Vanity Fair - William Makepeace Thackeray (best summer books .txt) 📗

with sixteen good quarters of nobility and related to half the royal houses of Germany.

Pumpernickel stands in the midst of a happy valley through which sparkles⁠—to mingle with the Rhine somewhere, but I have not the map at hand to say exactly at what point⁠—the fertilizing stream of the Pump. In some places the river is big enough to support a ferryboat, in others to turn a mill; in Pumpernickel itself, the last Transparency but three, the great and renowned Victor Aurelius XIV built a magnificent bridge, on which his own statue rises, surrounded by water-nymphs and emblems of victory, peace, and plenty; he has his foot on the neck of a prostrate Turk⁠—history says he engaged and ran a Janissary through the body at the relief of Vienna by Sobieski⁠—but, quite undisturbed by the agonies of that prostrate Muhammadan, who writhes at his feet in the most ghastly manner, the Prince smiles blandly and points with his truncheon in the direction of the Aurelius Platz, where he began to erect a new palace that would have been the wonder of his age had the great-souled Prince but had funds to complete it. But the completion of Monplaisir (Monblaisir the honest German folks call it) was stopped for lack of ready money, and it and its park and garden are now in rather a faded condition, and not more than ten times big enough to accommodate the court of the reigning sovereign.

The gardens were arranged to emulate those of Versailles, and amidst the terraces and groves there are some huge allegorical waterworks still, which spout and froth stupendously upon fête-days, and frighten one with their enormous aquatic insurrections. There is the Trophonius’ cave in which, by some artifice, the leaden Tritons are made not only to spout water, but to play the most dreadful groans out of their lead conchs⁠—there is the Nymph-bath and the Niagara cataract, which the people of the neighbourhood admire beyond expression, when they come to the yearly fair at the opening of the Chamber, or to the fêtes with which the happy little nation still celebrates the birthdays and marriage-days of its princely governors.

Then from all the towns of the Duchy, which stretches for nearly ten mile⁠—from Bolkum, which lies on its western frontier bidding defiance to Prussia, from Grogwitz, where the Prince has a hunting-lodge, and where his dominions are separated by the Pump River from those of the neighbouring Prince of Potzenthal; from all the little villages, which besides these three great cities, dot over the happy principality⁠—from the farms and the mills along the Pump come troops of people in red petticoats and velvet headdresses, or with three-cornered hats and pipes in their mouths, who flock to the Residenz and share in the pleasures of the fair and the festivities there. Then the theatre is open for nothing, then the waters of Monblaisir begin to play (it is lucky that there is company to behold them, for one would be afraid to see them alone)⁠—then there come mountebanks and riding troops (the way in which his Transparency was fascinated by one of the horse-riders is well known, and it is believed that La Petite Vivandière, as she was called, was a spy in the French interest), and the delighted people are permitted to march through room after room of the Grand Ducal palace and admire the slippery floor, the rich hangings, and the spittoons at the doors of all the innumerable chambers. There is one Pavilion at Monblaisir which Aurelius Victor XV had arranged⁠—a great Prince but too fond of pleasure⁠—and which I am told is a perfect wonder of licentious elegance. It is painted with the story of Bacchus and Ariadne, and the table works in and out of the room by means of a windlass, so that the company was served without any intervention of domestics. But the place was shut up by Barbara, Aurelius XV’s widow, a severe and devout Princess of the House of Bolkum and Regent of the Duchy during her son’s glorious minority, and after the death of her husband, cut off in the pride of his pleasures.

The theatre of Pumpernickel is known and famous in that quarter of Germany. It languished a little when the present Duke in his youth insisted upon having his own operas played there, and it is said one day, in a fury, from his place in the orchestra, when he attended a rehearsal, broke a bassoon on the head of the Chapel Master, who was conducting, and led too slow; and during which time the Duchess Sophia wrote domestic comedies, which must have been very dreary to witness. But the Prince executes his music in private now, and the Duchess only gives away her plays to the foreigners of distinction who visit her kind little Court.

It is conducted with no small comfort and splendour. When there are balls, though there may be four hundred people at supper, there is a servant in scarlet and lace to attend upon every four, and everyone is served on silver. There are festivals and entertainments going continually on, and the Duke has his chamberlains and equerries, and the Duchess her mistress of the wardrobe and ladies of honour, just like any other and more potent potentates.

The Constitution is or was a moderate despotism, tempered by a Chamber that might or might not be elected. I never certainly could hear of its sitting in my time at Pumpernickel. The Prime Minister had lodgings in a second floor, and the Foreign Secretary occupied the comfortable lodgings over Zwieback’s Conditorey. The army consisted of a magnificent band that also did duty on the stage, where it was quite pleasant to see the worthy fellows marching in Turkish dresses with rouge on and wooden scimitars, or as Roman warriors with ophicleides and trombones⁠—to see them again, I say, at night, after one had listened to them all the morning in the