Resurrection - Leo Tolstoy (me reader TXT) 📗

door after him. In this drawing-room his mother had died three months before. On entering the room, in which two lamps with reflectors were burning, one lighting up his father’s and the other his mother’s portrait, he remembered what his last relations with his mother had been. And they also seemed shameful and horrid. He remembered how, during the latter period of her illness, he had simply wished her to die. He had said to himself that he wished it for her sake, that she might be released from her suffering, but in reality he wished to be released from the sight of her sufferings for his own sake.

Trying to recall a pleasant image of her, he went up to look at her portrait, painted by a celebrated artist for 800 roubles. She was depicted in a very low-necked black velvet dress. There was something very revolting and blasphemous in this representation of his mother as a half-nude beauty. It was all the more disgusting because three months ago, in this very room, lay this same woman, dried up to a mummy. And he remembered how a few days before her death she clasped his hand with her bony, discoloured fingers, looked into his eyes, and said: “Do not judge me, Mítia, if I have not done what I should,” and how the tears came into her eyes, grown pale with suffering.

“Ah, how horrid!” he said to himself, looking up once more at the half-naked woman, with the splendid marble shoulders and arms, and the triumphant smile on her lips. “Oh, how horrid!” The bared shoulders of the portrait reminded him of another, a young woman, whom he had seen exposed in the same way a few days before. It was Missy, who had devised an excuse for calling him into her room just as she was ready to go to a ball, so that he should see her in her ball dress. It was with disgust that he remembered her fine shoulders and arms. “And that father of hers, with his doubtful past and his cruelties, and the bel-esprit her mother, with her doubtful reputation.” All this disgusted him, and also made him feel ashamed. “Shameful and horrid; horrid and shameful!”

“No, no,” he thought; “freedom from all these false relations with the Korchágins and Mary Vasílievna and the inheritance and from all the rest must be got. Oh, to breathe freely, to go abroad, to Rome and work at my picture!” He remembered the doubts he had about his talent for art. “Well, never mind; only just to breathe freely. First Constantinople, then Rome. Only just to get through with this jury business, and arrange with the advocate first.”

Then suddenly there arose in his mind an extremely vivid picture of a prisoner with black, slightly-squinting eyes, and how she began to cry when the last words of the prisoners had been heard; and he hurriedly put out his cigarette, pressing it into the ashpan, lit another, and began pacing up and down the room. One after another the scenes he had lived through with her rose in his mind. He recalled that last interview with her. He remembered the white dress and blue sash, the early mass. “Why, I loved her, really loved her with a good, pure love, that night; I loved her even before: yes, I loved her when I lived with my aunts the first time and was writing my composition.” And he remembered himself as he had been then. A breath of that freshness, youth and fullness of life seemed to touch him, and he grew painfully sad. The difference between what he had been then and what he was now, was enormous⁠—just as great, if not greater than the difference between Katúsha in church that night, and the prostitute who had been carousing with the merchant and whom they judged this morning. Then he was free and fearless, and innumerable possibilities lay ready to open before him; now he felt himself caught in the meshes of a stupid, empty, valueless, frivolous life, out of which he saw no means of extricating himself even if he wished to, which he hardly did. He remembered how proud he was at one time of his straightforwardness, how he had made a rule of always speaking the truth, and really had been truthful; and how he was now sunk deep in lies: in the most dreadful of lies⁠—lies considered as the truth by all who surrounded him. And, as far as he could see, there was no way out of these lies. He had sunk in the mire, got used to it, indulged himself in it.

How was he to break off his relations with Mary Vasílievna and her husband in such a way as to be able to look him and his children in the eyes? How disentangle himself from Missy? How choose between the two opposites⁠—the recognition that holding land was unjust and the heritage from his mother? How atone for his sin against Katúsha? This last, at any rate, could not be left as it was. He could not abandon a woman he had loved, and satisfy himself by paying money to an advocate to save her from hard labour in Siberia. She had not even deserved hard labour. Atone for a fault by paying money? Had he not then, when he gave her the money, thought he was atoning for his fault?

And he clearly recalled to mind that moment when, having caught her up in the passage, he thrust the money into her bib and ran away. “Oh, that money!” he thought with the same horror and disgust he had then felt. “Oh, dear! oh, dear! how disgusting,” he cried aloud as he had done then. “Only a scoundrel, a knave, could do such a thing. And I am that knave, that scoundrel!” He went on aloud: “But is it possible?”⁠—he stopped and stood still⁠—“is it possible that I am really a scoundrel?⁠ ⁠… Well, who