view of what has occurred I am obliged to put certain questions to all the passengers."

 

 

"Perfectly, perfectly," said the Count easily. "I quite understand your position. Not, I fear, that my wife and I can do much to assist you. We were asleep and heard nothing at all."

 

 

"Are you aware of the identity of the deceased, Monsieur?"

"I understood it was the big American - a man with a decidedly unpleasant face. He sat at that table at meal times." He indicated with a nod of his head the table at which Ratchett and MacQueen had sat.

 

 

"Yes, yes, Monsieur, you are perfectly correct. I meant - did you know the name of the man?"

 

 

"No." The Count looked thoroughly puzzled by Poirot's queries.

 

 

 

"If you want to know his name," he said, "surely it is on his passport?"

 

 

"The name on his passport is Ratchett," said Poirot. "But that, Monsieur, is not his real name. He is the man Cassetti, who was responsible for a celebrated kidnapping outrage in America."

 

 

He watched the Count closely as he spoke, but the latter seemed quite unaffected by this piece of news. He merely opened his eyes a little.

 

 

"Ah!" he said. "That certainly should throw light upon the matter. An extraordinary country, America."

 

 

"You have been there, perhaps, Monsieur le Comte?"

 

 

 

"I was in Washington for a year."

 

 

 

"You knew, perhaps, the Armstrong family?"

"Armstrong - Armstrong - it is difficult to recall. One met so many." He smiled, shrugged his shoulders. "But to come back to the matter in hand, gentlemen," he said. "What more can I do to assist you?"

 

 

"You retired to rest - when, Monsieur le Comte?"

 

 

 

Hercule Poirot's eyes stole to his plan. Count and Countess Andrenyi occupied compartment Nos. 12 and 13 adjoining.

 

 

"We had one compartment made up for the night whilst we were in the dining-car. On returning we sat in the other for a while -"

 

 

"Which number would that be?"

 

 

 

"No. 13. We played piquet together. At about eleven o'clock my wife retired for the night. The conductor made up my compartment and I also went to bed. I slept soundly until morning."

 

 

"Did you notice the stopping of the train?"

 

 

 

"I was not aware of it till this morning."

 

 

 

"And your wife?"

 

 

 

The Count smiled. "My wife always takes a sleeping draught when travelling by train. She took her usual dose of trional."

 

 

He paused. "I am sorry I am not able to assist you in any way."

 

 

 

Poirot passed him a sheet of paper and a pen.

"Thank you, Monsieur le Comte. It is a formality, but will you just let me have your name and address?"

 

 

The Count wrote slowly and carefully.

 

 

 

"It is just as well that I should write this for you," he said pleasantly. "The spelling of my country estate is a little difficult for those unacquainted with the language."

 

 

He passed the paper across to Poirot and rose.

 

 

 

"It will be quite unnecessary for my wife to come here," he said. "She can tell you nothing more than I have."

 

 

A little gleam came into Poirot's eye.

 

 

 

"Doubtless, doubtless," he said. "But all the same I think I should like to have just one little word with Madame la Comtesse."

 

 

"I assure you it is quite unnecessary." The Count's voice rang out authoritatively.

 

 

Poirot blinked gently at him.

 

 

 

"It will be a mere formality," he said. "But, you understand, it is necessary for my report."

 

 

"As you please."

The Count gave way grudgingly. He made a short foreign bow and left the dining-car.

 

 

Poirot reached out a hand to a passport. It set out the Count's names and titles. He passed on to the further information. "Accompanied by, wife; Christian name, Elena Maria; maiden name, Goldenberg; age, twenty." A spot of grease had been dropped on it at some time by a careless official.

 

 

"A diplomatic passport," said M. Bouc. "We must be careful, my friend, to give no offence. These people can have nothing to do with the murder."

 

 

"Be easy, mon vieux, I will be most tactful. A mere formality."

 

 

 

His voice dropped as the Countess Andrenyi entered the dining-car. She looked timid and extremely charming.

 

 

"You wish to see me, Messieurs?"

 

 

 

"A mere formality, Madam la Comtesse." Poirot rose gallantly, bowed her into the seat opposite him. "It is only to ask you if you saw or heard anything last night that may throw light upon this matter."

 

 

"Nothing at all, Monsieur. I was asleep."

 

 

 

"You did not hear, for instance, a commotion going on in the compartment next to yours? The American lady who occupies it had quite an attack of hysterics and rang for the conductor."

