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they passed on homeward, and thought of the matter no more.

It was Marty, as they had supposed. That evening had been the particular one of the week upon which Grace and herself had been accustomed to privately deposit flowers on Giles’s grave, and this was the first occasion since his death, eight months earlier, on which Grace had failed to keep her appointment. Marty had waited in the road just outside Little Hintock, where her fellow-pilgrim had been wont to join her, till she was weary; and at last, thinking that Grace had missed her and gone on alone, she followed the way to Great Hintock, but saw no Grace in front of her. It got later, and Marty continued her walk till she reached the churchyard gate; but still no Grace. Yet her sense of comradeship would not allow her to go on to the grave alone, and still thinking the delay had been unavoidable, she stood there with her little basket of flowers in her clasped hands, and her feet chilled by the damp ground, till more than two hours had passed.

She then heard the footsteps of Melbury’s men, who presently passed on their return from the search. In the silence of the night Marty could not help hearing fragments of their conversation, from which she acquired a general idea of what had occurred, and where Mrs. Fitzpiers then was.

Immediately they had dropped down the hill she entered the churchyard, going to a secluded corner behind the bushes, where rose the unadorned stone that marked the last bed of Giles Winterborne. As this solitary and silent girl stood there in the moonlight, a straight slim figure, clothed in a plaitless gown, the contours of womanhood so undeveloped as to be scarcely perceptible, the marks of poverty and toil effaced by the misty hour, she touched sublimity at points, and looked almost like a being who had rejected with indifference the attribute of sex for the loftier quality of abstract humanism. She stooped down and cleared away the withered flowers that Grace and herself had laid there the previous week, and put her fresh ones in their place.

“Now, my own, own love,” she whispered, “you are mine, and on’y mine; for she has forgot ’ee at last, although for her you died. But I⁠—whenever I get up I’ll think of ’ee, and whenever I lie down I’ll think of ’ee. Whenever I plant the young larches I’ll think that none can plant as you planted; and whenever I split a gad, and whenever I turn the cider-wring, I’ll say none could do it like you. If ever I forget your name, let me forget home and Heaven!⁠—But no, no, my love, I never can forget ’ee; for you was a good man, and did good things!”

Colophon

The Woodlanders
was published in 1887 by
Thomas Hardy.

This ebook was produced for
Standard Ebooks
by
Robin Whittleton,
and is based on a transcription produced in 1996 by
An Anonymous Volunteer and The Online Distributed Proofreading Team
for
Project Gutenberg
and on digital scans available at the
Internet Archive.

The cover page is adapted from
The Cornfield,
a painting completed in 1826 by
John Constable.
The cover and title pages feature the
League Spartan and Sorts Mill Goudy
typefaces created in 2014 and 2009 by
The League of Moveable Type.

The first edition of this ebook was released on
June 1, 2018, 11:26 p.m.
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Uncopyright

May you do good and not evil.
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