The Mystery of the Hasty Arrow - Anna Katharine Green (i can read with my eyes shut txt) 📗

At which I simply remarked: 'You think so, Correy?' To which he replied: 'I do not think anything. But I know that Curator Jewett never brought up that bow from the cellar, or he would have said so the minute he saw it. There's no better man in the world than he.' 'Nor than Mr. Roberts either,' I put in, and left him comforted if not quite reassured.

"So much for Question One—

"Number Two is of a similar nature. 'Was the transference of the arrow from one gallery to the other due to the same person who brought up the bow?' Now, in answer to that, I have a curious thing to show you." And lifting into view a bundle of goodly size, wrapped in heavy brown paper, he opened it up and disclosed a gentleman's coat. Spreading this out between them lining side out, and pointing out two marks an inch or so apart showing the remains of stitches for which there seemed to have been no practical use, he took from his own vest-pocket what looked like a bit of narrow black tape. This he laid down on the upturned lining in the space bounded by the two lines of marks I have mentioned, and drawing the Chief's attention to it, observed in quiet explanation:

"The one fits the other—stitch for stitch. Look closely at them both, I beg, and tell me if in your judgment it is not evident that this strap or loop, or whatever we may call it, has been cut away from this coat to which it had been previously sewed—and by no woman either."

Anyone could see that this had been so. There could be but one reply:

"This coat I bought from an old man to whom it had been given by Mr. Roberts' housekeeper on their arrival at his new home on Long Island. The strip was picked up at the museum in the room where Mrs. Taylor spent an hour or so immediately upon leaving the scene of crime. With her at the time was the young lady who had kindly offered to look after her and two or three men directly associated with the museum, of whom Mr. Roberts was one. These and these only. Now, this strap or let us say loop, since we are beginning to see for what purpose it was used, was not on the floor previous to the entrance of these few persons into this room—or, indeed, for some little time afterward. Otherwise this young lady, who was the one to open my eyes to this clue, surely would have seen it in the half-hour she stood at Mrs. Taylor's side with no one to talk to and quite free to look about her. But it was there after that lady had revived from her fainting-fit—dropped, as you see—cut from its owner's coat and dropped! Chief, let me ask why this should have been done in a time of such suspense if it had had nothing to do with the crime then occupying everybody's attention—a good coat too, almost new, as you will observe?"

The Chief, possibly with a shade less of irony in his manner, answered this direct question with one equally direct:

"And what connection have you succeeded in establishing between this abominable crime and the coat with or without a loop worn by the museum's leading director? One as straight and indisputable, no doubt, as that you have just attempted to make between this same gentleman and the museum bow," he added with biting incredulity.

"Yes," returned the other in calm disregard of the sarcasm, "straighter and more indisputable, if anything. We are asking, as you will remember, how an arrow could have been carried from the southern to the northern gallery without attracting anyone's attention. I will show you how."

With a rap on the table which brought Sweetwater into the room, he proceeded to pin again into its old place on the lining of Mr. Roberts' coat the so-called tag. Then, taking the arrow which Sweetwater proceeded to hand him, he slipped it into the loop thus made and showed how securely it could be held there by its feather end.

"A man of Mr. Roberts' upright carriage might, with his coat well buttoned up, walk the length of Broadway without disclosing the presence of this stick," remarked Mr. Gryce as, at his look, Sweetwater doffed his own coat and put on the one thus discreetly weighted.

The Chief stared, paling slightly as he noted the result. Mr. Gryce, who never overemphasised his effects, motioned Sweetwater to leave and proceeded to the next question.

"Number Three," he now observed, "should have come first, as it has already been answered. It asks if it is possible to hit the mark in Section II of the museum's gallery, from behind the pedestal in Section VIII. From the pedestal nearest the front, no; but from the one further back—upon which, by the way, Stevens found the print of a gloved finger—yes.

"Who wore gloves that day—kid gloves, mind you, for the mark of the stitching is exact, as you can see in this print of the same made by Stevens? All the ladies, except a young copyist who was leaving in a hurry and had not stopped to put hers on. But of the men, only one—Mr. Roberts, the careful dresser, who was never known to enter the street without this last touch to his toilet. How do I know this? Look at the chart, Chief—this one which shows the court and the persons in it at the precise minute of first alarm. You see how near the exit Mr. Roberts was, and who was closest to him. I had a little talk—the most guarded one imaginable—with this lady, who was the very one of whom I have just said that she had omitted to put on her gloves; and she gave me the fact I have just passed on to you. She noted Mr. Roberts' hands, because they shamed hers, and she was just stopping to pull her gloves from her coat-pocket when Correy's voice rang out and everything else was forgotten.

"Corroborative, only corroborative, sir? I am quite aware of that. But what I have now to add may give it weight. The stringing of a bow is no easy task for an amateur; nor is the discharge of an arrow, under such dangerous circumstances as marked the delivery of the one we are discussing, one which would be lightly attempted by a person altogether ignorant of archery. However strong the evidence might be against a man who was not an utter fool, I would never have presumed to lay it out before you if I had not verified the fact that the director, whatever his life now, was once greatly addicted to sports, and thoroughly acquainted with the management of a bow and arrow. It has taken time. Many cablegrams were necessary, but I have at last received this copy of a report made sixteen years ago by a club in Lucerne, Switzerland, in which mention is made of a prize given to one Carleton Roberts, an American, for twelve piercings of the bull's-eye in as many shots, in an archery-contest which included all nationalities.

"Nor is that all. In a study of himself,—his home, his life, his secret interests,—we come upon things which call for closer inspection. For instance, not a day has passed since that poor child has been in the morgue that he has not been one on the line to see her. He dreams of her, he says; he cannot get her face out of his mind—you notice that he has been growing gray.

"But I will stop here. I do not wonder that you look upon all this as the ravings of a man on the verge of senility. If I were in your place, I should undoubtedly do the same. But ungracious as the task has proved, I owed it to myself to rid my mind of its secret burden. It is for you to say whether, all things considered, I am to drop the matter here or proceed blindly in search of the motive lying back of every premeditated crime. I can imagine none in this case, as I have frankly stated, save the very weak and improbable one already advanced by young Sweetwater in connection with another party upon whom he had fixed his eye—that of the irresistible desire of an expert to test his skill with a bow which comes unexpectedly into his hands."

"That wouldn't apply to Roberts—not in the least," affirmed the Chief with the emphasis of strong conviction. "Even if we should allow ourselves to regard these stray bits of circumstantial evidence as in any way conclusive of the extraordinary theory you have advanced, he's much too able and cautious a man to yield to any such fool temptation as that. But to let that matter pass for the present: why have you paid such close attention to one end of your string, and quite ignored the other? Madame Duclos' hasty flight and continued absence, in face of circumstances which would lead a natural mother to break through every obstacle put in the way of her return, offers a field of inquiry more promising, it appears to me, than the one upon which you have expended your best energies. You say nothing of her."

"I have nothing to say. I am glad to leave that particular line of investigation to you, and more than glad if it has proved or is likely to prove fruitful. Have you heard——"

"Read that."

He tossed a letter within the detective's grasp and leaned back while Gryce laboriously perused it.

It was illy written, but well worth the pains he gave to it—as witness: