Man and Superman - George Bernard Shaw (read an ebook week txt) 📗

hearthrug. Surmising that he has no valet, and seeing that he has no secretary with a shorthand notebook and a typewriter, one meditates on how little our great burgess domesticity has been disturbed by new fashions and methods, or by the enterprise of the railway and hotel companies which sell you a Saturday to Monday of life at Folkestone as a real gentleman for two guineas, first class fares both ways included.

How old is Roebuck? The question is important on the threshold of a drama of ideas; for under such circumstances everything depends on whether his adolescence belonged to the sixties or to the eighties. He was born, as a matter of fact, in 1839, and was a Unitarian and Free Trader from his boyhood, and an Evolutionist from the publication of the Origin of Species. Consequently he has always classed himself as an advanced thinker and fearlessly outspoken reformer.

Sitting at his writing table, he has on his right the windows giving on Portland Place. Through these, as through a proscenium, the curious spectator may contemplate his profile as well as the blinds will permit. On his left is the inner wall, with a stately bookcase, and the door not quite in the middle, but somewhat further from him. Against the wall opposite him are two busts on pillars: one, to his left, of John Bright; the other, to his right, of Mr. Herbert Spencer. Between them hang an engraved portrait of Richard Cobden; enlarged photographs of Martineau, Huxley, and George Eliot; autotypes of allegories by Mr. G. F. Watts (for Roebuck believes in the fine arts with all the earnestness of a man who does not understand them), and an impression of Dupont’s engraving of Delaroche’s Beaux Artes hemicycle, representing the great men of all ages. On the wall behind him, above the mantelshelf, is a family portrait of impenetrable obscurity.

A chair stands near the writing table for the convenience of business visitors. Two other chairs are against the wall between the busts.

A parlormaid enters with a visitor’s card. Roebuck takes it, and nods, pleased. Evidently a welcome caller. Ramsden Show him up. The parlormaid goes out and returns with the visitor. The Maid Mr. Robinson. Mr. Robinson is really an uncommonly nice looking young fellow. He must, one thinks, be the jeune premier; for it is not in reason to suppose that a second such attractive male figure should appear in one story. The slim shapely frame, the elegant suit of new mourning, the small head and regular features, the pretty little moustache, the frank clear eyes, the wholesome bloom and the youthful complexion, the well brushed glossy hair, not curly, but of fine texture and good dark color, the arch of good nature in the eyebrows, the erect forehead and neatly pointed chin, all announce the man who will love and suffer later on. And that he will not do so without sympathy is guaranteed by an engaging sincerity and eager modest serviceableness which stamp him as a man of amiable nature. The moment he appears, Ramsden’s face expands into fatherly liking and welcome, an expression which drops into one of decorous grief as the young man approaches him with sorrow in his face as well as in his black clothes. Ramsden seems to know the nature of the bereavement. As the visitor advances silently to the writing table, the old man rises and shakes his hand across it without a word: a long, affectionate shake which tells the story of a recent sorrow common to both. Ramsden Concluding the handshake and cheering up. Well, well, Octavius, it’s the common lot. We must all face it someday. Sit down. Octavius takes the visitor’s chair. Ramsden replaces himself in his own. Octavius Yes: we must face it, Mr. Ramsden. But I owed him a great deal. He did everything for me that my father could have done if he had lived. Ramsden He had no son of his own, you see. Octavius But he had daughters; and yet he was as good to my sister as to me. And his death was so sudden! I always intended to thank him⁠—to let him know that I had not taken all his care of me as a matter of course, as any boy takes his father’s care. But I waited for an opportunity and now he is dead⁠—dropped without a moment’s warning. He will never know what I felt. He takes out his handkerchief and cries unaffectedly. Ramsden How do we know that, Octavius? He may know it: we cannot tell. Come! Don’t grieve. Octavius masters himself and puts up his handkerchief. That’s right. Now let me tell you something to console you. The last time I saw him⁠—it was in this very room⁠—he said to me: “Tavy is a generous lad and the soul of honor; and when I see how little consideration other men get from their sons, I realize how much better than a son he’s been to me.” There! Doesn’t that do you good? Octavius Mr. Ramsden: he used to say to me that he had met only one man in the world who was the soul of honor, and that was Roebuck Ramsden. Ramsden Oh, that was his partiality: we were very old friends, you know. But there was something else he used to say about you. I wonder whether I ought to tell you or not! Octavius You know best. Ramsden It was something about his daughter. Octavius Eagerly. About Ann! Oh, do tell me that, Mr. Ramsden. Ramsden Well, he said he was glad, after all, you were not his son, because he thought that someday Annie and you⁠—Octavius blushes vividly. Well, perhaps I shouldn’t have told you. But he was in earnest. Octavius Oh, if only I thought I had a chance! You know, Mr. Ramsden, I don’t care about money or about what people call position; and I can’t bring myself to take an interest in the business of struggling for them. Well, Ann