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settled at the mansion-house was equally the wish of Edward and Elinor. They each felt his sorrows, and their own obligations, and Marianne, by general consent, was to be the reward of all.

With such a confederacy against her⁠—with a knowledge so intimate of his goodness⁠—with a conviction of his fond attachment to herself, which at last, though long after it was observable to everybody else⁠—burst on her⁠—what could she do?

Marianne Dashwood was born to an extraordinary fate. She was born to discover the falsehood of her own opinions, and to counteract, by her conduct, her most favourite maxims. She was born to overcome an affection formed so late in life as at seventeen, and with no sentiment superior to strong esteem and lively friendship, voluntarily to give her hand to another!⁠—and that other, a man who had suffered no less than herself under the event of a former attachment, whom, two years before, she had considered too old to be married⁠—and who still sought the constitutional safeguard of a flannel waistcoat!

But so it was. Instead of falling a sacrifice to an irresistible passion, as once she had fondly flattered herself with expecting, instead of remaining even forever with her mother, and finding her only pleasures in retirement and study, as afterwards in her more calm and sober judgment she had determined on⁠—she found herself at nineteen, submitting to new attachments, entering on new duties, placed in a new home, a wife, the mistress of a family, and the patroness of a village.

Colonel Brandon was now as happy as all those who best loved him, believed he deserved to be: in Marianne he was consoled for every past affliction: her regard and her society restored his mind to animation, and his spirits to cheerfulness; and that Marianne found her own happiness in forming his, was equally the persuasion and delight of each observing friend. Marianne could never love by halves; and her whole heart became, in time, as much devoted to her husband, as it had once been to Willoughby.

Willoughby could not hear of her marriage without a pang; and his punishment was soon afterwards complete in the voluntary forgiveness of Mrs. Smith, who, by stating his marriage with a woman of character as the source of her clemency, gave him reason for believing that had he behaved with honour towards Marianne, he might at once have been happy and rich. That his repentance of misconduct, which thus brought its own punishment, was sincere, need not be doubted; nor that he long thought of Colonel Brandon with envy, and of Marianne with regret. But that he was forever inconsolable, that he fled from society, or contracted an habitual gloom of temper, or died of a broken heart, must not be depended on⁠—for he did neither. He lived to exert, and frequently to enjoy himself. His wife was not always out of humour, nor his home always uncomfortable; and in his breed of horses and dogs, and in sporting of every kind, he found no inconsiderable degree of domestic felicity.

For Marianne, however, in spite of his incivility in surviving her loss, he always retained that decided regard which interested him in everything that befell her, and made her his secret standard of perfection in woman; and many a rising beauty would be slighted by him in after-days as bearing no comparison with Mrs. Brandon.

Mrs. Dashwood was prudent enough to remain at the cottage, without attempting a removal to Delaford; and fortunately for Sir John and Mrs. Jennings, when Marianne was taken from them, Margaret had reached an age highly suitable for dancing, and not very ineligible for being supposed to have a lover.

Between Barton and Delaford, there was that constant communication which strong family affection would naturally dictate; and among the merits and the happiness of Elinor and Marianne, let it not be ranked as the least considerable, that though sisters, and living almost within sight of each other, they could live without disagreement between themselves, or producing coolness between their husbands.

Colophon

Sense and Sensibility
was published in 1811 by
Jane Austen.

This ebook was produced for
Standard Ebooks
by
Vince Rice,
and is based on a transcription produced in 1994 by
Fritz Ohrenschall and Sankar Viswanathan
for
Project Gutenberg
and on digital scans available at the
Internet Archive.

The cover page is adapted from
At the Mirror,
a painting completed in 1827 by
Georg Friedrich Kersting.
The cover and title pages feature the
League Spartan and Sorts Mill Goudy
typefaces created in 2014 and 2009 by
The League of Moveable Type.

The first edition of this ebook was released on
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