Quo Vadis - Henryk Sienkiewicz (read after .TXT) 📗

maiden of whose barbarian extraction he had heard previously from Vinicius. Hence he looked with an inquiring glance at Pomponia; but she could not give him an answer, for she was looking at that moment, with a smile, at the pride reflected on the face of her husband.

He was not able to conceal that pride. First, he had become attached to Lygia as to his own daughter; and second, in spite of his old Roman prejudices, which commanded him to thunder against Greek and the spread of the language, he considered it as the summit of social polish. He himself had never been able to learn it well; over this he suffered in secret. He was glad, therefore, that an answer was given in the language and poetry of Homer to this exquisite man both of fashion and letters, who was ready to consider Plautius’s house as barbarian.

“We have in the house a pedagogue, a Greek,” said he, turning to Petronius, “who teaches our boy, and the maiden overhears the lessons. She is a wagtail yet, but a dear one, to which we have both grown attached.”

Petronius looked through the branches of woodbine into the garden, and at the three persons who were playing there. Vinicius had thrown aside his toga, and, wearing only his tunic, was striking the ball, which Lygia, standing opposite, with raised arms was trying to catch. The maiden did not make a great impression on Petronius at the first glance; she seemed to him too slender. But from the moment when he saw her more nearly in the triclinium he thought to himself that Aurora might look like her; and as a judge he understood that in her there was something uncommon. He considered everything and estimated everything; hence her face, rosy and clear, her fresh lips, as if set for a kiss, her eyes blue as the azure of the sea, the alabaster whiteness of her forehead, the wealth of her dark hair, with the reflection of amber or Corinthian bronze gleaming in its folds, her slender neck, the divine slope of her shoulders, the whole posture, flexible, slender, young with the youth of May and of freshly opened flowers. The artist was roused in him, and the worshiper of beauty, who felt that beneath a statue of that maiden one might write “Spring.” All at once he remembered Chrysothemis, and pure laughter seized him. Chrysothemis seemed to him, with golden powder on her hair and darkened brows, to be fabulously faded⁠—something in the nature of a yellowed rose-tree shedding its leaves. But still Rome envied him that Chrysothemis. Then he recalled Poppaea; and that most famous Poppaea also seemed to him soulless, a waxen mask. In that maiden with Tanagrian outlines there was not only spring, but a radiant soul, which shone through her rosy body as a flame through a lamp.

“Vinicius is right,” thought he, “and my Chrysothemis is old, old!⁠—as Troy!”

Then he turned to Pomponia Graecina, and, pointing to the garden, said⁠—“I understand now, domina, why thou and thy husband prefer this house to the Circus and to feasts on the Palatine.”

“Yes,” answered she, turning her eyes in the direction of little Aulus and Lygia.

But the old general began to relate the history of the maiden, and what he had heard years before from Atelius Hister about the Lygian people who lived in the gloom of the North.

The three outside had finished playing ball, and for some time had been walking along the sand of the garden, appearing against the dark background of myrtles and cypresses like three white statues. Lygia held little Aulus by the hand. After they had walked a while they sat on a bench near the fishpond, which occupied the middle of the garden. After a time Aulus sprang up to frighten the fish in the transparent water, but Vinicius continued the conversation begun during the walk.

“Yes,” said he, in a low, quivering voice, scarcely audible; “barely had I cast aside the pretexta, when I was sent to the legions in Asia. I had not become acquainted with the city, nor with life, nor with love. I know a small bit of Anacreon by heart, and Horace; but I cannot like Petronius quote verses, when reason is dumb from admiration and unable to find its own words. While a youth I went to school to Musonius, who told me that happiness consists in wishing what the gods wish, and therefore depends on our will. I think, however, that it is something else⁠—something greater and more precious, which depends not on the will, for love only can give it. The gods themselves seek that happiness; hence I too, O Lygia, who have not known love thus far, follow in their footsteps. I also seek her who would give me happiness⁠—”

He was silent⁠—and for a time there was nothing to be heard save the light plash of the water into which little Aulus was throwing pebbles to frighten the fish; but after a while Vinicius began again in a voice still softer and lower⁠—“But thou knowest of Vespasian’s son Titus? They say that he had scarcely ceased to be a youth when he so loved Berenice that grief almost drew the life out of him. So could I too love, O Lygia! Riches, glory, power are mere smoke, vanity! The rich man will find a richer than himself; the greater glory of another will eclipse a man who is famous; a strong man will be conquered by a stronger. But can Caesar himself, can any god even, experience greater delight or be happier than a simple mortal at the moment when at his breast there is breathing another dear breast, or when he kisses beloved lips? Hence love makes us equal to the gods, O Lygia.”

And she listened with alarm, with astonishment, and at the same time as if she were listening to the sound of a Grecian flute or a cithara. It seemed to her at