Nude in Mink - Sax Rohmer (fun books to read for adults txt) š
- Author: Sax Rohmer
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Maitland bowed, as Granville withdrew.
āI am exceedingly sorry to disturb you, Lady Carradaleā and you, sir. But I was under the impression that you had another guestāā
āYou were mistaken, Dr. Maitland.ā Lady Carradale had a high, rather harsh voice. āA friend of yours, you thought?ā
āWellāhardly a friend! My business was official.ā
āIndeed! You donāt look like a policeman.ā
āNo. Beards are unusual in the police, Lady Carradale. I can only ask you to forgive me for this unwarranted intrusion.ā
āBut not at all, Doctor. It is a pleasure. Will you and your friend honour us with your company?ā
āMany thanks. My friendāMr. Donovanāand I are most appreciativeāā
The houselights went up.
All those on their way out, stopped, and turned!āas the tableau curtains were drawn apart, and Granville stepped on to the stage. The gallery became silent.
āLadies and gentlemenāā
āForgive me again, Lady Carradale ā¦ I must go. Good night, and thank you.ā
Maitland and Donovan hurried from the box. As the door closed:
āThrough to the stage!ā said Maitland. āWe have been tricked, Donovan! She slipped out! There was someone else in that box! We must look up the history of Lady Carradaleā¦ through here!ā
On the stage, a nervous hush prevailed. Granvilleās voice could be heard, explaining to the audience that, owing to the sudden and inexplicable illness of Ian Forrester, the part of Hamlet during the rest of the play would be taken by Mr. Douglas Merrick. In these unhappy circumstances, he was sure, etcā¦.
āBut where can be possibly have gone?ā a womanās voice whispered agitatedly.
And, quietly as possible, stage hands changed the set.
āIs that you, Ives?ā Maitland asked suddenly.
Ives elbowed his way through a group and joined Maitland and Donovan.
āItās me right enough. Come outside, where we can talk.ā
āWhat news?ā
As they stepped out into a narrow passage inside the stage door, Ives replied:
āHeās got the news!ā
Ives pointed to a man in his shirt sleeves seated in the doorkeeperās boxāa stout, red-faced man who had a glass of whisky beside him and who appeared to be the only person in the building unaffected by the nightās happenings.
āDoorkeeperāwhat do you know about all this?ā Maitland demanded.
The doorkeeper leaned through his little window.
āAll there is to know, I reckon,ā he replied. āJust before the curtain comes down, a chauffeur bloke hands me a noteāor rather, two notes. One for me, and one for Mr. Forrester. He says the one in a envelope must be handed to Mr. Forrester the moment he comes off. See? Well, I gets hold of his dresser and tells him to stand by on the sideāā
āDescribe the chauffeur,ā snapped Maitland.
āBig chap. Very hairy.ā
āGo on!ā
āIāve just got back here, and I can tell the curtainās down, and Iām putting on my hat to nip along to the corner, when Mr. Forrester, dressed like he come off, runs past me and out into the street!ā
He paused on this dramatic line.
āWellāgo on!ā
āThere aināt no more to go on to. I can see thereās a woman in the case, and I donāt think a lot about it. I puts my hat on and goes along to the cornerāā
āBut why the hell didnāt you report this before?ā Ives growled.
āIāve told you, Inspector. When I come backāand Iām not gone moreān three minutesāhow am I to know Mr. Forrester aināt in the theatre? Nobody tells meānot till you tell me.ā
āMy God!ā Maitland muttered, and grasped Donovanās armā_āShe_ has got him! Why didnāt I realise his danger in time? Why didnāt I foresee this!ā¦ Under our very eyes, Donovan! Under our very eyes ā¦ā
3
Night was giving place to morning when a man wearing a grey chauffeurās uniform entered, with almost silent tread, a charmingly feminine little boudoir, furnished in satinwood upholstered in violet, and stood before a long, narrow couch upon which Our Lady reclined.
She wore a loose rest-gown. A tray, with coffee and biscuits, stood beside it. She no more than glanced at the man. He stood, powerful fists clenched, head bowed.
āI am here, My Lady.ā
āSo I observe, Philo. To reportāfailure?ā
āNo, My Lady. Success.ā
She sat up; and her remarkable eyes opened widely, so that their beauty became fearful.
āThen you have done well, Philo.ā She lay back again, laughing gently. āFrom my box I saw the note handed to him in the wings as he left the stage. I knew that, so far, all went smoothly ā¦ Sister Jean?ā
āHas been prepared for her journey, My Lady.ā
āHe got into the car withoutāurging?ā
āThe moment he saw the little Jean lying back on the cushions, Madonna. I closed the door and drove off.ā
āHow did he behave?ā
āLike a madman, My Lady. But he could open neither of the doors. She was unconscious. On the Heathāat the spot selectedāI unlocked the door, and he leapt out and attacked me. In his fury he almost overpowered me. But I tripped himāand silenced him. I gave the injection near the top of the spine, as Ariosto had shown meā¦ He did not awaken again ā
āAnd you left him standing, as I ordered?ā
āAs you ordered, My Lady.ā
My Lady laughed again, softly, and extended her hand.
Philo bent and kissed the delicate fingers.
4
The next person to set eyes upon Ian Forrester was a man called Thorndale.
Thorndale was a gardener, one of whose duties was to tend the heating furnace of a house overlooking Reigate Heath. This necessitated his leaving home before six oāclock in the morning and walking from the town across a part of the Heath and golf-course. From a mound dominated by a giant fir he usually obtained his first glimpse of his employerās chimneys, visible from that point above the crowns of encircling trees.