"I heard nothing, Monsieur. You see, I had taken a sleeping draught."

 

 

"Ah! I comprehend. Well, I need not detain you further." Then, as she rose swiftly - "Just one little minute. These particulars - your maiden name, age and so on - they are correct?"

 

 

"Quite correct, Monsieur."

 

 

 

"Perhaps you will sign this memorandum to that effect, then."

 

 

 

She signed quickly, in a graceful slanting hand-writing - Elena Andrenyi.

 

 

"Did you accompany your husband to America, Madame?"

 

 

 

"No, Monsieur." She smiled, flushed a little. "We were not married then; we have been married only a year."

 

 

"Ah, yes, thank you, Madame. By the way, does your husband smoke?"

 

 

She stared at him as she stood poised for departure.

 

 

 

"Yes."

 

 

 

"A pipe?"

 

 

 

"No. Cigarettes and cigars."

"Ah! Thank you."

 

 

 

She lingered, her eyes watching him curiously. Lovely eyes they were, dark and almond-shaped with very long black lashes that swept the exquisite pallor of her cheeks. Her lips, very scarlet in the foreign fashion, were parted just a little. She looked exotic and beautiful.

 

 

"Why did you ask me that?"

 

 

 

"Madame," Poirot waved an airy hand, "detectives have to ask all sorts of questions. For instance, perhaps you will tell me the colour of your dressing-gown?"

 

 

She stared at him. Then she laughed. "it is corn-coloured chiffon. Is that really important?"

 

 

"Very important, Madame."

 

 

 

She asked curiously: "Are you really a detective, then?"

 

 

 

"At your service, Madame."

 

 

 

"I thought there were no detectives on the train when it passed through Jugo-Slavia - not until one got to Italy."

 

 

"I am not a Jugo-Slavian detective, Madame. I am an international detective."

"You belong to the League of Nations?"

 

 

 

"I belong to the world, Madame," said Poirot dramatically. He went on: "I work mainly in London. You speak English?" he added in that language.

 

 

"I speak a leetle, yes." Her accent was charming. Poirot bowed once more.

 

 

"We will not detain you further, Madame. You see, it was not so very terrible."

 

 

She smiled, inclined her head and departed.

 

 

 

"Elle est jolie femme," said M. Bouc appreciatively. He sighed. "Well, that did not advance us much."

 

 

"No," said Poirot. "Two people who saw nothing and heard nothing."

 

 

"Shall we now see the Italian?"

 

 

 

Poirot did not reply for a moment. He was studying a grease spot on a Hungarian diplomatic passport.

 

 

 

 

Chapter 8

 

 

 

THE EVIDENCE OF COLONEL ARBUTHNOT

 

Poirot roused himself with a slight start. His eyes twinkled a little as they met the eager ones of M. Bouc.

 

 

"Ah! my dear old friend," he said, "you see I have become what they call the snob! The first class, I feel it should be attended to before the second class. Next, I think, we will interview the good-looking Colonel Arbuthnot."

 

 

Finding the Colonel's French to be of a severely limited description, Poirot conducted his interrogatory in English.

 

 

Arbuthnot's name, age, home address and exact military standing were all ascertained. Poirot proceeded:

 

 

"It is that you come home from India on what is called the leave - what we can call en permission?"

 

 

Colonel Arbuthnot, uninterested in what a pack of foreigners called anything, replied with true British brevity, "Yes."

 

 

"But you do not come home on the P.& O. boat?"

 

 

 

"No."

 

 

 

"Why not?"

 

 

 

"I chose to come by the overland route for reasons of my own."

("And that," his manner seemed to say, "is one for you, you interfering little jackanapes.")

 

 

"You came straight through from India?"

 

 

 

The Colonel replied drily: "I stopped for one night to see Ur of the Chaldees, and for three days in Baghdad with the A.O.C., who happens to be an old friend of mine."

 

 

"You stopped three days in Baghdad. I understand that the young English lady, Miss Debenham, also comes from Baghdad. Perhaps you met her there?"

 

 

"No, I did not. I first met Miss Debenham when she and I shared the railway convoy car from Kirkuk to Nissibin."

 

 

Poirot leaned forward. He became persuasive and a little more foreign than he need have been.

 

 

"Monsieur, I am about to appeal to you. You and Miss Debenham are the only two English people on the train.