Short Fiction - Kate Chopin (animal farm read .txt) 📗

had said; a little phrase, out of that multitude of words, that had fallen in his consciousness. It had stayed there, generating a little festering sore place that was beginning to make itself irritatingly felt. What was it, that little phrase? Something about⁠—in his excitement he had only half heard it⁠—something about dead men’s shoes.

The exuberant health and strength of his big body; the courage, virility, endurance of his whole nature revolted against the expression in itself, and the meaning which it conveyed to him. Dead men’s shoes! Were they not for such afflicted beings as Septime? as that helpless, dependent woman up there? as those two little ones, with their poorly fed, poorly clad bodies and sweet, appealing eyes? Yet he could not determine how he would act and what he would say to them.

But there was no room left in his heart for hesitancy when he came to face the group. Septime was still crouched in his uncle’s chair; he seemed never to have left it since the day of the funeral. Ma’me Brozé had been crying, and so had the children⁠—out of sympathy, perhaps.

“Mr. Septime,” said Gilma, approaching, “I brought those aff’davits about the hoss. I hope you about made up yo’ mind to turn it over without further trouble.”

Septime was trembling, bewildered, almost speechless.

“Wat you mean?” he faltered, looking up with a shifting, sideward glance. “The whole place b’longs to you. You tryin’ to make a fool out o’ me?”

“Fo’ me,” returned Gilma, “the place can stay with Mr. Gamiche’s own flesh an’ blood. I’ll see Mr. Pax’on again an’ make that according to the law. But I want my hoss.”

Gilma took something besides his horse⁠—a picture of le vieux Gamiche, which had stood on his mantelpiece. He thrust it into his pocket. He also took his old benefactor’s walking-stick and a gun.

As he rode out of the gate, mounted upon his well-beloved “Jupe,” faithful dog following, Gilma felt as if he had awakened from an intoxicating but depressing dream.

Athénaïse I

Athénaïse went away in the morning to make a visit to her parents, ten miles back on rigolet de Bon Dieu. She did not return in the evening, and Cazeau, her husband, fretted not a little. He did not worry much about Athénaïse, who, he suspected, was resting only too content in the bosom of her family; his chief solicitude was manifestly for the pony she had ridden. He felt sure those “lazy pigs,” her brothers, were capable of neglecting it seriously. This misgiving Cazeau communicated to his servant, old Félicité, who waited upon him at supper.

His voice was low pitched, and even softer than Félicité’s. He was tall, sinewy, swarthy, and altogether severe looking. His thick black hair waved, and it gleamed like the breast of a crow. The sweep of his mustache, which was not so black, outlined the broad contour of the mouth. Beneath the under lip grew a small tuft which he was much given to twisting, and which he permitted to grow, apparently for no other purpose. Cazeau’s eyes were dark blue, narrow and overshadowed. His hands were coarse and stiff from close acquaintance with farming tools and implements, and he handled his fork and knife clumsily. But he was distinguished looking, and succeeded in commanding a good deal of respect, and even fear sometimes.

He ate his supper alone, by the light of a single coal-oil lamp that but faintly illuminated the big room, with its bare floor and huge rafters, and its heavy pieces of furniture that loomed dimly in the gloom of the apartment. Félicité, ministering to his wants, hovered about the table like a little, bent, restless shadow.

She served him with a dish of sunfish fried crisp and brown. There was nothing else set before him beside the bread and butter and the bottle of red wine which she locked carefully in the buffet after he had poured his second glass. She was occupied with her mistress’s absence, and kept reverting to it after he had expressed his solicitude about the pony.

“Dat beat me! on’y marry two mont’, an’ got de head turn’ a’ready to go ’broad. C’est pas Chrétien, ténez!”

Cazeau shrugged his shoulders for answer, after he had drained his glass and pushed aside his plate. Félicité’s opinion of the unchristianlike behavior of his wife in leaving him thus alone after two months of marriage weighed little with him. He was used to solitude, and did not mind a day or a night or two of it. He had lived alone ten years, since his first wife died, and Félicité might have known better than to suppose that he cared. He told her she was a fool. It sounded like a compliment in his modulated, caressing voice. She grumbled to herself as she set about clearing the table, and Cazeau arose and walked outside on the gallery; his spur, which he had not removed upon entering the house, jangled at every step.

The night was beginning to deepen, and to gather black about the clusters of trees and shrubs that were grouped in the yard. In the beam of light from the open kitchen door a black boy stood feeding a brace of snarling, hungry dogs; further away, on the steps of a cabin, someone was playing the accordion; and in still another direction a little negro baby was crying lustily. Cazeau walked around to the front of the house, which was square, squat and one-story.

A belated wagon was driving in at the gate, and the impatient driver was swearing hoarsely at his jaded oxen. Félicité stepped out on the gallery, glass and polishing towel in hand, to investigate, and to wonder, too, who could be singing out on the river. It was a party of young people paddling around, waiting for the moon to rise, and they were singing Juanita, their voices coming tempered and melodious through the distance and the night.

Cazeau’s horse was waiting, saddled, ready to