The Sketch-Book of Geoffrey Crayon, Gent. - Washington Irving (ebook e reader TXT) 📗

receiving, perhaps, a nod and smile from her young mistresses, at whose toilet she has assisted.

Now rumbles along the carriage of some magnate of the city, peradventure an alderman or a sheriff, and now the patter of many feet announces it procession of charity scholars in uniforms of antique cut, and each with a prayerbook under his arm.

The ringing of bells is at an end; the rumbling of the carriage has ceased; the pattering of feet is heard no more; the flocks are folded in ancient churches, cramped up in by-lanes and corners of the crowded city, where the vigilant beadle keeps watch, like the shepherd’s dog, round the threshold of the sanctuary. For a time everything is hushed, but soon is heard the deep, pervading sound of the organ, rolling and vibrating through the empty lanes and courts, and the sweet chanting of the choir making them resound with melody and praise. Never have I been more sensible of the sanctifying effect of church music than when I have heard it thus poured forth, like a river of joy, through the inmost recesses of this great metropolis, elevating it, as it were, from all the sordid pollutions of the week, and bearing the poor world-worn soul on a tide of triumphant harmony to heaven.

The morning service is at an end. The streets are again alive with the congregations returning to their homes, but soon again relapse into silence. Now comes on the Sunday dinner, which, to the city tradesman, is a meal of some importance. There is more leisure for social enjoyment at the board. Members of the family can now gather together, who are separated by the laborious occupations of the week. A schoolboy may be permitted on that day to come to the paternal home; an old friend of the family takes his accustomed Sunday seat at the board, tells over his well-known stories, and rejoices young and old with his well-known jokes.

On Sunday afternoon the city pours forth its lesions to breathe the fresh air and enjoy the sunshine of the parks and rural environs. Satirists may say what they please about the rural enjoyments of a London citizen on Sunday, but to me there is something delightful in beholding the poor prisoner of the crowded and dusty city enabled thus to come forth once a week and throw himself upon the green bosom of nature. He is like a child restored to the mother’s breast; and they who first spread out these noble parks and magnificent pleasure-grounds which surround this huge metropolis have done at least as much for its health and morality as if they had expended the amount of cost in hospitals, prisons, and penitentiaries.

The Boar’s Head Tavern, Eastcheap A Shakespearian Research

“A tavern is the rendezvous, the exchange, the staple of good fellows. I have heard my great-grandfather tell, how his great-great-grandfather should say, that it was an old proverb when his great-grandfather was a child, that ‘it was a good wind that blew a man to the wine.’ ”

Mother Bombie

It is a pious custom in some Catholic countries to honor the memory of saints by votive lights burnt before their pictures. The popularity of a saint, therefore, may be known by the number of these offerings. One, perhaps, is left to moulder in the darkness of his little chapel; another may have a solitary lamp to throw its blinking rays athwart his effigy; while the whole blaze of adoration is lavished at the shrine of some beatified father of renown. The wealthy devotee brings his huge luminary of wax, the eager zealot, his seven-branched candlestick; and even the mendicant pilgrim is by no means satisfied that sufficient light is thrown upon the deceased unless he hangs up his little lamp of smoking oil. The consequence is, that in the eagerness to enlighten, they are often apt to obscure; and I have occasionally seen an unlucky saint almost smoked out of countenance by the officiousness of his followers.

In like manner has it fared with the immortal Shakespeare. Every writer considers it his bounden duty to light up some portion of his character or works, and to rescue some merit from oblivion. The commentator, opulent in words, produces vast tomes of dissertations; the common herd of editors send up mists of obscurity from their notes at the bottom of each page; and every casual scribbler brings his farthing rushlight of eulogy or research to swell the cloud of incense and of smoke.

As I honor all established usages of my brethren of the quill, I thought it but proper to contribute my mite of homage to the memory of the illustrious bard. I was for some time, however, sorely puzzled in what way I should discharge this duty. I found myself anticipated in every attempt at a new reading; every doubtful line had been explained a dozen different ways, and perplexed beyond the reach of elucidation; and as to fine passages, they had all been amply praised by previous admirers; nay, so completely had the bard, of late, been overlarded with panegyric by a great German critic that it was difficult now to find even a fault that had not been argued into a beauty.

In this perplexity I was one morning turning over his pages when I casually opened upon the comic scenes of Henry IV, and was, in a moment, completely lost in the madcap revelry of the Boar’s Head Tavern. So vividly and naturally are these scenes of humor depicted, and with such force and consistency are the characters sustained, that they become mingled up in the mind with the facts and personages of real life. To few readers does it occur that these are all ideal creations of a poet’s brain, and that, in sober truth, no such knot of merry roisterers ever enlivened the dull neighborhood of Eastcheap.

For my part, I love to give myself up to the illusions of poetry. A hero