The Mystery of the Hasty Arrow - Anna Katharine Green (i can read with my eyes shut txt) 📗

which wake me, and I found myself all of a sudden sitting up in bed and listening with all my ears. Everything was quiet, even on the elevated road; but when the next train came thundering along, I heard, piercing shrilly through the rumble and roar, that same sharp ping which had wakened me. What was it? It seemed to come from somewhere in the house. But how could that be! I was startled enough, however, to get up and slip on some of my clothes and stand with ears astretch for the next train.

It came and passed, and right in the middle of the noise it made I heard again that quick, sharp sound. This time I was sure it came from somewhere near, and opening my door, I slid out into the hall. All my lodgers were in but one, a young gentleman who has a night-key. And most of the rooms were dark, as I can very well tell from the fact that none of the doors fit as they ought to and there is sure to be a streak of light showing somewhere about them if the gas is burning inside. Everything looked so natural, and the house was so still, that I was going back again when another train swept by and that sound was repeated. This time I was sure it came from somewhere on the lower floor, and mindful of Mrs. Clery's queer ways, I stole downstairs to her door. She was up—that was plainly enough to be seen. But what was she doing? I was just a little frightened, or I would have knocked on the door and asked.

As I was waiting for the passing by of the next train, my last lodger came in and caught me standing there before Mrs. Clery's door. I know him pretty well; so I put my finger to my lips and then beckoned him to join me. As the train approached, I seized him by the arm and pointed toward Mrs. Clery's door. He didn't know what I meant, of course, but he looked and listened, and when the train had gone by, I drew him down the hall and said, "You heard it!" and then asked him what it was. He answered that it was a pistol-shot, and he wanted to go back to see if any dreadful thing had happened. But I shook my head and told him it was one of five, each one taking place when the roar of the trains going by was at the loudest. Then he said that this woman was practising at a mark, and bade me look out or we should have a house full of anarchists. At that, I loudly declared she should go the first thing in the morning and so got rid of him. But I did not keep my word, and for this reason: When I went to do her room-work as I always do immediately after breakfast, I was all smiles and full of talk till I had taken a good look at the walls for the bullet-holes I expected to see there. But I didn't find any, and was puzzled enough you may be sure, for those bullets must have gone somewhere and I was quite certain that they had not been fired out of the window. I hardly dared to look at the ceiling, for she was watching me and kept me chatting and wondering till all of a sudden I noticed that one of the sofa-pillows was missing from its place. This set me thinking, and I was about to ask her what she had done with it when my attention was drawn away by seeing among the scraps in the wastebasket I had lifted to carry out the end and corner of what looked like a partly destroyed photograph.

This was something too strange not to rouse any woman's curiosity, but I was careful not to give it another glance till I was well out of the room. Then, as you may believe, I drew it quickly out, to find that all the middle part was gone—shot to pieces by those tearing bullets. Not a particle of the face was to be seen, and only enough of the neck and shoulders to show that it had been the portrait of a man. I enclose it for you to see; and if you want to talk to the woman, she is still here, though I only keep her in the hope of her being that Madame Duclos for whom money is offered. I will tell you why I think this: Not because of a torn skirt,—you see I have been looking over the advertisement printed in the papers,—but because she is foreign and dark and has a decidedly drooping eyelid. Then too, she halts a little on one foot, as I noticed when I called her hurriedly to the window to see something. If you want to have a look at her, come after five and before seven; we are both in then.

Yours respectfully,

Caroline Davis.

"No doubt that's the woman," commented Gryce. "We are fortunate in hitting her trail at this critical moment."

He had already glanced at the mutilated photograph lying before him, but now he took it up.

"Very little here," he remarked as he examined first the face of it and then the back. "But if you will let me take it, I may find that its place is in our incompleted chain."

"Take it, and if you would like to have a talk with the woman herself——"

"Yes, Chief; I would like that above all things."

"Very good. I'm expecting her here any minute, but—Well, what now? What's up?"

An officer had entered hurriedly after one quick knock.

"Mrs. Davis' lodger is gone," said he. "Left without a word to anybody. When they went to her room they found it empty, with a five-dollar bill pinned to the riddled cushion. As nobody saw her go, we are as much at sea as ever."

A smile, both curious and fine, crossed Mr. Gryce's lips as he listened to this, and turning earnestly to the Chief, he begged for the job of looking her up.

"I think with the little start we now have that I can find her," said he. "At all events, I should like to try."

"And let the other matter rest quiescent meanwhile?"

"If it will."

"What do you mean by that?"

"I hardly know myself, Chief. All is hazy yet, but skies clear, and so do most of our problems. If the two ends of my string should chance to come together——"

But here a look from his Chief stopped him.

"Let us pray that they won't. But if they do, we shall not shirk our duty, Gryce."

XIX MR. GRYCE AND THE TIMID CHILD

"Assurance does it, sir—a great deal of assurance. Not that I have much——"

Here Mr. Gryce laughed, with the result that Sweetwater laughed also. A moment of fun was a welcome relief, and they both made the most of it.

"Not that I lack it entirely," Sweetwater hastened to say. Then they laughed again—after which their talk proceeded on serious lines.

"Sweetwater, what is that you once told me about a family named Duclos?"

"Why, this, sir: There is one such family in town, as Peters discovered in looking up the name in the directory a day or two after Madame's disappearance. But there's nothing to be learned from them. Mr. and Mrs. Edward Duclos are a most respectable couple and have but one answer to every question. They know no one of their name outside their own family. Though the man of the house is Breton born, he has lived many years in this country, and in all that time has never met another Duclos."

"And Peters let it go at that?"

"Had to. What else could he do? However, he did make this admission—that there was a child in the room who betrayed a nervousness under his questions which was not observable in her elders, a girl of twelve or so who put her hands behind her when she found she could not control their twitching. And I've an idea that if he could have got this child by herself, he might have heard something quite different from the plain denial he got from the mother. I've always thought so; but I've had too many other things to do to make an effort in this direction.

"Now, if you approve, I'll see what I can do with this girl, for it stands to reason there must be some place in town where this woman, just off ship, found an immediate refuge and a change of clothing and effects. Nor should I be much surprised if we should discover that she is an inmate of this very house. What do you think, Mr. Gryce? Is it worth looking into?"

"It is worth my looking into. I have other work for you. Where does this Duclos family live?"

Sweetwater told him. It was in one of the Eighties, not a quarter of a mile from the Hotel Universal.

This settled, Mr. Gryce took from his pocket the mutilated photograph which had served as a target to the woman in Fifty-third Street.

"You see this," said he. "The face is all gone; only a sweep of the hair on one side, and a bit of collar and the tip of a shoulder on the other, remain to act as a clue. Yet I expect you to find the negative from which this photograph was printed. It should not be so difficult,—that is, if in the course of time it has not been destroyed,—for look here." And turning over what remained of the mutilated photograph he displayed the following: