Titanic - Filson Young (reading in the dark .TXT) 📗
- Author: Filson Young
- Performer: -
Book online «Titanic - Filson Young (reading in the dark .TXT) 📗». Author Filson Young
The music flows on and the smooth service accomplishes itself; Honour and Glory, high up under the wrought-iron dome of the staircase, are crowning another hour of Time; and our traveller comes up into the fresh air again in order to assure himself that he is really at sea. The electric lift whisks him up four storeys to the deck again; there all around him are the blue-gray waters of the Channel surging in a white commotion past the towering sides of the ship, spurned by the tremendous rush and momentum of these fifty thousand tons through the sea. This time our traveller stops short of the boat-deck, and begins to explore the far vaster B deck which, sheltered throughout its great length by the boat-deck above, and free from all impediments, extends like a vast white roadway on either side of the central deck. Here the busy deck stewards are arranging chairs in the places that will be occupied by them throughout the voyage. Here, as on the parade of a fashionable park, people are taking their walks in the afternoon sunshine.
From the staircase forward the deck houses are devoted to apartments which are still by force of habit called cabins, but which have nothing in fact to distinguish them from the most luxurious habitations ashore, except that no dust ever enters them and that the air is always fresh from the open spaces of the sea. They are not for the solitary traveller; but our friend perhaps is curious and peeps in through an uncurtained window. There is a complete habitation with bed-rooms, sitting-room, bath-room and service-room complete. They breathe an atmosphere of more than mechanical luxury, more than material pleasures. Twin bedsteads, perfect examples of Empire or Louis Seize, symbolize the romance to which the most extravagant luxury in the world is but a minister. Instead of ports there are windows—windows that look straight out on to the blue sea, as might the windows of a castle on a cliff. Instead of stoves or radiators there are open grates, where fires of sea-coal are burning brightly. Every suite is in a different style, and each and all are designed and furnished by artists; and the love and repose of millionaires can be celebrated in surroundings of Adam or Hepplewhite, or Louis Quatorze or the Empire, according to their tastes. And for the hire of each of these theatres the millionaire must pay some two hundred guineas a day, with the privilege of being quite alone, cut off from the common herd who are only paying perhaps five-and-twenty pounds a day, and with the privilege, if he chooses, of seeing nothing at all that has to do with a ship, not even the sea.
For there is one thing that the designers of this sea-palace seem to have forgotten and seem to be a little ashamed of—and that is the sea itself. There it lies, an eternal prospect beyond these curtained windows, by far the most lovely and wonderful thing visible; but it seems to be forgotten there. True, there is a smoke-room at the after extremity of the deck below this, whose windows look out into a great verandah sheeted in with glass from which you cannot help looking upon the sea. But in order to counteract as much as possible that austere and lovely reminder of where we are, trellis-work has been raised within the glass, and great rose-trees spread and wander all over it, reminding you by their crimson blossoms of the earth and the land, and the scented shelter of gardens that are far from the boisterous stress of the sea. No spray ever drifts in at these heights, no froth or spume can ever in the wildest storms beat upon this verandah. Here, too, as almost everywhere else on the ship, you can, if you will, forget the sea.
IIIThe first afternoon at sea seems long: every face is strange, and it seems as though in so vast a crowd none will ever become familiar, although one of the miracles of sea-life is the way in which the blurred crowd resolves itself into individual units, each of which has its character and significance. And if we are really to know and understand and not merely to hear with our ears the tale of what happened to the greatest ship in the world, we must first prepare and soak our minds in her atmosphere, and take in imagination that very voyage which began so happily on this April day. At the end of the afternoon came the coast of France, and Cherbourg—a sunset memory of a long breakwater, a distant cliff crowned with a white building, a fussing of tugs and hasty transference of passengers and mails; and finally the lighthouse showing a golden star against the sunset, when the great ship’s head was turned to the red west, and the muffled and murmuring song of the engines was taken up again. Perhaps our traveller, bent upon more discoveries, dined that night not in the saloon, but in the restaurant, and, following the illuminated electric signs that pointed the way along the numerous streets and roads of the ship, found his way aft to the Café-Restaurant; where instead of stewards were French waiters and a maître d’hotel from Paris, and all the perfection of that perfect and expensive service which condescends to give you a meal for something under a five-pound note; where, surrounded by Louis Seize panelling of fawn-coloured walnut, you may on this April evening eat your plovers’ eggs and strawberries, and drink your 1900 Clicquot, and that in perfect oblivion of the surrounding sea. Afterwards, perhaps, a stroll on the deck amid groups of people, not swathed in pea-jackets or oilskins, but attired as though for the opera; and all the time, in an atmosphere golden with light, and musical with low-talking voices and the yearning strains of a waltz, driving five-and-twenty miles an hour westward, with the black night and the sea all about us. And then to bed, not in a bunk in a cabin but in a bedstead in a quiet room with a telephone through which to speak to any one of two thousand people, and a message handed in before you go to sleep that someone wrote in New York since you rose from the dinner-table.
