The Wings of the Dove - Henry James (classic literature books TXT) 📗

possibilities: he imaged it⁠—which was enough as some proved vanity, some exposed fatuity, in the idea of bringing Mrs. Lowder round. When, shortly afterwards, in this lady’s vast drawing-room⁠—the apartments at Lancaster Gate had struck him from the first as of prodigious extent⁠—he awaited her, at her request, conveyed in a “reply-paid” telegram, his theory was that of their still clinging to their idea, though with a sense of the difficulty of it really enlarged to the scale of the place.

He had the place for a long time⁠—it seemed to him a quarter of an hour⁠—to himself; and while Aunt Maud kept him and kept him, while observation and reflection crowded on him, he asked himself what was to be expected of a person who could treat one like that. The visit, the hour were of her own proposing, so that her delay, no doubt, was but part of a general plan of putting him to inconvenience. As he walked to and fro, however, taking in the message of her massive, florid furniture, the immense expression of her signs and symbols, he had as little doubt of the inconvenience he was prepared to suffer. He found himself even facing the thought that he had nothing to fall back on, and that that was as great a humiliation in a good cause as a proud man could desire. It had not yet been so distinct to him that he made no show⁠—literally not the smallest; so complete a show seemed made there all about him; so almost abnormally affirmative, so aggressively erect, were the huge, heavy objects that syllabled his hostess story. “When all’s said and done, you know, she’s colossally vulgar”⁠—he had once all but said that of Mrs. Lowder to her niece; only just keeping it back at the last, keeping it to himself with all its danger about it. It mattered because it bore so directly, and he at all events quite felt it a thing that Kate herself would some day bring out to him. It bore directly at present, and really all the more that somehow, strangely, it didn’t in the least imply that Aunt Maud was dull or stale. She was vulgar with freshness, almost with beauty, since there was beauty, to a degree, in the play of so big and bold a temperament. She was in fine quite the largest possible quantity to deal with; and he was in the cage of the lioness without his whip⁠—the whip, in a word, of a supply of proper retorts. He had no retort but that he loved the girl⁠—which in such a house as that was painfully cheap. Kate had mentioned to him more than once that her aunt was Passionate, speaking of it as a kind of offset and uttering it as with a capital P, marking it as something that he might, that he in fact ought to, turn about in some way to their advantage. He wondered at this hour to what advantage he could turn it; but the case grew less simple the longer he waited. Decidedly there was something he hadn’t enough of. He stood as one fast.

His slow march to and fro seemed to give him the very measure; as he paced and paced the distance it became the desert of his poverty; at the sight of which expanse moreover he could pretend to himself as little as before that the desert looked redeemable. Lancaster Gate looked rich⁠—that was all the effect; which it was unthinkable that any state of his own should ever remotely resemble. He read more vividly, more critically, as has been hinted, the appearances about him; and they did nothing so much as make him wonder at his aesthetic reaction. He hadn’t known⁠—and in spite of Kate’s repeated reference to her own rebellions of taste⁠—that he should “mind” so much how an independent lady might decorate her house. It was the language of the house itself that spoke to him, writing out for him, with surpassing breadth and freedom, the associations and conceptions, the ideals and possibilities of the mistress. Never, he flattered himself, had he seen anything so gregariously ugly⁠—operatively, ominously so cruel. He was glad to have found this last name for the whole character; “cruel” somehow played into the subject for an article⁠—that his impression put straight into his mind. He would write about the heavy horrors that could still flourish, that lifted their undiminished heads, in an age so proud of its short way with false gods; and it would be funny if what he should have got from Mrs. Lowder were to prove, after all, but a small amount of copy. Yet the great thing, really the dark thing, was that, even while he thought of the quick column he might add up, he felt it less easy to laugh at the heavy horrors than to quail before them. He couldn’t describe and dismiss them collectively, call them either Mid-Victorian or Early; not being at all sure they were rangeable under one rubric. It was only manifest they were splendid and were furthermore conclusively British. They constituted an order and they abounded in rare material⁠—precious woods, metals, stuffs, stones. He had never dreamed of anything so fringed and scalloped, so buttoned and corded, drawn everywhere so tight, and curled everywhere so thick. He had never dreamed of so much gilt and glass, so much satin and plush, so much rosewood and marble and malachite. But it was, above all, the solid forms, the wasted finish, the misguided cost, the general attestation of morality and money, a good conscience and a big balance. These things finally represented for him a portentous negation of his own world of thought⁠—of which, for that matter, in the presence of them, he became as for the first time hopelessly aware. They revealed it to him by their merciless difference. His interview with Aunt Maud, none the less, took by no means the turn he had expected. Passionate though