This was a misty, cold morning. In fact, the mist was so dense in patches as to deserve the name of fog.
One such patch occurred in the dip immediately below the mound supporting the King fir, and here, grumbling to himself, Thorndale paused to try to re-light his pipe, which had gone out largely because of lack of tobacco.
However, an artist in coaxing a cinder into a flame, he contrived to get his pipe going again, and resumed his slow tramp, both hands thrust into his topcoat pockets. He climbed up the path to the mound, and to some extent, out of the mist. As he passed the great mast of the tree, he paused for a moment, staring.
Someone appeared to be standing thereāa man in black.
āGood morning, sir,ā called Thorndale. āBit foggy like.ā
He went on his wayābut received no reply.
This simply led him to suppose that the stranger who stood by the big tree was a surly fellowā¦ then, led him to wonder.
Had there been someone there? Or had he imagined it?
He turned back.
Reclimbing the mound from the other side, he obtained a clear view of the figure. He had not been mistaken. There was a man there right enough. Butā¦
Thorn daleās pipe fell on to the turf.
A moment later he was running, headlong, even his precious old pipe forgotten, in the direction of a garage fronting the Heath at which as he passed he had seen men at workā¦
āWhat are you talking about, mate? Whatās the panic?ā
An older man, and a daft looking boy, joined the mechanic to whom Thorndale had tried to tell his strange news.
āIām talking about a ghost!ā said Thorndale, breathless, but defiant. āThereās a man up thereāāhe made vague gestures in the direction of the mist wantoning over the Heathāāstanding under a treeā¦ Heās all in blackāwith a dagger in his beltāJewels on his hands ā¦ A ghost, I tell you!ā
The two men and the boy exchanged glances.
āBarmy,ā said the boy.
The mechanic aimed a blow at himāwhich the daft boy ducked.
āNo harm done if we go and see.ā
āāThatās all Iām asking!ā
āIām staying here,ā the older man announced, with a suspicious look at Thorndale.
And so a procession of three inquirers set out for the big fir tree.
Within ten paces of it, the mechanic pulled up.
āBlimey!ā he remarked.
āWhat did I tell you?ā
It was the daft boy who approached the pallid statue of Hamletāwho touched itāwho fell back, shriekingāwho ran like a hunted, wild thing across the Heath, directionless, without purpose.
āHeās turned to stone!ā he shrieked as he ran. āHeās turned to stone ā¦ā So was found the body of Ian Forrester.
āNICE view of the Embankment from this part of Scotland Yard, Ives.ā
āYes, Doctor, very nice. Every time I look out I wonder if Sumuru is walking by down there. Because I shouldnāt know her if I saw her.ā
āMānoā¦ā Maitland lighted a cheroot. āThis case must be giving you nightmares, Inspector. I hear that the Commissioner has been blowing off steam.ā
āHe has,ā said Ives grimly. āThere was a conference yesterday. You see, although breaking up this organisation, Order, or whatever the gang may be called, is a Secret Service jobāand your pidginātheir murders are my jobā¦ and I can make no headway ā
He banged a large, muscular hand on the desk, angrily. Maitland nodded, and:
āThe newspapers are getting very sarcastic, too,ā he remarked. āThe death of Sir Miles Tristram was passed over without much fuss, but the death of a popular actor is another cup of tea entirely. Then, all these disappearances are beginning to arouse public uneasiness. Questions in the House and so on.ā
āDonāt I know it!ā groaned Ives. āMy particular, private hell is due to the fact that Iām perfectly well aware who is responsible for them. But (a) I have no evidence against her; (b) I donāt know who she is or where she is!ā
Maitland replaced his lighter in his pocket.
āPersonally, I never go far without a bodyguard. Sumuru doesnāt jib at trifling obstacles, and Iām undoubtedly a nuisance to her. Itās true that she recovered all the tangible evidence I possessed, but she canāt strangle my memory without strangling me!ā
He stood up, and began to pace restlessly about the office.
āYou know,ā said Ives, slowly, āthe death of that poor young actor gave me an idea. I donāt know how itāll appeal to youābut I think itās worth considering.ā
Maitland paused, looking at him.
āWhat is it?ā
āWell, Ian Forrester was murderedāa spectacular business āmerely because of an affair with a girl (who canāt be traced) belonging to this female StalināI take it, as a sort of warning to others. Very well. What about your American friendāMr. Donovan?ā
āWell, what about him?ā
āHeās tied up with one of these girls, too, isnāt he?ā
āYesāClaudette Duquesne. Heās desperate about her. But, of course, she has disappeared!ā
āQuite so. Butāand Iām working entirely on your own theory here, Doctorāthis woman Sumuru may have some use for Mr. Donovan, or think she has. It certainly looks that way to me. So, suppose you were to disappear?ā
Maitland walked over to the desk and stood looking down at the inspector. His cheroot assumed a very truculent angle.
āWhat!ā
āIt could easily be arranged. Give the impression that Mr. Donovanās movements were no longer under supervision. The gang might take the opportunity to bring him and the girl together again. You see my point?ā
Maitland laughed, but not mirthfully.
āYesāI see your point, Ives. But Donovan is an old friend. I wouldnāt dare to expose him to such danger ā¦ā
Ives leaned forward.
āI donāt believe the danger would be so great as you think. I could undertake never to let him out of sight of the C.I.D.,
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