The next morning the scene at Cherbourg was repeated, with the fair green shores of Cork Harbour instead of the cliffs of France for its setting; and then quietly, without fuss, in the early afternoon of Thursday, out round the green point, beyond the headland, and the great ship has steadied on her course and on the long sea-road at last. How worn it is! How seamed and furrowed and printed with the track-lines of journeys innumerable; how changing, and yet how unchanged—the road that leads to Archangel or Sicily, to Ceylon or to the frozen Pole; the old road that leads to the ruined gateways of Phoenicia, of Venice, of Tyre; the new road that leads to new lives and new lands; the dustless road, the long road that all must travel who in body or in spirit would really discover a new world. And travel on it as you may for tens of thousands of miles, you come back to it always with the same sense of expectation, never wholly disappointed; and always with the same certainty that you will find at the turn or corner of the road, either some new thing or the renewal of something old.
There is no human experience in which the phenomena of small varieties within one large monotony are so clearly exemplified as in a sea-voyage. The dreary beginnings of docks, of baggage, and soiled harbour water; the quite hopeless confusion of strange faces—faces entirely collective, comprising a mere crowd; the busy highway of the Channel, sunlit or dim with mist or rain, or lighted and bright at night like the main street of a city; the last outpost, the Lizard, with its high gray cliffs, green-roofed, with tiny homesteads perched on the ridge; or Ushant, that tall monitory tower upstanding on the melancholy misty flats; or the solitary Fastnet, lonely, ultimate and watching—these form the familiar overture to the subsequent isolation and vacancy of the long road itself. There are the same day and night of disturbance, the vacant places at table, the prone figures, swathed and motionless in deck-chairs, the morning of brilliant sunshine, when the light that streams into the cabins has a vernal strangeness and wonder for town-dimmed eyes; the gradual emergence of new faces and doubtful staggering back of the demoralized to the blessed freshness of the upper air; the tentative formation of groups and experimental alliances, the rapid disintegration of these and re-formation on entirely new lines; and then that miracle of unending interest and wonder, that the faces that were only the blurred material of a crowd begin one by one to emerge from the background and detach themselves from the mass, to take on identity, individuality, character, till what was a crowd of uninteresting, unidentified humanity becomes a collection of individual persons with whom one’s destinies for the time are strangely and unaccountably bound up; among whom one may have acquaintances, friends, or perhaps enemies; who for the inside of a week are all one’s world of men and women.
There are few alterative agents so powerful and sure in their working as latitude and longitude; and as we slide across new degrees, habit, association, custom, and ideas slip one by one imperceptibly away from us; we come really into a new world, and if we had no hearts and no memories we should soon become different people. But the heart lives its own life, spinning gossamer threads that float away astern across time and space, joining us invisibly to that which made and fashioned us, and to which we hope to return.
IVWonderful, even for experienced travellers, is that first waking to a day on which there shall be no sight of the shore, and the first of several days of isolation in the world of a ship. There is a quality in the morning sunshine at sea as it streams into the ship and is reflected in the white paint and sparkling water of the bath-rooms, and in the breeze that blows cool and pure along the corridors, that is like nothing else. The company on the Titanic woke up on Friday morning to begin in earnest their four days
Comments (0)