Vanity Fair - William Makepeace Thackeray (best summer books .txt) 📗

song which was performed in the other room came to an end, and caused him to hear his own voice so distinctly that he stopped, blushed, and blew his nose in great agitation.

“Did you ever hear anything like your brother’s eloquence?” whispered Mr. Osborne to Amelia. “Why, your friend has worked miracles.”

“The more the better,” said Miss Amelia; who, like almost all women who are worth a pin, was a matchmaker in her heart, and would have been delighted that Joseph should carry back a wife to India. She had, too, in the course of this few days’ constant intercourse, warmed into a most tender friendship for Rebecca, and discovered a million of virtues and amiable qualities in her which she had not perceived when they were at Chiswick together. For the affection of young ladies is of as rapid growth as Jack’s beanstalk, and reaches up to the sky in a night. It is no blame to them that after marriage this Sehnsucht nach der Liebe subsides. It is what sentimentalists, who deal in very big words, call a yearning after the Ideal, and simply means that women are commonly not satisfied until they have husbands and children on whom they may centre affections, which are spent elsewhere, as it were, in small change.

Having expended her little store of songs, or having stayed long enough in the back drawing-room, it now appeared proper to Miss Amelia to ask her friend to sing. “You would not have listened to me,” she said to Mr. Osborne (though she knew she was telling a fib), “had you heard Rebecca first.”

“I give Miss Sharp warning, though,” said Osborne, “that, right or wrong, I consider Miss Amelia Sedley the first singer in the world.”

“You shall hear,” said Amelia; and Joseph Sedley was actually polite enough to carry the candles to the piano. Osborne hinted that he should like quite as well to sit in the dark; but Miss Sedley, laughing, declined to bear him company any farther, and the two accordingly followed Mr. Joseph. Rebecca sang far better than her friend (though of course Osborne was free to keep his opinion), and exerted herself to the utmost, and, indeed, to the wonder of Amelia, who had never known her perform so well. She sang a French song, which Joseph did not understand in the least, and which George confessed he did not understand, and then a number of those simple ballads which were the fashion forty years ago, and in which British tars, our King, poor Susan, blue-eyed Mary, and the like, were the principal themes. They are not, it is said, very brilliant, in a musical point of view, but contain numberless good-natured, simple appeals to the affections, which people understood better than the milk-and-water lagrime, sospiri, and felicita of the eternal Donizettian music with which we are favoured nowadays.

Conversation of a sentimental sort, befitting the subject, was carried on between the songs, to which Sambo, after he had brought the tea, the delighted cook, and even Mrs. Blenkinsop, the housekeeper, condescended to listen on the landing-place.

Among these ditties was one, the last of the concert, and to the following effect:

Ah! bleak and barren was the moor,
Ah! loud and piercing was the storm,
The cottage roof was shelter’d sure,
The cottage hearth was bright and warm⁠—
An orphan boy the lattice pass’d,
And, as he mark’d its cheerful glow,
Felt doubly keen the midnight blast,
And doubly cold the fallen snow.

They mark’d him as he onward prest,
With fainting heart and weary limb;
Kind voices bade him turn and rest,
And gentle faces welcomed him.
The dawn is up⁠—the guest is gone,
The cottage hearth is blazing still;
Heaven pity all poor wanderers lone!
Hark to the wind upon the hill!

It was the sentiment of the before-mentioned words, “When I’m gone,” over again. As she came to the last words, Miss Sharp’s “deep-toned voice faltered.” Everybody felt the allusion to her departure, and to her hapless orphan state. Joseph Sedley, who was fond of music, and softhearted, was in a state of ravishment during the performance of the song, and profoundly touched at its conclusion. If he had had the courage; if George and Miss Sedley had remained, according to the former’s proposal, in the farther room, Joseph Sedley’s bachelorhood would have been at an end, and this work would never have been written. But at the close of the ditty, Rebecca quitted the piano, and giving her hand to Amelia, walked away into the front drawing-room twilight; and, at this moment, Mr. Sambo made his appearance with a tray, containing sandwiches, jellies, and some glittering glasses and decanters, on which Joseph Sedley’s attention was immediately fixed. When the parents of the house of Sedley returned from their dinner-party, they found the young people so busy in talking, that they had not heard the arrival of the carriage, and Mr. Joseph was in the act of saying, “My dear Miss Sharp, one little teaspoonful of jelly to recruit you after your immense⁠—your⁠—your delightful exertions.”

“Bravo, Jos!” said Mr. Sedley; on hearing the bantering of which well-known voice, Jos instantly relapsed into an alarmed silence, and quickly took his departure. He did not lie awake all night thinking whether or not he was in love with Miss Sharp; the passion of love never interfered with the appetite or the slumber of Mr. Joseph Sedley; but he thought to himself how delightful it would be to hear such songs as those after Cutcherry⁠—what a distingué girl she was⁠—how she could speak French better than the Governor-General’s lady herself⁠—and what a sensation she would make at the Calcutta balls. “It’s evident the poor devil’s in love with me,” thought he. “She is just as rich as most of the girls who come out to India. I might go farther, and fare worse, egad!” And in these meditations he fell asleep.

How Miss Sharp lay awake, thinking, will he come or not tomorrow? need not be told here. Tomorrow came, and, as sure